Could Godzilla really exist? Scientists have found out whether Godzilla could exist in the real world. The size of Godzilla in the films.

17.06.2019

We are starting a new column “Character”, in which we will talk about real facts from the life of unreal characters in the world of cinema and computer games.

Sixty years ago, due to trials hydrogen bomb A giant of unprecedented size stepped onto the ground. Startling the most cold-blooded nation in the world, Nature's Wrath struck a devastating blow, destroying Japan and forcing humanity to consider the consequences of its actions. As usual, humanity has not realized anything, and the inhabitant of the prehistoric era will be awakened more than once. His name is Godzilla - King of the Monsters.

The first appearance of a terrible mutant dinosaur took place back in 1954, when the film “Godzilla” was released (in Japan the monster is called Gojira). The name of the monster was not given anyhow, it consists of two words: Gorira (Gorilla) and Kujira (Whale). The monster initially did not resemble either the first or the second, but in some way resembled (and resembles) a real-life dinosaur - a stegosaurus. Although, as a lover of paleontology, I can assure you that there is little similarity here - a small head, a ridge on the back and the presence of a second “brain” in the pelvic area. In addition, the stegosaurus walked on four legs, and our ancient lizard proudly strides on two. But we digress... The whole secret of the monster’s name is that this nickname was given to one of the employees of the Toho studio, which produced films about the lizard. So, Godzilla is not a whale, not a primate, and did not work in a film studio. So who is he?

Godzilla Gallery

Creatures of his type are called Kaiju in Japan, which means “Strange Beast.” There is an entire industry of filmmaking that produces Kaiju films. Among the most extreme representatives we can note “Pacific Rim”, “Monstro”, and “Godzilla” of 2014. According to the plot of the first film, Godzilla is a surviving dinosaur that hibernated for centuries on the ocean floor. The hydrogen bomb tests not only awakened the terrible creature, but also led to its mutation. As a result, Godzilla reached a height of 100 meters (in the 2014 film, this is a record mark. In general, the height changed in each film), began to feed on radiation and learned to condense destructive energy into his dorsal crest, which he released by shooting from his mouth a beam of enormous power - Atomic Breath.

His aggression towards Japan is not entirely clear, but given that Godzilla is a mutant dinosaur awakened after centuries of hibernation, it is quite justified. I also get nervous and yell when I don’t get enough sleep.

Speaking of screaming. In 1954, Godzilla’s cry was heard for the first time and subsequently became one of the signature “chips.” A cat's squeal, a child's cry, the creaking of metal - what the audience heard in this heartbreaking call to battle or a cry of victory. But in reality, everything turned out to be much simpler. "Scream" was provoked string instrument, like a double bass, when someone ran a leather-gloved hand along the strings.

Godzilla films are divided into three eras:

Showa (1954-1975)

There are four films to note in this era: the first three and the mega-crossover.

Godzilla (1954)

Godzilla's grim, gritty first appearance, although in black and white, contained plenty of thrills, drama, and a tragic analogy to nuclear weapons. The film became a classic and launched an immortal franchise.

Godzilla Strikes Again (1955)

The second is notable because it created the pattern of Kaiju films: a confrontation between two monsters. Godzilla has an enemy, and confrontation with him promises the destruction of cities. Also in the second film there was an Easter egg - the destruction of the pagoda. In the future it will be destroyed in almost every film.

King Kong vs. Godzilla (1962)

Yes! Two of the greatest monsters of the cinematic universe met in one film! But to prevent King Kong from being devoured by the King of the Monsters, he had to upgrade. Initially, King Kong is only eight meters tall. This was corrected by feeding Kong to Godzilla size.

Next came a series of films, which, as a rule, were called “Godzilla vs...” or “... vs. Godzilla.” In place of the ellipsis, the name of the next opponent was inserted, unfamiliar to us, but very popular in Japan. The same Mothra (a giant butterfly, the divine protector of the earth) had her own series of films even before meeting the ancient lizard. Most films are distinguished by completely crazy plots, psychedelic presentation of pictures and simply delirium of a sick person.

DestroyallMonsters (1968)

The most magnificent end to an era. The creators brought together all the monsters with whom Godzilla had ever fought, and contrasted this “Pleiad of Stars” with the most powerful enemy - the three-headed King Ghidorah.

The era could have ended with this, but several more films were released that turned out to be mediocre. By watching them you can find out that Godzilla:

- can laugh and speak in the “language of monsters”;

- dances very funny;

- a touching single father, although a goofball;

— visited space;

- can fly backwards in a fetal position, using Atomic Breathing as a propellant.

Godzilla was played by a live actor in rubber suits of varying degrees of horror. Although the role was epic, it was incredibly difficult. The costume did not provide ventilation (the actors fainted from the stuffiness and heat inside), any viewing “window” (all scenes were played almost blindly), and was quite heavy and uncomfortable.

Heisei (1984-1995)

After nine years of peace and quiet, the Monster is back! This era rejects all the crazy nonsense filmed in the first era, leaving only the very first film of 1954 canonical.

Return of Godzilla (1984)

Having returned the King to the screen, the creators returned to the original state of affairs - Godzilla is evil, he has no rival, and therefore it is necessary to trample the little people. This is the only film of the era to appear in American box office.

Godzilla vs. King Ghidorah (1991)

The film is interesting because it explains the appearance of Godzilla. In addition, King Ghidorah, who is Godzilla's greatest rival, again becomes the enemy. The plot is styled science fiction, with time travel and evil Americans.

Godzilla vs. Space Godzilla (1994)

A classic example of Evil Reflection. Godzilla's cells end up in space and crystallize in a black hole, from where the "Evil Copy" subsequently emerges.

