Who painted the picture? Who painted the very first paintings

December 3, 1961 at the New York Museum Contemporary Art A significant event occurred - Matisse’s painting “The Boat”, which had been hanging upside down for 46 days, was properly rehung. It is worth saying that this is not an isolated funny incident associated with paintings by great artists.

Pablo Picasso painted one of his famous portraits in less than 5 minutes

Once, one of Pablo Picasso’s acquaintances, looking at his new works, sincerely said to the artist: “Sorry, but I can’t understand this. Such things simply don’t exist.” To which Picasso retorted: “You and Chinese Do not understand. But it still exists." However, many people did not understand Picasso. Once he suggested to the Russian writer Ehrenburg, his good friend, paint his portrait. He happily agreed, but before he could sit down in a chair to pose, the artist announced that everything was ready.

Ehrenburg expressed surprise at the speed of execution of the work, because not even 5 minutes had passed, to which Picasso replied: “I have known you for 40 years. And all these 40 years I have been learning to paint portraits in 5 minutes.”

Ilya Repin helped sell a painting he didn’t paint

One lady bought at the market for only 10 rubles a completely mediocre painting, on which the signature “I. Repin” proudly flaunted. When the art connoisseur showed this work to Ilya Efimovich, he laughed and added “This is not Repin” and signed his autograph. After some time, an enterprising lady sold the painting unknown artist with the autograph of the great master for 100 rubles.

The bears in Shishkin’s famous painting were painted by another artist

There is an unspoken law among artists - professional mutual assistance. After all, each of them has not only favorite stories and strengths, but also weak spots, so why not help each other. Thus, it is known for certain that for the painting “Pushkin on the Seashore” by Aivazovsky, the figure of the great poet was drawn by Repin, and for Levitan’s painting “Autumn Day. Sokolniki" the lady in black was painted by Nikolai Chekhov. The landscape painter Shishkin, who could draw every blade of grass and needle in his paintings, when creating the painting “Morning in pine forest“The bears didn’t turn out at all. That’s why Savitsky painted the bears for Shishkin’s famous painting.

A piece of fiberboard, over which paint was simply poured, became one of the most expensive paintings

The most expensive painting in the world in 2006 was Jackson Pollock's Number 5, 1948. At one auction the painting went for $140 million. This may seem funny, but the artist didn’t really “bother” with the creation of this painting: he simply poured paint over a piece of fiberboard laid out on the floor.

Rubens encrypted the date of creation of his painting using the stars.

For a long time, art historians and scientists could not establish the date of creation of one of the most famous paintings Rubens - painting “The Feast of the Gods on Olympus”. The mystery was resolved only after astronomers took a closer look at the picture. It turned out that the characters in the picture were located in exactly the same order as the planets were located in the sky in 1602.

The Chupa Chups logo was drawn by the world famous surrealist

In 1961, Enrique Bernata, owner of the Chupa Chups company, asked artist Salvador Dali to come up with an image for a candy wrapper. Dali fulfilled the request. Today this image, although in a slightly modified form, is recognizable on the company's lollipops.

It is worth noting that in 1967 in Italy, with the blessing of the Pope, it was released with illustrations by Salvador Dali.

The most expensive painting Flour brings misfortune

Munch's "The Scream" was sold at auction for $120 million and is the artist's most expensive painting today. They say that Munch life path which is a series of tragedies, put so much grief into it that the picture absorbed negative energy and takes revenge on the offenders.

One of the employees of the Munch Museum once accidentally dropped a painting, after which he began to suffer from terrible headaches, which led this man to suicide. Another museum employee, who was unable to hold onto the painting, ended up in a terrible situation just a few minutes later. car accident. And a museum visitor who allowed himself to touch the painting, after some time, burned alive in a fire. However, it is possible that these are just coincidences.

