Oblomov's ideal life. Love, family and other eternal values ​​as perceived by Oblomov and Stolz - document

  • 26.06.2020

Annex 1

Comparative characteristics of Oblomov and Stolz

Ilya Ilyich Oblomov

Andrey Ivanovich Stolts

age

portrait

“a man of average height, pleasant appearance, softness reigned in his face, his soul shone openly and clearly in his eyes”, “flabby beyond his years”

“all made up of bones, muscles and nerves, like a blooded English horse”, thin, “even complexion”, expressive eyes

parents

“Stolz is only half German, according to his father: his mother was Russian”

upbringing

The upbringing was of a patriarchal nature, moving “from hugs to hugs of relatives and friends.”

My father raised me harshly, teaching me to work, “my mother didn’t quite like this laborious, practical upbringing.”

Attitude to study

He studied “out of necessity”, “serious reading tired him”, “but the poets touched... a nerve”

“he studied well, and his father made him an assistant at his boarding school”

Further education

Spent up to 20 years in Oblomovka

Stolz graduated from university

Lifestyle

“Ilya Ilyich’s lying down was a normal state”

“he is involved in some company that ships goods abroad”, “he is constantly on the move”

Housekeeping

Didn’t do business in the village, received little income and lived on credit

“lived on a budget”, constantly monitoring my expenses

Life aspirations

“prepared for the field”, thought about his role in society, about family happiness, then he excluded social activities from his dreams, his ideal became a carefree life in unity with nature, family, friends

Having chosen an active beginning in his youth, he did not change his desires, “work is the image, content, element and purpose of life”

Views on society

All “members of society are dead, sleeping people”; they are characterized by insincerity, envy, and the desire to “get a high-profile rank” by any means necessary.

Immersed in the life of society, a supporter of professional activities in which he is engaged himself, supports progressive changes in society

Relation to Olga

I wanted to see a loving woman capable of creating a serene family life

Fosters an active principle in her, the ability to fight, develops her mind

relationships

He considered Stolz his only friend, capable of understanding and helping, and listened to his advice

He highly valued Oblomov’s moral qualities, his “honest, faithful heart”, loved him “firmly and passionately”, saved him from the swindler Tarantiev, wanted to revive him to an active life

self-esteem

Constantly doubted himself, this showed his dual nature

Confident in his feelings, deeds and actions, which he subordinated to cold calculation

Character traits

Inactive, dreamy, sloppy, indecisive, lazy, apathetic, not devoid of subtle emotional experiences Oblomov And Stolz. Problem tasks Group Be able to compose comparative characteristics Oblomov And Stolz. ... Frontal, group Be able to compose comparative characteristics Oblomov and Olga, identify...

  • Thematic planning of literature lessons in 10th grade

    Lesson

    Friend? Meeting with Stoltz. What is the difference between upbringing Oblomov And Stolz? Why love for Olga... days?) 18, 19 5-6 Oblomov and Stolz. Planning comparative characteristics Oblomov And Stolz, conversation according to the plan...

  • Order No. of 2012 “Agreed” Deputy Director for Education and Science. N. Ischuk

    Working programm

    Cheat. chapters of the novel. Comparative characteristic Oblomov And Stolz 22 The theme of love in the novel... Oblomov” Ind. given " Comparative characteristic Ilyinskaya and Pshenitsyna" 23 ... Question 10 p. 307. Comparative characteristic A. Bolkonsky and P. Bezukhov...

  • Calendar thematic planning 1st grade textbook by Yu. V. Lebedev 3 hours a week. Total 102 hours

    Lesson

    Image Oblomov, the formation of his character, lifestyle, ideals. Be able to compose characteristics... until the end 52 Oblomov and Stolz. Comparative characteristic To make a plan comparative characteristics Oblomov And Stolz. Be able to express your thoughts...