Godzilla vs. Destroyer (1995)

The final film of the Heisei era and, in fact, the failed completion of the franchise as a whole (although the Toho studio had no intention of stopping the production of films in the series. It’s all about marketing). The most terrible rival, the most dramatic events and the “final” death of the giant beloved by many.

In this era we learn that:

- Godzilla's heart is a nuclear reactor. His overheating led to Godzilla's death;

- Godzilla's son almost died fighting the Destroyer;

Minilla - son of Godzilla

— Godzilla in the prehistoric era was a Godzillasaurus, a predatory lizard not of such gigantic size and not shooting. Godzillasaurus is a real-life dinosaur, but apart from the name it has nothing in common with the cinematic incarnation. They are not related, and Japan can sleep peacefully;

— Godzilla is already more agile, but he is still a living actor in a suit. The special effects have gotten better (for the time).

In a break between eras, American greedy people decided to put their paw to the gravy train, and director Roland Emmerich filmed...

Godzilla (1998)

A disgrace that made all fans of the Japanese series spit. An attempt to give the film realism and turn a prehistoric “nuclear” lizard into an overgrown iguana. There is pathos in the film huge quantities, one Jean Reno and a lot of bad actors, a computer scaly bastard hatching eggs, and a bunch of velociraptors stolen from Jurassic Park. The film failed in Japan, and this is more than obvious. Emmerich wanted to make a sequel, but the Toho studio, to the great joy of fans, was frightened by this fact and took away the rights to the franchise. Although there was still one plus in a heap of continuous minuses - the film served as an impetus for a new era, and the return of Nature's Wrath was only a matter of time.

Millennium/Shinsei (1999-2004)

Final on this moment era of Japanese Godzilla films. In response, Hollywood needed to make something that showed the true power of the Monster, and was more serious and terrifying.

Godzilla: Millennium (1999)

More science fiction, Godzilla is again an anti-hero, designed to destroy and destroy. In addition, he acquired the ability to regenerate. There are also other rivals in the film: Millenian and Orga.

In general, the era represents a familiar confrontation between familiar monsters. The quality has improved, terrible computer graphics and dramatic moments have been added. The series began to run out of steam, and it was time to stop it completely...

Godzilla: Final Wars (2004)

50 years have passed since the release of the first film. A decent age, and it’s time for the King of the Monsters to retire. But before that, you need to survive the greatest monster battle since DestroyallMonsters! All the most famous rivals, new opponents and monsters that have not appeared in films for a long time came together on one screen. In tribute, the ending does not show Godzilla being defeated or killed, but going to sea with his son for a well-deserved rest.

In this era we learn that:

— The American “Godzilla” (who is actually just called Zilla) exists, but he is the weakest rival to the real Godzilla. Lost the Battle of Sydney as soon as possible, unable to withstand one single Atomic exhalation;

- in films of this era there are a lot of references to past films, again as a tribute;

- despite the passing of 50 years, Godzilla is still played by live actors.

Gone greatest battles, and for 10 years Godzilla has been in oblivion. But the King of the Monsters will never sleep forever!

Legendary era? (2014-…)

Godzilla (2014)

A reboot of the American series by LegendaryPictures and the most epic, in my opinion, return of Godzilla. Almost 110 meters tall, 90 tons of mass - truly a GREATEST MONSTER. This time the film was a success. And most of all, it is similar to the very first film about Godzilla - the key role is given to people, and Godzilla is just an aggressive creature of nature. Although the film also absorbed a lot of good things from the entire series: there are giant rivals, the image of the King of the Monsters is taken from the classic series, and not invented from the head. And Atomic Breath has not disappeared anywhere. It is already known that work is underway on a sequel to the film, which means that a new era is being born, and 60 years later - Godzilla is alive and ready to hunt!

Sergey Khokhlin

P.S. The Japanese Godzilla has his own star on the Hollywood Walk of Fame.

We are starting a new column “Character”, in which we will talk about real facts from the life of unreal characters in the world of cinema and computer games.

Sixty years ago, as a result of testing a hydrogen bomb, a giant of unprecedented size set foot on the earth. Startling the most cold-blooded nation in the world, Nature's Wrath struck a devastating blow, destroying Japan and forcing humanity to consider the consequences of its actions. As usual, humanity has not realized anything, and the inhabitant of the prehistoric era will be awakened more than once. His name is Godzilla - King of the Monsters.

Godzilla Gallery

Speaking of screaming. In 1954, Godzilla’s cry was heard for the first time and subsequently became one of the signature “chips.” A cat's squeal, a child's cry, the creaking of metal - what the audience heard in this heartbreaking call to battle or a cry of victory. But in reality, everything turned out to be much simpler. The “scream” was produced by a stringed instrument, such as a double bass, when someone ran a leather-gloved hand across the strings.

Godzilla films are divided into three eras:

Showa (1954-1975)

There are four films to note in this era: the first three and the mega-crossover.

Godzilla (1954)

Godzilla Strikes Again (1955)

King Kong vs. Godzilla (1962)

DestroyallMonsters (1968)

The era could have ended with this, but several more films were released that turned out to be mediocre. By watching them you can find out that Godzilla:

- can laugh and speak in the “language of monsters”;

- dances very funny;

- a touching single father, although a goofball;

— visited space;

- can fly backwards in a fetal position, using Atomic Breathing as a propellant.

Heisei (1984-1995)

After nine years of peace and quiet, the Monster is back! This era rejects all the crazy nonsense filmed in the first era, leaving only the very first film of 1954 canonical.

Return of Godzilla (1984)

Godzilla vs. King Ghidorah (1991)

The film is interesting because it explains the appearance of Godzilla. In addition, King Ghidorah, who is Godzilla's greatest rival, again becomes the enemy. The plot is in the style of science fiction, with time travel and evil Americans.