Malevich's "Black Square" has an "older brother"

"Black Square", which is perhaps the most famous painting Kazimir Malevich, is a canvas 79.5 * 79.5 centimeters, on which a black square is depicted on a white background. Malevich painted his painting in 1915. And back in 1893, 20 years before Malevich, Alphonse Allais, a French humorist writer, painted his “black square”. True, Allais’s painting was called “The Battle of Negroes in a Deep Cave on a Dark Night.”

Christ and Judas in Da Vinci's painting have the same face

They say that the creation of the painting “The Last Supper” required titanic efforts from Leonardo da Vinci. The artist quickly found the person from whom the image of Christ was painted. One of the church choir singers took this role. But da Vinci searched for “Judas” for three years.

Once on the street the artist saw a drunkard who was unsuccessfully trying to get out of a cesspool. Da Vinci took him to one of the drinking establishments, sat him down and began to draw. Imagine the artist’s surprise when, having opened up his thoughts, the drunkard admitted that he had already posed for him several years ago. It turned out that this was the same singer.

In almost every significant work art is a mystery, a “double bottom” or secret history, which I want to reveal.

Music on the buttocks

Hieronymus Bosch, "The Garden of Earthly Delights", 1500-1510.

Fragment of part of a triptych

Disputes about meanings and hidden meanings most famous work Dutch artist have not subsided since its appearance. The right wing of the triptych called “Musical Hell” depicts sinners who are tortured in the underworld with the help of musical instruments. One of them has music notes stamped on his buttocks. Oklahoma Christian University student Amelia Hamrick, who studied the painting, translated the 16th-century notation into a modern twist and recorded “a 500-year-old butt song from hell.”

Nude Mona Lisa

The famous "La Gioconda" exists in two versions: the nude version is called "Monna Vanna", it was painted by the little-known artist Salai, who was a student and sitter of the great Leonardo da Vinci. Many art historians are sure that it was he who was the model for Leonardo’s paintings “John the Baptist” and “Bacchus”. There are also versions that Salai, dressed in a woman’s dress, served as the image of the Mona Lisa herself.

Old Fisherman

In 1902, the Hungarian artist Tivadar Kostka Csontvary painted the painting “The Old Fisherman”. It would seem that there is nothing unusual in the picture, but Tivadar put into it a subtext that was never revealed during the artist’s lifetime.

Few people thought of placing a mirror in the middle of the picture. Every person can be like God (duplicated right shoulder The old man) and the Devil (the left shoulder of the old man is duplicated).

Was there a whale?

Hendrik van Antonissen, Shore Scene.

It would seem like an ordinary landscape. Boats, people on the shore and a deserted sea. And only an X-ray study showed that people gathered on the shore for a reason - in the original they were looking at the carcass of a whale washed ashore.

However, the artist decided that no one would want to look at a dead whale, and rewrote the painting.

Two "Breakfasts on the Grass"

Edouard Manet, "Luncheon on the Grass", 1863.

Claude Monet, "Luncheon on the Grass", 1865.

The artists Edouard Manet and Claude Monet are sometimes confused - after all, they were both French, lived at the same time and worked in the style of impressionism. Monet even borrowed the title of one of Manet’s most famous paintings, “Luncheon on the Grass,” and wrote his own “Luncheon on the Grass.”

Doubles at the Last Supper

Leonardo da Vinci, "The Last Supper", 1495-1498.

When Leonardo da Vinci wrote " last supper", he attached special meaning two figures: Christ and Judas. He spent a very long time looking for models for them. Finally, he managed to find a model for the image of Christ among the young singers. Leonardo was unable to find a model for Judas for three years. But one day he came across a drunkard on the street who was lying in a gutter. He was a young man who had been aged by heavy drinking. Leonardo invited him to a tavern, where he immediately began to paint Judas from him. When the drunkard came to his senses, he told the artist that he had already posed for him once. It was several years ago, when he sang in the church choir, Leonardo painted Christ from him.

"Night Watch" or "Day Watch"?

Rembrandt, "Night Watch", 1642.