  • Who is Stolz? Goncharov does not force the reader to puzzle over this question. The first two chapters of the second part contain a detailed account of Stolz’s life and the conditions in which his active character was formed. “Stolz was only half German, on his father’s side; his mother was Russian; He professed the Orthodox faith, his native speech was Russian...” Goncharov first tries to show that Stolz is more Russian than German: after all, the most important thing is that his faith and language are the same as those of the Russians. But the further he goes, the more the qualities of a German begin to emerge in him: independence, perseverance in achieving his goals, frugality.
    Stolz's unique character was formed under the influence of two forces - soft and hard, at the junction of two cultures - Russian and German. From his father he received a “hard-working, practical upbringing,” and his mother introduced him to beauty and tried to instill in little Andrei’s soul a love of art and beauty. His mother “seemed the ideal of a gentleman in her son,” and his father accustomed him to hard, not at all lordly, work.
    Practical intelligence, love of life, and courage helped Stolz achieve success after he left at the insistence of his father to study in St. Petersburg...
    According to Goncharov, Stolz is a new type of Russian progressive figure. However, he does not depict the hero in a specific activity. The author only informs the reader about what Stolz has been and what he has achieved. He “served, retired... went about his business,... made a house and money,... learned Europe as his estate,... saw Russia up and down,... travels into the world.”
    If we talk about Stolz’s ideological position, he “sought for a balance of practical aspects with the subtle needs of the spirit.” Stolz could control his feelings and was “afraid of every dream.” Happiness for him lay in consistency. According to Goncharov, he “knew the value of rare and expensive properties and spent them so sparingly that he was called an egoist, insensitive...”. In a word, Goncharov created the kind of hero that Russia has long lacked. For the author, Stolz is the force that is capable of reviving Oblomovism and destroying Oblomovism. In my opinion, Goncharov somewhat idealizes the image of Stolz, setting him up as an example to the reader as an impeccable person. But by the end of the novel it turns out that salvation did not come to Russia with the advent of Stolz. Dobrolyubov explains this by saying that “now there is no soil for them” in Russian society. For more productive activities of the Stolts, it is necessary to reach some compromise with the Oblomovs. This is why Andrei Stolts takes Ilya Ilyich’s son into custody.
    Stolz is certainly the antipode of Oblomov. Every character trait of the first is a sharp protest against the qualities of the second. Stolz loves life - Oblomov often falls into apathy; Stolz has a thirst for activity; for Oblomov, the best activity is relaxing on the couch. The origins of this opposition are in the education of heroes. Reading the description of the life of little Andrei, you involuntarily compare it with the life of Ilyusha. Thus, already at the very beginning of the novel, two completely different characters, two life paths appear before the reader...

    Literature – 10th grade.

    Lesson topic: “Oblomov and Stolz. Comparative characteristics"

    (based on the novel “Oblomov” by I.A. Goncharov)

    Lesson objectives: to identify the features of the author’s position through a comparison of heroes (Oblomov and Stolz); develop skills in characterizing literary characters, research skills, logical thinking; to educate thoughtful readers and enrich students’ speech.

    Lesson equipment: portrait of I.A. Goncharov, text of I.A. Goncharov’s novel “Oblomov”, (presentation); notebooks for works on literature, illustrations.

    Students should know:

    Contents of I.A. Goncharov’s novel “Oblomov”;

    The main idea of ​​the work;

    Main images.

    Students should be able to:

    Correctly answer questions posed by the teacher;

    Summarize and systematize educational material;

    Improve your skills in working with text;

    Draw conclusions and connect them into a monologue.

    During the classes.

    IOrg moment.

    IIImplementation of d.z. (I.A. Goncharov “Oblomov”, The image of Stolz in the novel: family, upbringing, education, portrait features, lifestyle, value guidelines (Part 2,

    chapters 1 – 4. Compare the character of Stolz with the character of Oblomov)

    IIIState the topic and purpose of the lesson.

    IVPreparation for the perception of the work. Work according to the lesson plan.

    1.Introductory remarks.

    Good afternoon guys! Studying the novel by I.A. Goncharov makes us talk about the meaning of life, about the purpose of man... Pay attention to the topic of the lesson (write down the topic in notebooks).

    Work plan:

    1. The image of Stolz in the novel: family, upbringing, education, portrait features, lifestyle, value guidelines (part 2, chapters 1 – 4)

    2.Build and write down a chain of keywords that reveal the character of Stolz and Oblomov (checking homework)

    3. Compare the character of Stolz with the character of Oblomov:

    You need to compare these heroes, find out how they are similar and how they differ from each other.

    Today we will consider one of the problematic issues of the work:

    - Ilya Oblomov and Andrei Stolts... who are they - doubles or antipodes?

    Let's define the lexical meaning of the words antipode and double

    2. Vocabulary work.

    Antipode - (Greek antipodes - feet facing feet). 1. plural only Inhabitants of two opposite points of the earth, two opposite ends of one of the diameters of the globe (geographical). 2. to someone or something. A person of opposite properties, tastes or beliefs (book). He is the perfect antipode of him or he is the perfect antipode of him.

    Double - a person who has complete similarities with another (both a man and a woman).

    What is your perception of Oblomov and Stolz?