Godzilla vs. Space Godzilla (1994)

A classic example of Evil Reflection. Godzilla's cells end up in space and crystallize in a black hole, from where the "Evil Copy" subsequently emerges.

Godzilla vs. Destroyer (1995)

In this era we learn that:

- Godzilla's heart is a nuclear reactor. His overheating led to Godzilla's death;

- Godzilla's son almost died fighting the Destroyer;

Minilla - son of Godzilla

— Godzilla is already more agile, but he is still a living actor in a suit. The special effects have gotten better (for the time).

In a break between eras, American greedy people decided to put their paw to the gravy train, and director Roland Emmerich filmed...

Godzilla (1998)

A disgrace that made all fans of the Japanese series spit. An attempt to give the film realism and turn a prehistoric “nuclear” lizard into an overgrown iguana. The film has pathos in huge quantities, one Jean Reno and many bad actors, a computer scaly bastard hatching eggs, and a crowd of velociraptors stolen from Jurassic Park. The film failed in Japan, and this is more than obvious. Emmerich wanted to make a sequel, but the Toho studio, to the great joy of fans, was frightened by this fact and took away the rights to the franchise. Although there was still one plus in a heap of continuous minuses - the film served as an impetus for a new era, and the return of Nature's Wrath was only a matter of time.

Millennium/Shinsei (1999-2004)

The current final era of Japanese Godzilla films. In response, Hollywood needed to make something that showed the true power of the Monster, and was more serious and terrifying.

Godzilla: Millennium (1999)

More science fiction, Godzilla is again an anti-hero, designed to destroy and destroy. In addition, he acquired the ability to regenerate. There are also other rivals in the film: Millenian and Orga.

Godzilla: Final Wars (2004)

In this era we learn that:

— The American “Godzilla” (who is actually just called Zilla) exists, but he is the weakest rival to the real Godzilla. Lost the Battle of Sydney in short order, unable to withstand a single Atomic Breath;

- in films of this era there are a lot of references to past films, again as a tribute;

- despite the passing of 50 years, Godzilla is still played by live actors.

The greatest battles have passed, and for 10 years Godzilla has been in oblivion. But the King of the Monsters will never sleep forever!

Legendary era? (2014-…)

Godzilla (2014)

Sergey Khokhlin

P.S. The Japanese Godzilla has his own star on the Hollywood Walk of Fame.

On May 15, the film “Godzilla,” directed by Gareth Edwards, will open in Russian box office and May 16 in American box office. This is the 29th film about the legendary Japanese monster. The high interest in the film is also explained by the fact that this year marks the 60th anniversary of the appearance of the monster Gojira on the screen in 1954.

How does Godzilla's body work? Will New York survive his attack? How will the American military react to the appearance of a monster? Who will emerge victorious in the battle between Godzilla and the dragon Smaug? Why are Japanese fans calling the new Godzilla "fat"? - a few days before the long-awaited premiere, the world media writes about all aspects of the life of a giant lizard.

Monster Biology

Over all these years, Godzilla has changed a lot: he has grown by 60 meters and gained 150 thousand tons. Now it is a monster as tall as a 30-story building that weighs more than a cruise ship. Just for fun, Popular Mechanics magazine asked scientists to help understand the biology of the monster.

After carefully studying the 2014 Godzilla toy and applying a formula developed by paleontologists to determine the mass of bipedal dinosaurs, the authors of the publication came to the conclusion that Godzilla’s mass is 164 thousand tons. For comparison, the heaviest dinosaur known to science - Argentinosaurus - weighed only 100 tons and, unlike the Japanese monster, distributed this weight over all four legs.

Godzilla's metabolic rate is about 1.4 mW per day, which is approximately the same as the power of a large screw turbine. When Godzilla goes on a rampage - shooting down helicopters, destroying buildings, fighting Mothra - this figure rises to 37 mW. This amount of energy would be enough for a city with a population of 3 thousand people.

The load on Godzilla's bones is approximately 20 times greater than the load on the skeleton of a Tyrannosaurus rex, so the strength of its bones should be comparable to the strength of a titanium alloy. The average tensile strength of bones is 150 megapascals, but Godzilla's bones can withstand all of 300 MPa - the same pressure recorded at the base of the lithosphere, 60 miles underground.

At the same time, Godzilla's crocodile skin is likely strengthened by osteoderms - strong ossifications reminiscent of chain mail, which also help cool the body.

Godzilla vs Smaug

During his life, Godzilla fought many monsters - from the giant butterfly Mothra to King Kong. The authors of the Speakeasy blog on The Wall Street Journal website decided to compare the Japanese kaiju and the dragon Smaug to find out which of the monsters will emerge victorious from the fight.

The authors were assisted in this by two experts. Arguments in favor of Godzilla were made by Greg Picard, owner and editor of the fansite godzilla-movies.com. Smaug's interests were defended by the news editor of the fansite theonering.net under the nickname Demosthenes. For convenience and greater objectivity, it was decided to compare the two monsters by category.

Size and strength

Godzilla's size varied from film to film: original painting his height did not exceed 50 m, but by 2014 he jumped over 160 m. He was always distinguished by his colossal strength: for example, he could easily throw opponents weighing 30 thousand tons over his head. The Hobbit author John R.R. Tolkien doesn't give detailed description the size of Smaug, reporting only that in his death throes he completely destroyed Lake-town. “Smaug may be huge enough to destroy Lake Town, but Godzilla routinely levels large urban agglomerations,” the journalists note, awarding Godzilla the win in this category.

Fire Breath

To be clear, Godzilla doesn't breathe fire. Instead, it fires a blue atomic beam that the toughest materials can't resist, and a red heat beam. As for Smaug, burning everything is the meaning of life for any dragon. Dragons are known to be immune to heat, but Smaug's flames are also unlikely to cause serious damage to Godzilla. Draw.