One of Rembrandt’s most famous paintings, “The Performance of the Rifle Company of Captain Frans Banning Cock and Lieutenant Willem van Ruytenburg,” hung in different rooms for about two hundred years and was discovered by art historians only in the 19th century. Since the figures seemed to appear against a dark background, it was called “Night Watch,” and under this name it entered the treasury of world art.

And only during the restoration carried out in 1947, it was discovered that in the hall the painting had managed to become covered with a layer of soot, which distorted its color. After clearing the original painting, it was finally revealed that the scene represented by Rembrandt actually takes place during the day. The position of the shadow from Captain Kok's left hand shows that the duration of action is no more than 14 hours.

overturned boat

Henri Matisse, "The Boat", 1937.

Henri Matisse's painting "The Boat" was exhibited at the New York Museum of Modern Art in 1961. Only after 47 days did someone notice that the painting was hanging upside down. The canvas depicts 10 purple lines and two blue sails on a white background. The artist painted two sails for a reason; the second sail is a reflection of the first on the surface of the water.
In order not to make a mistake in how the picture should hang, you need to pay attention to the details. The larger sail should be the top of the painting, and the peak of the painting's sail should be toward the top right corner.

Deception in self-portrait

Vincent van Gogh, "Self-Portrait with a Pipe", 1889.

There are legends that Van Gogh allegedly cut off his own ear. Now the most reliable version is that van Gogh damaged his ear in a small brawl involving another artist, Paul Gauguin.

The self-portrait is interesting because it reflects reality in a distorted form: the artist is depicted with his right ear bandaged because he used a mirror when working. In fact, it was the left ear that was affected.

Alien bears

Ivan Shishkin, "Morning in the Pine Forest", 1889.

The famous painting belongs not only to Shishkin. Many artists who were friends with each other often resorted to “the help of a friend,” and Ivan Ivanovich, who painted landscapes all his life, was afraid that his touching bears would not turn out the way he wanted. Therefore, Shishkin turned to his friend, the animal artist Konstantin Savitsky.

Savitsky painted perhaps the best bears in the history of Russian painting, and Tretyakov ordered his name to be washed off the canvas, since everything in the picture “from concept to execution, everything speaks about the manner of painting, about creative method, characteristic of Shishkin."

The innocent story of "Gothic"

Grant Wood, " American Gothic", 1930.

Grant Wood's work is considered one of the most strange and depressing in the history of American painting. The picture with the gloomy father and daughter is filled with details that indicate the severity, puritanism and retrograde nature of the people depicted.
In fact, the artist did not intend to depict any horrors: during a trip to Iowa, he noticed a small house in gothic style and decided to portray those people who, in his opinion, would be ideal as inhabitants. Grant's sister and his dentist are immortalized as the characters Iowans were so offended by.

Salvador Dali's Revenge

The painting "Figure at a Window" was painted in 1925, when Dali was 21 years old. At that time, Gala had not yet entered the artist’s life, and his muse was his sister Ana Maria. The relationship between brother and sister deteriorated when he wrote in one of the paintings “sometimes I spit on the portrait of my own mother, and this gives me pleasure.” Ana Maria could not forgive such shocking behavior.

In her 1949 book, Salvador Dali Through the Eyes of a Sister, she writes about her brother without any praise. The book infuriated Salvador. For another ten years after that, he angrily remembered her at every opportunity. And so, in 1954, the painting “A Young Virgin Indulging in the Sin of Sodomy with the Help of the Horns of Her Own Chastity” appeared. The woman’s pose, her curls, the landscape outside the window and the color scheme of the painting clearly echo “Figure at the Window.” There is a version that Dali took revenge on his sister for her book.

Two-faced Danae

Rembrandt Harmens van Rijn, "Danae", 1636 - 1647.

Many secrets of one of Rembrandt's most famous paintings were revealed only in the 60s of the twentieth century, when the canvas was illuminated with X-rays. For example, the shooting showed that in an early version the face of the princess, who entered into a love affair with Zeus, was similar to the face of Saskia, the painter’s wife, who died in 1642. In the final version of the painting, it began to resemble the face of Gertje Dirks, Rembrandt’s mistress, with whom the artist lived after the death of his wife.