    Teacher: Our acquaintance with Oblomov already took place in previous lessons. We found out that our hero is slow, lazy, and unfocused. Let's give it a more detailed description. (students' answers)

    (We learn about Stolz in the first part of the novel, before he appears before the readers, that is, in absentia:

    In connection with Oblomov’s guests, whom Ilya Ilyich “didn’t like,” unlike his childhood friend, Andrei Ivanovich Stolts, whom he “loved sincerely”;

    In connection with the dreams of the main character, where Stolz, who knew and appreciated the best qualities of Ilya Ilyich, was an integral part of the pictures of a happy life on the estate, full of love, poetry, friendly feelings and peace;

    Stolz also appears in “Oblomov’s Dream”, fits into the idyllic, sweet and at the same time mysterious atmosphere of childhood that shaped the hero.

    Teacher: The unexpected appearance of the hero in the finale of the first part and chapters 1 - 2 of the second part tell about Stolz.

    3. Stills from the film “A few days in the life of I.I. Oblomov”

    (meeting between Oblomov and Stolz).

    We see that these two people are true friends. But these heroes are different, dissimilar. Together with the author, we will use a method of characterizing a hero known in literature - comparative characterization. In front of you is a worksheet that contains the criteria for education, the purpose of life, the content of activities, attitude towards women, their family life and life position. In the conclusion column, we will make notes ourselves when we consider all these criteria, comparing the main characters.

    4. Let's consider all the features of the heroes.

    (Student answers: Oblomov and Stolz).

    Comparative characteristics

    Oblomov

    Stolz

    Appearance

    Origin

    Upbringing

    Education

    Embedded program

    Outlook on life

    The purpose of life

    Friendship

    Perception of life

    Test of love

    a) Appearance: ( when they appeared before the reader)

    - What does I.A. Goncharov draw our attention to when describing the appearance of the heroes?

    “... about thirty-two or three years old, of average height, pleasant appearance, with dark gray eyes, but with the absence of any definite idea, ... an even light of carelessness glowed throughout his whole face,” the same age as Oblomov, “thin, with almost no cheeks at all.” no,...the complexion is even, dark and no blush; the eyes, although a little greenish, are expressive"

    b)Origin:

    a native of the philistine class (his father left Germany, traveled around Switzerland and settled in Russia, becoming the manager of an estate). Sh. graduates from the university with flying colors, successfully serves, retires to take care of his own business; makes a house and money. He is a member of a trading company that ships goods abroad; as an agent of the company, Sh. travels to Belgium, England, and throughout Russia. Sh.'s image is built on the basis of the idea of ​​balance, harmonious correspondence between the physical and spiritual, mind and feeling, suffering and pleasure. The ideal of Sh. is measure and harmony in work, life, rest, love.(or... from a poor family: the father (Russified German) was the manager of a rich estate, the mother was an impoverished Russian noblewoman. Half Russian, not a nobleman.

    c) Education.

    - What kind of education did I. Oblomov and A. Stolz receive? Tell us about it.

    His parents wanted to present Ilyusha with all the benefits “somehow cheaper, with various tricks.” His parents taught him to be idle and quiet (they didn’t let him pick up a dropped item, get dressed, or pour water for himself). the stigma of slavery. the family had a cult of food, and after eating there was a sound sleep.

    Oblomov was not even allowed out into the street. “And what about servants?” Soon Ilya himself realized that it was calmer and more convenient to give orders. The dexterous, active child is constantly stopped by his parents and nanny for fear that the boy will “fall, hurt himself” or catch a cold; he was cherished like a hothouse flower. “Those seeking manifestations of power turned inward and sank, withering away.” (Oblomov)

    His father gave him the education he received from his father: he taught him all the practical sciences, forced him to work early, and sent away his son, who had graduated from university. his father taught him that the main thing in life is money, rigor and accuracy... (Stolz)

    Name the episodes, scenes that clearly illustrate how Stolz’s childhood went, how the process of his upbringing went.

    Reading the episode (Stolz's farewell to his father) by role.

    What impression does this scene make on you?

    How can you comment on this?

    What did his father teach him? How did A. Stolz feel?

    Goncharov creates Stolz, involuntarily starting from Oblomov, as the antipode to the main character; with Stolz everything is different.

    His upbringing is laborious, practical, he was raised by life itself (cf.: “If Oblomov’s son disappeared...”).

    A special discussion is required: the mother’s attitude; mother and father; Oblomovka, the prince's castle, as a result of which “the bursha did not work out,” which replaced the “narrow German track” with a “wide road.”

    Stolz - Stolz (“proud”). Does he live up to his name?