Fighting technique and abilities

Godzilla gradually developed fighting skills, characteristic of people, and began to deliver powerful blows with his front paws. In addition, he is capable of causing powerful blast wave- the so-called “nuclear pulse”. As for Smaug, it would be simply stupid for him to get involved in close combat when he can circle around the enemy, frying him. Overall, Godzilla's arsenal is more impressive, experts concluded.

Charisma and ingenuity

Godzilla's charisma varies depending on the director's vision: when he represents the forces of nature, his personal characteristics are less noticeable, but when he acts as the main character, he turns into an ardent defender of his home, who will not be stopped by anyone. Charisma and intelligence are the main ones strengths Smaug. In the book, he nearly overpowered Bilbo's self-control with his own magnetism. So in this round, Smaug, majestic in his demonicity, wins.

Best version

Picard's favorite films are those of the Heisei period (1984-1995): "The special effects in those films were better, so all of Godzilla's attacks were much more spectacular." In Peter Jackson's film, the dragon is not smart enough, so Demosthenes favors Tolkien's book, in which Smaug's intelligence balances his strength and arrogance. “My armor is ten times stronger than shields, my teeth are swords, my claws are spears, the blow of my tail is like a lightning strike, my wings fly with the speed of a hurricane, my breath is death!” - says the dragon in the book. As amazing as Godzilla is, Smaug wins this category.

Impact on culture

According to Picard, Godzilla has become a major cultural phenomenon of the nuclear age: "He embodies the wrath of nature and reminds us that humanity will never be able to control or stop its forces." Without downplaying the cultural significance of Smaug, experts here give preference to Godzilla.

Final verdict

Smaug is no match for Godzilla, Picard assures: “Godzilla only gets stronger from nuclear weapons. He is invulnerable to any forces directed against him and quickly dealt with many monsters, much larger and more powerful than Smaug. I would bet on Godzilla every time."

“I don’t know much about kaiju, but from what I understand, classic monster fights often end in a draw. Perhaps this is exactly the case and in a couple of years there will be an opportunity to arrange a rematch,” Demosthenes believes.

“Godzilla is too huge, too strong and too durable. Godzilla wins,” the blog’s authors pronounce their verdict.

If Godzilla attacked New York

Meanwhile, New York City authorities claim that the metropolis is quite capable of withstanding an attack by a destructive monster.

"In considering this possibility, we would ask the question: 'How much damage could a Godzilla attack cause?'" Joseph Bruno, head of the Office of Emergency Management, told the New York Daily News. "Obviously there will be fires, explosions, loss of life, destruction, blockages, collapses of bridges and tunnels, road failures, energy problems and some amount of silt, we know how to deal with such problems - with the possible exception of silt.”

"After 9/11 and Hurricanes Irene and Sandy, New York City developed protocols to deal with the inevitable disaster, whether caused by a fictitious marine reptile, a giant ape, alien invaders or a true natural disaster," the article says.

“If Godzilla attacked, we would think about evacuating areas that are under threat,” says Bruno. “He’s a big boy, but the whole city can't cover it."

Insurance analysts refused to estimate the approximate damage from the appearance of Godzilla in New York. However, in 2012 The magazine A Hollywood Reporter study found that final battle from the movie "The Avengers" would have cost the city $160 billion - about twice as much as the September 11 terrorist attacks.

New York is New York, and the Americans will try to strike back. Fighters will be scrambled from a base in New Jersey, and National Guard troops will quickly arrive at the scene. However, fans of the film around the world understand perfectly well: army firepower is powerless against Godzilla.

This was clear back in 1955, when the second film about the Japanese monster, Gigantis the Fire Monster, was released. Distributors recommended that movie theater owners borrow bazookas from local armories and hang them on large posters in the lobby with the inscription "This weapon is no match for Gigantis!"

Will the US Air Force be able to repel Godzilla's attack?

When talking about Godzilla, the question inevitably comes up: how will the military react if the monster actually attacks? Air & Space Magazine asked this question to the military personnel of the Kadena Air Force Base in Japan.

"Kadena is the key to the Pacific region. Because of our strategic location, we are able to respond to any threat here, including the appearance of Godzilla if he decides to show up in Japan, which I think is possible," Master Sergeant Jason Edwards told reporters from the Public Relations Department.

According to Air Force Senior Airman Mark Hermann, an attack on Godzilla would require the use of virtually all of the base's F-15 fighters and possibly Cobra attack helicopters: "I would take four helicopters, for a total of eight machine guns, 600 rounds each, with multi-role ammunition. There must be some effect from this."

"I think Godzilla will be expecting an air attack, so we'll need 4,000 Segways and slingshots to take him by surprise," Edwards joked.

"The biggest problems will be from his atomic breath. We'll have to fly in hazmat suits. This will reduce our functionality, visibility, maneuverability and all that. As for his superpower, we most likely won't get that close... What if he If he goes underwater, let the Navy deal with him,” Hermann laughs.

Has Godzilla gotten fat?

American audiences are eagerly awaiting the new Hollywood version of Godzilla, but some Japanese fans of the franchise believe the monster could use a diet. To understand why the new Godzilla is being called "fat," International Business Times correspondent Luke Villapaz traced the evolution of the legendary kaiju from 1954 to 2014.

Godzilla from the very first film in 1954 was a dinosaur-like giant who awakened after nuclear explosion. Compared to Godzilla 2014, he appeared slimmer, especially in the upper torso and neck area. The size of the monster remained unchanged until the 1962 film “King Kong vs. Godzilla,” where the slightly fatter monster fought a giant gorilla. Between 1962 and 1967, Godzilla lost weight again: his neck became thinner and longer, but his lower torso retained its former bulk. Throughout almost the entire 1970s, the monster managed to maintain a slender appearance.