Van Gogh's yellow bedroom

Vincent van Gogh, "Bedroom in Arles", 1888 - 1889.

In May 1888, Van Gogh acquired a small studio in Arles, in the south of France, where he fled from Parisian artists and critics who did not understand him. In one of the four rooms, Vincent sets up a bedroom. In October, everything is ready, and he decides to paint “Van Gogh’s Bedroom in Arles.” For the artist, the color and comfort of the room were very important: everything had to evoke thoughts of relaxation. At the same time, the picture is designed in alarming yellow tones.

Researchers of Van Gogh's work explain this by the fact that the artist took foxglove, a remedy for epilepsy, which causes serious changes in the patient's perception of color: the entire surrounding reality is painted in green and yellow tones.

Toothless perfection

Leonardo da Vinci, "Portrait of Lady Lisa del Giocondo", 1503 - 1519.

The generally accepted opinion is that the Mona Lisa is perfection and her smile is beautiful in its mystery. However, American art critic (and part-time dentist) Joseph Borkowski believes that, judging by her facial expression, the heroine has lost many teeth. While studying enlarged photographs of the masterpiece, Borkowski also discovered scars around her mouth. “She “smiles” like that precisely because of what happened to her,” the expert believes. “Her facial expression is typical of people who have lost their front teeth.”

Major on face control

Pavel Fedotov, "Major's Matchmaking", 1848.

The public, who first saw the painting “Major's Matchmaking,” laughed heartily: the artist Fedotov filled it with ironic details that were understandable to the audience of that time. For example, the major is clearly not familiar with the rules of noble etiquette: he showed up without the required bouquets for the bride and her mother. And her merchant parents dressed the bride herself in an evening ball gown, although it was daytime (all the lamps in the room were extinguished). The girl obviously tried on a low-cut dress for the first time, is embarrassed and tries to run away to her room.

Why is Liberty naked?

Ferdinand Victor Eugene Delacroix, "Freedom on the Barricades", 1830.

According to art critic Etienne Julie, Delacroix based the woman's face on the famous Parisian revolutionary - the laundress Anne-Charlotte, who went to the barricades after the death of her brother at the hands of royal soldiers and killed nine guardsmen. The artist depicted her with her breasts bare. According to his plan, this is a symbol of fearlessness and selflessness, as well as the triumph of democracy: the naked breast shows that Liberty, as a commoner, does not wear a corset.

Non-square square

Kazimir Malevich, "Black Suprematist Square", 1915.

In fact, “Black Square” is not black at all and not square at all: none of the sides of the quadrangle are parallel to any of its other sides, and to none of the sides of the square frame that frames the picture. A dark color- this is the result of mixing various colors, among which there was no black one. It is believed that this was not the author’s negligence, but a principled position, the desire to create a dynamic, mobile form.

Specialists from the Tretyakov Gallery discovered the author's inscription on the famous painting by Malevich. The inscription reads: “The battle of the blacks in the dark cave.” This phrase refers to the title of the humorous painting by the French journalist, writer and artist Alphonse Allais, “The Battle of the Negroes in a Dark Cave.” late at night", which was a completely black rectangle.

Melodrama of the Austrian Mona Lisa

Gustav Klimt, "Portrait of Adele Bloch-Bauer", 1907.

One of Klimt's most significant paintings depicts the wife of the Austrian sugar magnate Ferdinad Bloch-Bauer. All of Vienna was discussing whirlwind romance Adele and famous artist. The wounded husband wanted to take revenge on his lovers, but chose very unusual way: he decided to order a portrait of Adele from Klimt and force him to make hundreds of sketches until the artist began to vomit from her.

Bloch-Bauer wanted the work to last several years, so that the sitter could see how Klimt's feelings were fading. He made a generous offer to the artist, which he could not refuse, and everything turned out according to the scenario of the deceived husband: the work was completed in 4 years, the lovers had long since cooled off to each other. Adele Bloch-Bauer never knew that her husband was aware of her relationship with Klimt.