    Worksheet (at the bottom of the column: “Education”, indicate the antipode).

    d).Education:

    They studied in a small boarding school located five miles from Oblomovka, in the village of Verkhleve. Both graduated from university in Moscow.

    From the age of eight, he sat with his father at the geographical map, sorted through the warehouses of Herder, Wieland, biblical verses and summed up the illiterate accounts of peasants, townspeople and factory workers, and with his mother he read sacred history, learned Krylov’s fables and sorted through the warehouses of Telemachus.”

    Based on upbringing and education, a certain program was laid down.

    What is it like for Oblomov and Stolz?

    e) Established program.

    Oblomov

    Dream. Vegetation and sleep - the passive principle found solace in his favorite “conciliatory and soothing” words “maybe”, “maybe” and “somehow” and protected himself with them from misfortunes. He was ready to shift the matter to anyone, without caring about its outcome or the integrity of the chosen person (this is how he trusted the scammers who robbed his estate).

    “For Ilya Ilych, lying down was neither a necessity, like that of a sick person or like a person who wants to sleep, nor an accident, like that of someone who is tired, nor a pleasure, like that of a lazy person: it was his normal state.”

    What was Stolz most afraid of?

    Substantiating their answers with text, the students say that dreams and imagination (“optical illusion,” as Stolz said) were his enemies. He controlled his life and had a “real outlook on life” (cf. Oblomov).

    Stolz

    Stolz was afraid to dream, his happiness was in constancy, energy and vigorous activity - an active beginning

    “He is constantly on the move: if society needs to send an agent to Belgium or England, they send him; you need to write some project or adapt a new idea to business - they choose it. Meanwhile, he goes out into the world and reads: when he has time, God knows.”

    - What does life mean and what is the purpose of a person, according to Stolz?

    Students: “To live through the four seasons, that is, four ages, without leaps and to carry the vessel of life to the last day, without spilling a single drop in vain...” (compare with Oblomov, whose ideal is...in peace and pleasure ; see about Oblomov’s dreams in the 8th chapter of the first part).

    Teacher: Chapters 3–4 of the second part. The role of these chapters in the novel. A conversation is an argument where the views and positions of the heroes collide.

    The essence of the dispute - HOW TO LIVE?!

    - How does a dispute arise?(Oblomov’s dissatisfaction with the empty life of society.)

    This is not life!

    - When does a turning point in a dispute occur?(Labor path: Stolz’s disagreement with his friend’s ideal, because this is “Oblomovism”; the ideal of the lost paradise depicted by Oblomov, and labor as “the image, content, element and purpose of life.”)

    (Physical education minute)

    Introductory speech about the meaning of life.

    Stills from the film “A few days in the life of I.I. Oblomov” ( second monologue. Confession of Oblomov, p. 166. “Do you know, Andrey...”)

    In what setting does the conversation take place?

    What is I. Oblomov talking about?

    How did each of the heroes emerge in the dispute?

    e) Outlook on life

    Oblomov

    “Life: life is good!” says Oblomov, “What to look for there? interests of the mind, heart? Look where the center is around which all this revolves: it is not there, there is nothing deep that touches the living. All these are dead people, sleeping people, worse than me, these members of the world and society!... Don’t they sleep sitting all their lives? Why am I more guilty than them, lying at home and not infecting my head with threes and jacks?

    Stolz.

    g) Purpose of life

    Live life happily; so that she “doesn’t touch.” (Oblomov)

    “Work is the image, content, element and purpose of life, at least mine.” (Stolz)

    g) Perception of life

    Oblomov wants to do what his soul and heart desire, even if his mind is against it; never bother. (Oblomov)

    Stolz wants to have “a simple, that is, direct, real view of life - that was his constant task...”, “Above all he put persistence in achieving goals...”, “... will measure an abyss or a wall, and if there is no sure way to overcome, he will go away.”

    - Which of the heroes and at what stage of the dispute are you ready to agree?

    - Is there one answer to this question?

    (During the argument, the guys come to the conclusion that both principles have a right to exist.)

    Teacher: In conversations (disputes), the author often gives the last word to Stoltz, but one gets the feeling that he cannot argue with Oblomov. Why? He can’t even when he has the last word. Internally, we feel and understand that Stolz cannot break Oblomov’s resistance (remember the episode of the night dinner, when Stolz gives up and sits down with Oblomov and Zakhar, there are stills from the film.).

    Whose philosophy is positive and constructive?

    Compare the character of Stolz with the character of Oblomov:

    Oblomov

    Stolz

    Peace (apathy)

    “...he is constantly on the move...”