Then in 1984's Godzilla, also known as The Return of Godzilla, he became darker, more aggressive and muscular.

Godzilla from Roland Emmerich's 1998 film of the same name was very different from his predecessors. He became more like an iguana and began to move on all fours, parallel to the ground. The difference was so significant that Japanese studio Toho decided to treat him as an entirely separate monster, subsequently renaming the character Zilla. A year later, in the Japanese film Godzilla: Millennium, the monster again acquired its classic appearance.

As stills and trailers for the new film emerged, Japanese visitors to the popular 2ch.net forum criticized the new Godzilla for being overweight and oversized. According to a journalist from the Image and Games Network portal, the American Godzilla was called a “calorie monster” and “Godzilla deluxe.”

The filmmakers fundamentally disagree. "It's comments like this that make the monsters develop complexes about how they look in photographs, which is why they become so evil," says director Gareth Edwards.

"We feel like our Godzilla is exactly what he should be, and we wouldn't ask him to go on a diet, even to walk the red carpet," added producer Thomas Tull. “He has good physical activity,” actor Ken Watanabe closed the topic.

Godzilla

Godzilla
Godzilla on the poster for the film "Godzilla" (1954)
Official name	Godzilla
Classification
First appearance
Last appearance	Godzilla: Final Wars (2004)
Creators	Tomoyuki Tanaka
Actors	Showa: Haruo Nakajima Katsumi Tezuka Yu Sekido Ryosaku Takasugi Seiji Ohnaka Shinji Takagi Isao Zushi Toru Kawaii Heisei: Kenpachiro Satsuma Millennium or Shinsei: Tsutomu Kitagawa Mizuho Yoshida
IMDb

Godzilla (Japanese: ゴジラ Gojira) , English Godzilla- a giant lizard, a character in comics, cartoons and films; the most famous kaiju. Godzilla is a fictional prehistoric giant lizard who awoke from suspended animation after the nuclear bombing of Hiroshima and Nagasaki in 1945 and mutated as a result. Godzilla resembles a Spinosaurus, over 100 meters tall, and has the ability to spew a heat ray.

The name - Gojira - comes from the Japanese "gorilla" (Japanese: ゴリラ Gorira) and “whale” (Japanese: 鯨 Kujira) and was given to the monster in honor of the nickname of one of the employees of the Japanese Toho studio, where films about Godzilla were shot. In 1953, Japanese film company Toho producer Tomoyuki Tanaka watched the film “The Beast from 20,000 Fathoms” about a dinosaur awakened by an atomic bomb test and decided that Godzilla would be a dinosaur. Over the course of fifty years, he has become an incredibly popular character and has captured cinema screens around the world. Total Godzilla films have been made 28 films, not counting remakes.

Japanese film series

All films about Godzilla are usually divided into three periods.

Showa (1954-1975)

The first period began with the 1954 pilot and ended in 1975. It was named Japanese. 昭和 Showa

. Films of this period:
1954 - Godzilla (Gojira) (Godzilla). The film was re-edited in 1956 by the Americans and released under the title Godzilla, King of the Monsters!
1955 - Godzilla Raids Again キングコング対ゴジラ 1962 - King Kong vs. Godzilla (Japanese)
) (King Kong vs. Godzilla)
1964 - Godzilla vs. Mothra (Japanese: モスラ対ゴジラ, 1964) (Godzilla vs. Mothra)
1964 - Ghidorah, Three-Headed Monster
1965 - Godzilla Vs. Monster Zero (Kaijû daisenso) (Godzilla Vs. Monster Zero) ゴジラ・エビラ・ゴジラ: 南海の大決闘 1966 - Godzilla vs. the Sea Monster (Japanese)
) (Godzilla Versus the Sea Monster)
1967 - Son of Godzilla (Kaijûtô no kessen: Gojira no musuko) (Son of Godzilla)
1968 - Destroy All Monsters
1969 - Godzilla, Minilla, Gabara: All Monsters Attack (Gojira-Minira-Gabara: Oru kaijû daishingeki) (Godzilla, Minilla, Gabara: All Monster’s Attack), another name - “Godzilla’s Revenge”
1971 - Godzilla vs. the Smog Monster
1972 - Godzilla vs. Gigan (Chikyû kogeki meirei: Gojira tai Gaigan) (Godzilla vs. Gigan)
1973 - Godzilla vs. Megalon (Gojira tai Megaro) (Godzilla vs. Megalon)
1974 - Godzilla vs. Mechagodzilla (Gojira tai Mekagojira) (Godzilla vs. Mechagodzilla)

Heisei (1984-1995)

1975 - Terror of Mechagodzilla (Mekagojira no gyakushu) (Terror of Mechagodzilla) The second period began in 1984 and ended in 1995. It was named Japanese. Showa

平成
Heisei
1984 - Godzilla (Gojira) (Godzilla) also Godzilla 1985, The return of Godzilla, is not a remake of the 1954 film.
1992 - (Gojira VS Mosura) (Godzilla vs. Mothra)
1993 - Godzilla vs. Mechagodzilla-2 (Gojira VS Mekagojira) (Godzilla vs. Mechagodzilla-2)
1994 - Godzilla vs. SpaceGodzilla (Gojira VS Supesugojira) (Godzilla vs. SpaceGodzilla)
1995 - Godzilla vs. Destroyer (Gojira VS Destoroyah) (Godzilla vs. Destroyer)

Millennium or Shinsei (1999-2004)

Initially, the Godzilla epic was supposed to end with the film Godzilla vs. the Destroyer, in which the legendary monster dies, but in 1999, as a response to Hollywood, the first film of the era appeared Millennium. Another name for this era is Japanese. 新生 Shinsei