The painting that brought Gauguin back to life

Paul Gauguin, "Where do we come from? Who are we? Where are we going?", 1897-1898.

Gauguin's most famous painting has one peculiarity: it is “read” not from left to right, but from right to left, like the Kabbalistic texts in which the artist was interested. It is in this order that the allegory of human spiritual and physical life unfolds: from the birth of the soul (a sleeping child in the lower right corner) to the inevitability of the hour of death (a bird with a lizard in its claws in the lower left corner).

The painting was painted by Gauguin in Tahiti, where the artist escaped from civilization several times. But this time life on the island did not work out: total poverty led him to depression. Having finished the canvas, which was to become his spiritual testament, Gauguin took a box of arsenic and went to the mountains to die. However, he did not calculate the dose, and the suicide failed. The next morning, he swayed to his hut and fell asleep, and when he woke up, he felt a forgotten thirst for life. And in 1898, his business began to improve, and a brighter period began in his work.

112 proverbs in one picture

Pieter Bruegel the Elder, "Dutch Proverbs", 1559

Pieter Bruegel the Elder depicted a land inhabited by literal images of Dutch proverbs of those days. The painting contains approximately 112 recognizable idioms. Some of them are still used today, for example, such as: “swim against the current”, “banging your head against the wall”, “armed to the teeth” and “big fish eat little fish”.

Other proverbs reflect human stupidity.

Subjectivity of art

Paul Gauguin, "Breton Village in the Snow", 1894

Gauguin's painting "Breton Village in the Snow" was sold after the author's death for only seven francs and, moreover, under the title " Niagara Falls" The man holding the auction accidentally hung the painting upside down because he saw a waterfall in it.

Hidden picture

Pablo Picasso, "Blue Room", 1901

In 2008, infrared radiation revealed that hidden beneath the Blue Room was another image - a portrait of a man dressed in a suit with a bow tie and resting his head on his hand. “As soon as Picasso had new idea, he took up the brush and embodied it. But he did not have the opportunity to buy a new canvas every time a muse visited him,” art historian Patricia Favero explains a possible reason for this.

Unavailable Moroccans

Zinaida Serebryakova, “Naked”, 1928

One day Zinaida Serebryakova received a tempting offer - to go on a creative journey to depict the nude figures of oriental maidens. But it turned out that it was simply impossible to find models in those places. Zinaida's translator came to the rescue - he brought his sisters and fiancee to her. No one before or since has been able to capture closed oriental women naked.

Spontaneous insight

Valentin Serov, “Portrait of Nicholas II in a jacket,” 1900

For a long time Serov could not paint a portrait of the Tsar. When the artist completely gave up, he apologized to Nikolai. Nikolai was a little upset, sat down at the table, stretching out his hands in front of him... And then it dawned on the artist - here is the image! A simple military man in an officer's jacket with clean and with sad eyes. This portrait is considered best image the last emperor.

Another deuce

© Fedor Reshetnikov

The famous painting “Deuce Again” is only the second part of an artistic trilogy.

The first part is “Arrived on vacation.” Obviously a wealthy family, winter holidays, a joyful excellent student.

The second part is “A deuce again.” A poor family from the working-class outskirts, the height of school year, the dejected stunner, who again grabbed the deuce. In the upper left corner you can see the painting “Arrived for Vacation”.

The third part is “Re-examination”. A rural house, summer, everyone is walking, one malicious ignoramus, who failed the annual exam, is forced to sit within four walls and cram. In the upper left corner you can see the painting “Deuce Again.”

How masterpieces are born

Joseph Turner, Rain, Steam and Speed, 1844

In 1842, Mrs. Simon traveled by train in England. Suddenly a heavy downpour began. The elderly gentleman sitting opposite her stood up, opened the window, stuck his head out and stared for about ten minutes. Unable to contain her curiosity, the woman also opened the window and began to look ahead. A year later, she discovered the painting “Rain, Steam and Speed” at an exhibition at the Royal Academy of Arts and was able to recognize in it the same episode on the train.