    Sleep (inactivity)

    “balance of practical aspects with the subtle needs of the spirit”

    A dream is a “shell, self-deception”

    “he was afraid of every dream, ... he wanted to see the ideal of human existence and aspirations in a strict understanding and direction of life”

    Fear of circumstances

    “attributed the cause of all sufferingto yourself"

    The purposelessness of existence

    “I put persistence in achieving goals above all else” (Stolz)

    Labor is punishment

    “Work is the image, element, content, purpose of life” (Stolz)

    Conclude that , at what levels, in what details is revealed

    - Is Stolz too positive in his views?

    Or maybe Oblomov is right: people who seek meaning in secular life are dead, such a life is a useless vanity. What's worse about him lying on the sofa?!

    Is Oblomov’s poetic perception of life the sophistication of the hero’s soul, a “subtle poetic nature” or a way to hide from reality?

    Strength and weakness of the characters of Oblomov and Stolz: hero and circumstances, false and positive meaning of existence?

    Result:

    - Whose position do you consider acceptable for yourself?

    (Give your reasons. What values ​​(which of the heroes) will you take into your life baggage?)

    - How did our heroes turn out in love? Did you pass the test of love or not?

    Student answers:

    Oblomov and Stolz

    Oblomov gave up love. He chose peace. “Life is poetry. People are free to distort it.” He was scared, he needed not equal love, but maternal love (the kind that Agafya Pshenitsyna gave him).

    Stolz loved not with his heart, but with his mind “he developed for himself the conviction that love, with the power of Archimedes’ lever, moves the world; that there is so much universal, irrefutable truth and goodness in it, as well as lies and ugliness in its misunderstanding and abuse.” He needs a woman equal in views and strength (Olga Ilyinskaya). I’m glad that I met her abroad, I’m glad that she listens to him and doesn’t even notice that sometimes she doesn’t understand Olga’s sadness.

    - How do we see our heroes in friendship and relationships with others?

    (Student answers: Oblomov and Stolz)

    h) Friendship

    - Based on all that has been said, we will give a description of Oblomov and Stolz.

    Characteristics of heroes:

    Oblomov and Stolz

    1. Oblomov. The kind, lazy person is most concerned about his own peace. For him, happiness is complete peace and good food. He spends his life on the sofa, without taking off his comfortable robe, does nothing, is not interested in anything, loves to withdraw into himself and live in the world of dreams and daydreams he created, the amazing childlike purity of his soul and introspection, the embodiment of gentleness and meekness worthy of a philosopher.

    2. Stolz . Strong and intelligent, he is constantly active and does not disdain the most menial work, thanks to his hard work, willpower, patience and enterprise, he has become a rich and famous man. A real “iron” character has been formed, but in some ways he resembles a machine, a robot, his whole life is so clearly programmed, verified and calculated before us - a dry rationalist.

    Answer to the problematic question: Are Oblomov and Stolz twins or antipodes? (student's words).

    V Summarizing.

    Yes, Goncharov wanted to contrast the inactive Oblomov with the practical and businesslike Stolz, who, in his opinion, was supposed to break the “Oblomovism” and revive the hero. But the novel has a different ending. It is at the end of the work that the author’s attitude towards the hero is revealed.

    - Let's remember what the heroes of the novel come to?

    Oblomov dies, leaving his son.

    Pshenitsyna is ready to do everything for Oblomov’s sake and even gives her son to be raised by her brother, considering this a benefit for her son.

    Olga feels very bad (missing Oblomov), there is no love, and without it life is meaningless.

    Andrei Stolts is also devastated, he feels bad without a friend, Oblomov was a “heart of gold” for him.

    So, all the heroes ended up with the same “Oblomovism”!

    Teacher: Guys! Prepare yourself now for further independent adult life. Take into your life baggage from Stolz energy, intelligence, determination, strength of character, prudence, will, but do not forget about the soul, taking kindness, honesty, tenderness, and romance from Ilya Oblomov. And remember the words of N.V. Gogol: “Take with you on the journey, emerging from the soft youthful years into harsh, bitter courage, take away all human movements, do not leave them on the road, you will not pick them up later!”

    VI . Homework :

    Roman by I.A. Goncharov “Oblomov”:

    Individual tasks:

    1.. The story about O. Ilyinskaya (chapter 5)

    2. Development of relations between Oblomov and Olga (chap. 6-12)

    3. Image of Pshenitsyna (part 3), new apartment on the Vyborg side near Pshenitsyna.

    Ratings

    Oblomov and Stolz).