(revival). Films of this period:
1999 - Godzilla: Millennium (Gojira ni-sen mireniamu) (Godzilla 2000)
2000 - Godzilla vs. Megaguirus (Gojira tai Megagirasu: Jî shômetsu sakusen) (Godzilla vs. Megaguirus)
2001 - Godzilla, Mothra, King Ghidorah: Monsters Attack (Gojira, Mosura, Kingu Gidorâ: Daikaijû sôkôgeki) (Godzilla, Mothra, King Ghidorah: The Giant Monsters)
2002 - Godzilla Against MechaGodzilla (Gojira tai Mekagojira), also known as Godzilla Vs. Kiriu
2003 - (Gojira tai Mosura tai Mekagojira: Tôkyô S.O.S.) (Godzilla, Mothra, Mechagodzilla: Tokyo S.O.S.)
2004 - Godzilla: Final Wars (Gojira: Fainaru uôzu) (Godzilla: Final Wars)

Additionally, Godzilla appears in the Toho film Always: Sunset on 3rd Avenue (2007).

The creators of the Japanese film series, meanwhile, decided to take a time out after 2004 and suspend the release of new films about Godzilla. Currently, preparations are underway for filming a new American remake, the release date of which is approximately set for 2014. The film will be directed by Gareth Edwards.

Films from other countries

In 1998, Roland Emmerich directed a blockbuster film about Godzilla's attack on New York. This film has nothing to do with the Japanese epic. In the film Godzilla: Final Wars (2004), Zilla is shown as one of the weakest rivals to the Japanese Godzilla. Frustrated by Hollywood's distorted concept of the Godzilla legend, the creators of the franchise took away the rights to film the planned sequel from Roland Emmerich. As a result, instead of the Hollywood Godzilla 2, a short animated series was released that continued the plot of the film. Godzilla fans also call Zilla GINO (Godzilla is name only).

The Japanese Godzilla series received a star on the Hollywood Walk of Fame.
Godzilla's dimensions change throughout the series - in episodes 1-15 (Showa era) he was 50 m tall and weighing 20 thousand tons. In episodes 16-17 (Heisei era) he was 80 m tall and weighed 50 thousand tons. In 18 -22 episodes (Heisei era) he is 100 meters tall and weighs 60 thousand tons. In episodes 23-24 and 26-27 (Millennium era) he is 55 m tall and weighs 25 thousand tons. In episode 25 (Millennium era) he 60 m high and weighs 30 thousand tons. In part 28 (Millennium era) it is 100-120 m high and weighs 55 thousand tons.
Godzilla is a male, not a female, despite the name.

Notes

Movies about Godzilla
First period: "Showa era"	Godzilla (1954) Godzilla Strikes Again (1955) Godzilla King of the Monsters (1956) King Kong vs. Godzilla (1962) Godzilla vs. Mothra (1964) Ghidorah the Three-Headed Monster (1964) Godzilla vs. Monster Zero (1965) ) · Godzilla vs. the Sea Monster (1966) · Son of Godzilla (1967) · Destroy All Monsters (1968) · Godzilla, Minilla, Gabara: All Monsters Attack (1969) · Godzilla vs. Hedorah (1971) · Godzilla vs. Gigan (1972) · Godzilla vs. Megalon (1973) Godzilla vs. Mechagodzilla (1974) Terror of Mechagodzilla (1975)
Second period: "Heisei era"	Godzilla (1984) Godzilla vs. Biollante (1989) Godzilla vs. King Ghidorah (1991) Godzilla vs. Mothra: The Battle for Earth (1992) Godzilla vs. Mechagodzilla 2 (1993) Godzilla vs. SpaceGodzilla (1994) Godzilla vs. Destroyer (1995)
Third period: "Millennium era"	Godzilla: Millennium (1999) Godzilla vs. Megaguirus (2000) Godzilla, Mothra, King Ghidorah: Monsters Attack (2001) Godzilla vs. Mechagodzilla 3 (2002) Godzilla, Mothra, Mechagodzilla: Save Tokyo
Cartoons and animated series	Bambi Meets Godzilla (1969) Godzilla (1981) Bambi's Son Meets Godzilla (1999)
Related films and TV series	Rodan (1956) The Mysterians (1957) The Great Monster Varan (1958) Battle in Outer Space (1959) Mothra (1961) Horas (1962) Atragon: The Flying Supersub (1963) Dogora (1964) Frankenstein Vs. Baragona (1965) Frankenstein's Monster: Sanda vs. Guyra (1965) King Kong Escape (1967) Yogi: The Monster from Outer Space (1970) Zone Fighter (1973) Mothra (1996) Mothra 2 (1997) Mothra 3 (1998) Godzilla Island (1997) Godzilla (1998) Godzilla (1998-2000)
Kaiju from Godzilla movies	Godzilla· Anguirus · Baragon · Battra · Biollante · Varan · Gabara · Gigan · Gorosaurus · Gazora · Kamoebas · Kamacuras · King Ghidorah · King Kong · King Caesar · Kumonga · Baby Godzilla · Manda · Mechagodzilla · Mechani-Kong · Megalon · Meganules · Minilla · Mogera · Mothra · Titanosaurus · Orga · Rodan · SpaceGodzilla · Zilla · Hedorah · Ebirah

Mothra films
First period: "Showa era"	Mothra (1961) Godzilla vs. Mothra (1964) Ghidorah the Three-Headed Monster (1964) Godzilla vs. the Sea Monster (1966) Destroy All Monsters (1968)
Second period: "Heisei era"	Godzilla vs. Mothra: Battle for Earth (1992) Godzilla vs. SpaceGodzilla (1994) Mothra (1996) Mothra 2 (1997) Mothra 3 (1998)
Third period: "Millennium era"	Godzilla, Mothra, King Ghidorah: Monsters Attack (2001) Godzilla, Mothra, Mechagodzilla: Save Tokyo (2003) Godzilla: Final Wars (2004)
Series	Godzilla Island (1997)
Kaiju from Godzilla movies	Mothra · Godzilla· Anguirus · Baragon · Battra · Biollante · Varan · Gigan · Gorosaurus · Kamoebas · Kamacuras · King Ghidorah ·

Godzilla is a huge mutant monster, the main character of comics, cartoons, computer games and films. This fictional character appeared in Japanese popular culture. It is believed that the explosion of a hydrogen bomb caused the prehistoric lizard to mutate. Godzilla's height, according to various sources, ranges from 50 to 160 meters.