Anatomy lesson from Michelangelo

Michelangelo, "The Creation of Adam", 1511

A pair of American neuroanatomy experts believe that Michelangelo actually left behind some anatomical illustrations in one of his most famous works. They believe that the right side of the painting depicts a huge brain. Surprisingly, even complex components can be found, such as the cerebellum, optic nerves and pituitary gland. And the eye-catching green ribbon perfectly matches the location of the vertebral artery.

"The Last Supper" by Van Gogh

Vincent Van Gogh, Café Terrace at Night, 1888

Researcher Jared Baxter believes that Van Gogh’s painting “Cafe Terrace at Night” contains an encrypted dedication to Leonardo da Vinci’s “Last Supper.” In the center of the picture stands a waiter with long hair and in a white tunic reminiscent of the clothes of Christ, and around him there are exactly 12 cafe visitors. Baxter also draws attention to the cross located directly behind the waiter in white.

Dali's image of memory

Salvador Dali, "The Persistence of Memory", 1931

It is no secret that the thoughts that visited Dali during the creation of his masterpieces were always in the form of very realistic images, which the artist then transferred to canvas. Thus, according to the author himself, the painting “The Persistence of Memory” was painted as a result of associations that arose from the sight of processed cheese.

What is Munch screaming about?

Edvard Munch, "The Scream", 1893.

Munch talked about how he came up with the idea of ​​one of the most mysterious paintings in world painting: “I was walking along a path with two friends - the sun was setting - suddenly the sky turned blood red, I paused, feeling exhausted, and leaned against the fence - I looked at the blood and flames over the bluish-black fjord and the city - my friends moved on, and I stood, trembling with excitement, feeling an endless cry piercing nature." But what kind of sunset could frighten the artist so much?

There is a version that the idea of ​​​​"The Scream" was born to Munch in 1883, when several powerful eruptions of the Krakatoa volcano occurred - so powerful that they changed the temperature of the Earth's atmosphere by one degree. Copious amounts of dust and ash spread throughout to the globe, even reaching Norway. For several evenings in a row, the sunsets looked as if the apocalypse was about to come - one of them became a source of inspiration for the artist.

A writer among the people

Alexander Ivanov, "The Appearance of Christ to the People", 1837-1857.

Dozens of sitters posed for Alexander Ivanov for his main picture. One of them is known no less than the artist himself. In the background, among travelers and Roman horsemen who have not yet heard the sermon of John the Baptist, you can see a character in a robe tunic. Ivanov wrote it from Nikolai Gogol. The writer communicated closely with the artist in Italy, in particular on religious issues, and gave him advice during the painting process. Gogol believed that Ivanov “has long since died for the whole world, except for his work.”

Michelangelo's Gout

Raphael Santi, "The School of Athens", 1511.

Creating famous fresco"The School of Athens", Raphael immortalized his friends and acquaintances in the images of ancient Greek philosophers. One of them was Michelangelo Buonarotti “in the role” of Heraclitus. For several centuries the fresco kept secrets personal life Michelangelo, and modern researchers have made the assumption that the artist’s strangely angular knee indicates that he had a joint disease.

This is quite likely, given the peculiarities of the lifestyle and working conditions of Renaissance artists and Michelangelo’s chronic workaholism.

Mirror of the Arnolfini couple

Jan van Eyck, "Portrait of the Arnolfini couple", 1434

In the mirror behind the Arnolfini couple you can see the reflection of two more people in the room. Most likely, these are witnesses present at the conclusion of the contract. One of them is van Eyck, as evidenced by the Latin inscription placed, contrary to tradition, above the mirror in the center of the composition: “Jan van Eyck was here.” This is how contracts were usually sealed.

How a disadvantage turned into a talent

Rembrandt Harmens van Rijn, Self-Portrait at the Age of 63, 1669.