    Comparative characteristics

    Oblomov

    Stolz

    Appearance

    “... about thirty-two or three years old, of average height, pleasant appearance, with dark gray eyes, but with the absence of any definite idea, ... an even light of carelessness glowed throughout his face.”

    the same age as Oblomov, “thin, he has almost no cheeks at all,... his complexion is even, dark and no blush; the eyes, although a little greenish, are expressive"

    Origin

    from a wealthy noble family with patriarchal traditions. his parents, like grandfathers, did nothing: serfs worked for them. A truly Russian man, a nobleman.

    from a poor family: his father (a Russified German) was the manager of a rich estate, his mother was an impoverished Russian noblewoman

    Upbringing

    his parents taught him to be idle and quiet (they did not allow him to pick up a dropped item, get dressed, or pour water for himself); labor in the quarry was a punishment; it was believed that it bore the mark of slavery. the family had a cult of food, and after eating there was a sound sleep.

    his father gave him the education he received from his father: he taught him all the practical sciences, forced him to work early and sent away his son, who had graduated from the university. his father taught him that the main things in life are money, rigor and accuracy.

    Education

    They studied in a small boarding school located five miles from Oblomovka, in the village of Verkhleve. Both graduated from university in Moscow

    Embedded program

    Vegetation and sleep are a passive beginning

    From the age of eight, he sat with his father at the geographical map, sorted through the warehouses of Herder, Wieland, biblical verses and summed up the illiterate accounts of the peasants, townspeople and factory workers, and with his mother he read sacred history, learned Krylov’s fables and sorted through the warehouses of Telemacus.

    energy and vigorous activity are an active principle.

    Outlook on life

    “Life: life is good!” says Oblomov, “What to look for there? interests of the mind, heart? Look where the center is around which all this revolves: it is not there, there is nothing deep that touches the living. All these are dead people, sleeping people, worse than me, these members of the world and society!... Don’t they sleep sitting all their lives? Why am I more guilty than them, lying at home and not infecting my head with threes and jacks?

    Stolz experiences life and asks her: “What should I do? Where to go next? "And it goes! Without Oblomov...

    The purpose of life

    Live life happily; so that she “doesn’t touch.”

    “Work is the image, content, element and purpose of life, at least mine.”

    Friendship

    There are acquaintances, but there is not a single real friend except Stolz.

    Stolz always had many friends everywhere - people were drawn to him. But he felt closeness only to personal people, sincere and decent.

    Perception of life

    Fluctuating - from “a pleasant gift for enjoyment” to “sticks like bullies: it will pinch you on the sly, then suddenly it will come right from the forehead and sprinkle you with sand... there is no urine!”

    Oblomov wants to do what his soul and heart desire, even if his mind is against it; never bother.

    Life is happiness in work; life without work is not life; “…“life touches!” "And thank God!" - said Stolz.

    Stolz wants to have a “simple, that is, direct, real view of life - that was his constant task...”, “Above all he put persistence in achieving goals...”, “... will measure an abyss or a wall, and if there is no sure way to overcome, he will go away.”

    Test of love

    he needs not equal love, but maternal love (the kind that Agafya Pshenitsyna gave him)

    he needs a woman equal in views and strength (Olga Ilyinskaya)

    Comparative characteristics

    Oblomov

    Stolz

    Appearance

    Origin

    Upbringing

    Education

    Embedded program

    Outlook on life

    The purpose of life

    Friendship

    Perception of life

    Test of love

    All his life, Goncharov dreamed of people finding harmony of feeling and reason. He reflected on the strength and poverty of the “man of the mind,” and on the charm and weakness of the “man of the heart.” In Oblomov, this idea became one of the leading ones. In this novel, two types of male characters are contrasted: the passive and weak Oblomov, with his golden heart and pure soul, and the energetic Stolz, who overcomes any circumstances with the power of his mind and will. However, Goncharov’s human ideal is not personified in either one or the other. Stolz does not seem to the writer to be a more complete personality than Oblomov, whom he also looks at with “sober eyes.” Impartially exposing the “extremes” of the nature of both, Goncharov advocated the completeness and integrity of the spiritual world of man with all the diversity of its manifestations.

    Each of the main characters of the novel had their own understanding of the meaning of life, their own life ideals that they dreamed of realizing.