The monster first appeared on television in 1954, and since then a whole series of films have been made about it. Even Hollywood producers paid attention to Godzilla, releasing spectacular blockbusters about their monster’s competitor, King Kong.

By 1998, the monster had appeared in 29 films, becoming a true legend and one of the most recognizable characters in cinema history. The Japanese series about him even received its own star on the Hollywood Walk of Fame.

Today, Godzilla is perceived as an integral part of modern Japanese mass culture. But, by and large, we know little about this monster. Even though the hero is fantastic, his real and original appearance is distorted by some myths.

Godzilla is a negative character. When people hear the name Godzilla, they imagine a huge monster destroying cities and killing the unfortunate Japanese. The imagery seems to belong to a campy 1970s film. But in films of that era, Godzilla was often a good character. The positive story of the mutant began in 1964 in the film Ghidorah, the Three-Headed Monster. In it, Godzilla teamed up with the butterfly Mothra and the pterosaur Rodan in order to confront the three-headed alien monster Ghidorah. In a couple of films, Godzilla acted as the defender of planet Earth, confronting sea monsters, alien beasts and even a robotic version of himself. The mutant even teamed up with Ultraman in the Zone Fighter series. It was only in the new series of films about Godzilla, which began in 1984, that he again appeared as a destroyer of the city and a negative character.

Godzilla is a mutated Tyrannosaurus Rex. This myth appeared thanks to the American version of the film "King Kong vs. Godzilla." There is a scene in which an elderly scientist claims that Godzilla is a cross between a Tyrannosaurus Rex and a Stegosaurus. Although early films still featured this origin for the monster, it was never directly related to this type of dinosaur. Ishiro Honda, who directed the very first film in 1954, and special effects master Eji Tsobaraya based the appearance of Godzilla on the features of several dinosaurs. And in the 1991 film Godzilla vs. King Ghidorah, it was suggested that the monster was actually a new species of dinosaur. She was dubbed "Godzillasaurus". The creature lived on a secluded island in the Pacific Ocean, being the Japanese version of the Loch Ness monster. Godzillasaurus later mutated due to exposure to the atomic bomb, turning into a huge green monster.

Godzilla is invulnerable. In fact, Godzilla can only be considered nearly invulnerable. This creature is immune to ordinary human weapons, thanks to the special regenerating gene G1. This allows Godzilla to instantly heal his wounds. However, in the films the monster died at least four times. In the original film, it disintegrated on a molecular level thanks to the Oxygen Destroyer weapon. This tool was invented by the scientist Serizawa. In Godzilla 1985, the monster's heart stops when a cadmium missile hits him in the throat. And before that, he managed to survive a nuclear missile strike in the upper atmosphere. In Godzilla vs. Destroyer, the monster overheats its body and melts. And in the 2001 film “Godzilla, Mothra, King Ghidorah: Monsters Attack,” the monster swallowed the admiral in a small underwater vessel. The man from inside launched a rocket, which exploded, tearing the lizard's flesh. From the wound on Godzilla's back poured thermal energy and he tore himself apart. And although the monster died, his heart continued to beat at the bottom of the bay.

Godzilla was crude and primitive. In early films, Godzilla was portrayed as a brutal, brutal creature, a natural disaster. There were no reasonable motives for his behavior. But in 1964's Ghidorah the Three-Headed Monster, Godzilla talked to Mothra and Rodan. Butterfly tried to convince the other two monsters to team up and fight Ghidorah together. Initially, Godzilla refuses to join this alliance. The monster quite reasonably states that people have always tried to hurt him - why should he help them? True, Godzilla forgot to mention that people still had a reason to fight against him, given his destructive activities. After this, the monster's behavior became more humane, which was reflected in the later films of the Showa era in the 1960s and 1970s. IN different time the monster collaborated with other monsters to develop battle strategies. In Godzilla vs. the Sea Monster, the creature even showed affection for a woman, and in Godzilla vs. Monster Zero, it even danced. In the movie Godzilla vs. Gigan (Godzilla on Monster Island), he had a conversation with another monster, Aguirus. In the film, a bubble was drawn near the monsters' mouths with their words. In more late period, Heisei in the 1980s-1990s, Godzilla is portrayed as already Living being, therefore, more cunning. He experiences obvious emotional attachments to his descendants, and the level of communication with people increases significantly.

Godzilla defeated King Kong in the Japanese version of King Kong vs. Godzilla. This myth flatters fans of the monster, but most true connoisseurs of the series, like those with access to Wikipedia, know that this is not so. But throughout for long years people believed that Godzilla was stronger than King Kong. Film producer John Beck made many changes in his version of the film for American audiences. The film, in fact, was completely different from the Japanese version. However, the ending has not changed. Both King Kong and Godzilla fell into the sea in the fight, but only a huge ape emerged to the surface. The myth that Godzilla still emerged victorious in the Japanese version of the film was created by Spacemen magazine. Soon other publications dedicated to monsters began to spread this statement. In the famous quiz game Trivial pursuit in the 1980s, the correct answer was that Godzilla would win in the Japanese version. It was only in the 1990s with the development of the Internet that the myth was dispelled. Now, true Godzilla fans still prefer to tell the real version rather than cultivate such a pleasant delusion.