    At the beginning of the story, Ilya Ilyich Oblomov is a little over thirty years old, he is a pillar nobleman, the owner of three hundred and fifty souls of serfs, which he inherited. Having served for three years in one of the capital's departments after graduating from Moscow University, he retired with the rank of collegiate secretary. Since then he lived in St. Petersburg without a break. The novel begins with a description of one of his days, his habits and character. Oblomov’s life by that time had turned into a lazy “crawling from day to day.” Having withdrawn from active activities, he lay on the sofa and irritably argued with Zakhar, his serf servant, who was caring for him. Revealing the social roots of Oblomovism, Goncharov shows that “it all started with the inability to put on stockings, and ended with the inability to live.”

    Raised in a patriarchal noble family, Ilya Ilyich perceived life in Oblomovka, his family estate, with its peace and inaction, as the ideal of human existence.
    Three main acts of life constantly played out before the eyes of little Ilyusha in childhood: homeland, weddings, funerals. Then followed their divisions: christenings, name days, family holidays. The whole pathos of life is focused on this. This was the “wide expanse of lordly life” with its idleness, which forever became the ideal of life for Oblomov.

    All Oblomovites treated work as a punishment and did not like it, considering it something humiliating. Therefore, life in the eyes of Ilya Ilyich was divided into two halves. One consisted of work and boredom, and these were synonymous for him. The other is from peace and peaceful fun. In Oblomovka, Ilya Ilyich was also instilled with a sense of superiority over other people. The “other” cleans his own boots, dresses himself, runs out to get what he needs. This “other” has to work tirelessly. Ilyusha, on the other hand, “was brought up tenderly, he did not endure cold or hunger, he knew no need, he did not earn his own bread, he did not engage in menial deeds.” And he considered studying a punishment sent by heaven for his sins, and avoided school classes whenever possible. After graduating from university, he was no longer involved in his education, was not interested in science, art, or politics.

    When Oblomov was young, he expected a lot both from fate and from himself. He was preparing to serve his fatherland, to play a prominent role in public life, and dreamed of family happiness. But days passed after days, and he was still getting ready to start life, he was still picturing his future in his mind. However, “the flower of life blossomed and did not bear fruit.”

    He saw his future service not as a harsh activity, but as some kind of “family activity.” It seemed to him that the officials serving together constituted a friendly and close family, all members of which were tirelessly concerned about mutual pleasure. However, his youthful ideas were deceived. Unable to withstand the difficulties, he resigned after serving only three years and without having accomplished anything significant.

    It happened that, lying on the sofa, he would be inflamed with the desire to point out to humanity his vices. He will quickly change two or three positions, stand up on the bed with sparkling eyes and look around with inspiration. It seems that his high effort is about to turn into a feat and bring good consequences to humanity. Sometimes he imagines himself as an invincible commander: he will invent a war, organize new crusades, and perform feats of kindness and generosity. Or, imagining himself as a thinker, an artist, in his imagination he reaps laurels, everyone worships him, the crowd chases after him. However, in reality, he was not able to understand the management of his own estate and easily became the prey of such scammers as Tarantiev and the “brother” of his landlady.

    Over time, he developed remorse that did not give him peace. He felt pain for his lack of development, for the burden that prevented him from living. He was torn by envy that others lived so fully and widely, but something was stopping him from boldly moving through life. He painfully felt that the good and bright beginning was buried in him, as in a grave. He tried to find the culprit outside himself and did not find it. However, apathy and indifference quickly replaced anxiety in his soul, and he again slept peacefully on his sofa.

    Even his love for Olga did not revive him to practical life. Faced with the need to act, overcoming the difficulties that stood in his way, he became afraid and retreated. Having settled on the Vyborg side, he left himself entirely to the care of Agafya Pshenitsyna, finally withdrawing from active life.

    In addition to this inability brought up by the lordship, many other things prevent Oblomov from being active. He really feels the objectively existing disconnect between the “poetic” and the “practical” in life, and this is the reason for his bitter disappointment.

    If at the beginning of the novel Goncharov talks more about Oblomov’s laziness, then at the end the theme of Oblomov’s “golden heart”, which he carried unscathed through life, sounds more and more insistently. Oblomov's misfortune is connected not only with the social environment, the influence of which he could not resist. It is also contained in the “destructive excess of the heart.” The hero's gentleness, delicacy, and vulnerability disarm his will and make him powerless in front of people and circumstances.

    In contrast to the passive and inactive Oblomov, Stolz was conceived by the author as a completely unusual figure. Goncharov sought to make it attractive to the reader with his “efficiency”, rational, skillful practicality. These qualities have not yet been characteristic of the heroes of Russian literature.