Godzilla only attacked Japan. In the films, as a rule, the monster actually fell on Japan. But a couple of times he made forays into other places. Thus, in 1968's Destroy All Monsters, a monster descends on New York, crossing Pacific Ocean. And in Godzilla vs. Destroyer, the monster attacks Hong Kong. And let's not forget about the famous Hollywood blockbuster of 1998, when Godzilla attacked New York again.

Godzilla has a biological son, Minilla. There are several hated characters in the world of kaiju, one of which is Minilla or Minye. This character appears in the film "Son of Godzilla". Producers, with the help of Minilla, in the 1960s tried to win the love of children's audiences, who were then very interested in a series of films about the monster. Minilla was an attempt to make a cute and friendly Godzilla clone. However, the attempt turned out to be terribly vulgar and wrong. Minilla looks like the absurd love child of a kind ghost, the Marshmallow Man, and an alien. The resemblance to Godzilla is very distant. And the most interesting thing is that in the four films with Minilla, “Son of Godzilla”, “Destroy All Monsters”, “Godzilla’s Revenge” and “Godzilla: Final Wars”, it is never explicitly stated that this character is a biological descendant of the lizard-like creature, the main character of the series . This version is allowed, but taking into account the physical differences, this option is not controversial. It simply assumes that Minilla and Godzilla are related. The smaller beast follows the larger one and in a similar way spits out smoke. But this is clearly not enough to assert the kinship of the heroes.

Godzilla is green. Since dinosaurs were first discovered in the 19th century, they have often been depicted as green. After all, they were giant lizards, and most lizards familiar to Europeans and Americans were of this color. This idea became so ingrained in people's thoughts that when Americans began importing Godzilla films in the 1950s and 1960s, the monster was portrayed as green. And when the Hanna-Barbera studio made a film about him in the late 1970s, the creature was painted in the same color green color. Around the same time, a comic book from Marvel came out, where Godzilla was the usual color for dinosaurs. However, the monster was never depicted as green in any of the early films. And in Japan, until 1999, no one depicted Godzilla in this color. He always had a dark gray color. But in the 1999 film Godzilla: Millennium, the monster already received green skin. With this change he moved into a new era. Now, it seems, the issue of Godzilla's color has been finally resolved.

Godzilla breathes fire. This question may seem semantic, but for the Japanese, who survived the nuclear bombings during World War II, some features of the terrible monster are important. Not only has he mutated due to radiation, but he can also emit radioactive energy. In the first films it was more like toxic steam or smoke, but by the mid-1960s the beam appeared. Godzilla still retains such weapons to this day. The beam is usually bright blue, with rare exceptions, and the monster's dorsal plates shimmer with the same light. Interestingly, in the American production, in the same Hanna-Barbera cartoon, Marvel comics, as well as in marketing posters for locally dubbed films, Godzilla's breath was depicted as fiery, bright red. Some saw the image as an attempt to distance itself from the monster's connection to the American nuclear bombing of Japan. However, it is more likely that, according to producers, Americans should like classic green more fire-breathing dragon, rather than a dark green creature shooting blue rays.

Godzilla is a female creature. This myth began because Godzilla had a son. But only female reptiles can lay eggs. Godzilla's offspring were called Minilla and Godzilla Jr. But in the movies the monster was always called a man. The gender is also confirmed by the fact that Godzilla is called the King of the Monsters, not the Queen. The myth appeared thanks to the 1998 American film "Godzilla", where the main monster, being asexual, laid eggs. However, Godzilla is officially considered to be male. The presence of Godzilla eggs implies that there were females of the species at some point in time. It is likely that they exist in this fictional world, but they were not mentioned in the films. And in various non-cinematic stories involving Godzilla ( computer games, products) there are also references to female Godzilla, Bijra and Gojirin.

Godzilla was the same height as King Kong. In the film in which these two monsters fought, the monkey was 45 meters tall. In the Showa era version, King Kong stood at a maximum of 20 meters tall. And the maximum recorded height of Godzilla is 108 meters, while the minimum is about 50 meters.

All Godzilla films are connected by continuity. Some fans believe that the tapes sequentially tell one story. However, this is not at all true. There are some films that clearly have their own backstory, while others dispense with Godzilla himself altogether. Some fans are of the view that only films from certain eras (Showa, Heisei, Shinsei) can be considered continuous. However, this is also wrong. For example, each of the films of the 2000s has its own backstory, not being connected either to its era or to previous ones. Sometimes only a connection with the original 1954 film can be traced.

Godzilla's suits were made from rubber. Many people believe that the monster suits were rubber, but in fact the material was created from foam. First, the model was formed based on the actor’s costume, then glued pieces of foam were applied to these samples. This is how the Godzilla sculpture appeared. After it was formed from foam, the outside was covered with contact adhesive. The structure was then clad in leather with wooden elements. The suit was finally sealed with several layers of liquid latex and painted. And in the Showa era, the monster’s head was molded from clay. IN latest films Godzilla is already a subject of computer graphics.

Godzilla can't fly. In the movie Godzilla vs. Hedorah, the monster was given the ability to fly thanks to a nuclear beam. But in the future this skill was not used or mentioned anywhere.

Could Godzilla really exist? Scientists have found out whether Godzilla could exist in the real world. The size of Godzilla in the films.

Japanese film series

Showa (1954-1975)

Heisei (1984-1995)

Millennium or Shinsei (1999-2004)

Links

Notes