    The son of a German burgher and a Russian noblewoman, Andrei Stolz received a hard-working, practical education from childhood thanks to his father. This, combined with the poetic influence of his mother, made him a special person. Unlike the round Oblomov, he was thin, all muscle and nerves. He exuded some kind of freshness and strength. “Just as there was nothing superfluous in his body, so in the moral practices of his life he sought a balance between practical aspects and the subtle needs of the spirit.” “He walked through life firmly, cheerfully, lived on a budget, trying to spend every day, like every ruble.” He attributed the reason for any failure to himself, “and did not hang it, like a caftan, on someone else’s nail.” He sought to develop a simple and straightforward outlook on life. Most of all, he was afraid of the imagination, “this two-faced companion,” and any dream, so everything mysterious and mysterious had no place in his soul. He considered everything that is not subject to analysis of experience and does not correspond to practical truth to be a deception.

    Although Oblomov has nothing to object to Stolz’s reproaches, there is some kind of spiritual truth contained in Ilya Ilyich’s confession that he failed to understand this life.

    If at the beginning of the novel Goncharov talks more about Oblomov’s laziness, then at the end the theme of Oblomov’s “golden heart”, which he carried unscathed through life, sounds more and more insistently. Oblomov's misfortune is connected not only with the social environment, the influence of which he could not resist. It is also contained in the “destructive excess of the heart.” The hero's gentleness, delicacy, and vulnerability disarm his will and make him powerless in front of people and circumstances.


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    I.A. Goncharov in his novel touches on a very relevant topic: the confrontation between work and laziness, which for centuries has remained the most discussed and debatable. Nowadays, this topic is very problematic, since in our modern society technology is progressing and people stop working, laziness develops into the meaning of life.

    The heroes of the novel, Oblomov and Stolz, have been friends since early childhood. Their acquaintance occurs while studying in the house of Stolz’s father, who taught the basics of the most important sciences.

    Ilya Oblomov comes from a noble family; from early childhood, little Ilya is pampered and cherished. Parents and nannies forbid him to show any independent activity. Ilyusha, seeing this attitude toward himself, immediately realized that he could do nothing, since other people would do it all for him. His education took place in Stolz's house; he did not particularly want to study and his parents indulged him in this. This is how Oblomov’s entire youth passed. Adult life was no different from childhood and adolescence; Oblomov continues to lead a calm and lazy lifestyle. His passivity and idleness affect his daily life. He woke up at lunchtime, slowly climbed out of bed, lazily ate his food and was not interested in any business. Laziness, ingrained from childhood, did not give Oblomov the slightest chance to strive for science, to understand the world around him. Despite all this, his imagination was very well developed, since due to idleness Oblomov’s imaginary world was very rich. Oblomov was also a very trusting person, and the main person Ilya trusted was Andrei Stolts. Shtolz is the complete antipode of Oblomov. From early childhood, Andrei was accustomed to order and to work. His parents raised him strictly but fairly. His father, a German by nationality, instilled in Andrei precision, hard work and punctuality. From a young age, Andrei carried out various assignments from his father, strengthening his character. He studied with Ilya; from his father, unlike Oblomov, Andrei was good at science, and he studied them with curiosity. Stolz made the transition from childhood to adulthood very early, so Andrei was a very active person. He strived for constant replenishment of knowledge, because “learning is light, and ignorance is darkness. He had a sober and practical view of events, he never did anything hastily without thinking about the issue that he needed to solve. The prudence and punctuality inherent in childhood found a place in Stolz’s adult life. Mobility and energy contributed to him in any endeavors. Considering the life positions of Oblomov and Stolz in relation to Olga Ilyinskaya, the following conclusions can be drawn: Oblomov, living in his own world - “Oblomovshchina,” was a romantic who took a long time to decide on concrete steps in real life. Their acquaintance with Olga Ilyinskaya occurs thanks to Stolz. Their relationship was not strong from the very beginning. Olga, knowing a lot about Oblomov from Stolz’s stories, tries to bring Oblomov back to life through the means of her love, but she fails to do this and “Oblomovism” wins. The relationship between Olga and Andrey develops naturally throughout life, “she laughs at his jokes, and he listens to her singing with pleasure.” They had a lot in common, but the most important thing was that they strived for life, this contributed to their rapprochement and the formation of a family.

    Be that as it may, the fates of both heroes turn out relatively well. Stolz finds his happiness with Olga, and Oblomov finds his Oblomovka in a house on the Vyborg side and lives out his life there with the woman he always dreamed of. This denouement shows that the author’s position towards both of his heroes is positive.

    After reading the novel by I.A. Goncharov “Oblomov”, I am inclined to think that the events described in this work can be applied to our time, since in modern society there are many people like Stolz and Oblomov. And their confrontation will be eternal.