Researcher Margaret Livingston studied all of Rembrandt's self-portraits and discovered that the artist suffered from strabismus: in the images his eyes look straight ahead. different sides, which is not observed in the portraits of other people by the master. The illness resulted in the artist being able to perceive reality in two dimensions better than people with normal vision. This phenomenon is called "stereo blindness" - the inability to see the world in 3D. But since the painter has to work with a two-dimensional image, this very flaw of Rembrandt could be one of the explanations for his phenomenal talent.

Sinless Venus

Sandro Botticelli, "Birth of Venus", 1482-1486.

Before the appearance of the "Birth of Venus" the image of a naked female body in painting it symbolized only the idea of ​​original sin. Sandro Botticelli was the first of the European painters to find nothing sinful in him. Moreover, art historians are sure that the pagan goddess of love symbolizes on the fresco Christian image: her appearance is an allegory of the rebirth of a soul that has undergone the rite of baptism.

Lute player or lute player?

Michelangelo Merisi da Caravaggio, "The Lute Player", 1596.

For a long time the painting was exhibited in the Hermitage under the title “The Lute Player”. Only at the beginning of the 20th century did art historians agree that the painting depicts a young man (probably Caravaggio was posed by his friend the artist Mario Minniti): on the notes in front of the musician one can see a recording of the bass line of Jacob Arkadelt’s madrigal “You know that I love you” . A woman could hardly make such a choice - it’s just hard on the throat. In addition, the lute, like the violin at the very edge of the picture, was considered a male instrument in Caravaggio’s era.

On December 3, 1961, a significant event took place at the New York Museum of Modern Art - Matisse’s painting “The Boat,” which had been hanging upside down for 46 days, was properly rehung. It is worth saying that this is not an isolated funny incident associated with paintings by great artists.

Pablo Picasso painted one of his famous portraits in less than 5 minutes

Once, one of Pablo Picasso’s acquaintances, looking at his new works, sincerely said to the artist: “Sorry, but I can’t understand this. Such things simply don’t exist.” To which Picasso retorted: “You don’t even understand Chinese. But it still exists." However, many did not understand Picasso. Once he invited the Russian writer Ehrenburg, his good friend, to paint his portrait. He happily agreed, but before he could sit down in a chair to pose, the artist announced that everything was ready.

Ehrenburg expressed surprise at the speed of execution of the work, because not even 5 minutes had passed, to which Picasso replied: “I have known you for 40 years. And all these 40 years I have been learning to paint portraits in 5 minutes.”

Ilya Repin helped sell a painting he didn’t paint

One lady bought at the market for only 10 rubles a completely mediocre painting, on which the signature “I. Repin” proudly flaunted. When the art connoisseur showed this work to Ilya Efimovich, he laughed and added “This is not Repin” and signed his autograph. After some time, an enterprising lady sold a painting by an unknown artist with the autograph of the great master for 100 rubles.

The bears in Shishkin’s famous painting were painted by another artist

There is an unspoken law among artists - professional mutual assistance. After all, each of them has not only favorite stories and strengths, but also weaknesses, so why not help each other. Thus, it is known for certain that for the painting “Pushkin on the Seashore” by Aivazovsky, the figure of the great poet was drawn by Repin, and for Levitan’s painting “Autumn Day. Sokolniki" the lady in black was painted by Nikolai Chekhov. The landscape painter Shishkin, who could draw every blade of grass and needle in his paintings, could not create bears when creating the painting “Morning in a Pine Forest.” That’s why Savitsky painted the bears for Shishkin’s famous painting.

A piece of fiberboard, over which paint was simply poured, became one of the most expensive paintings

The most expensive painting in the world in 2006 was Jackson Pollock's Number 5, 1948. At one auction the painting went for $140 million. This may seem funny, but the artist didn’t really “bother” with the creation of this painting: he simply poured paint over a piece of fiberboard laid out on the floor.

Rubens encrypted the date of creation of his painting using the stars.

For a long time, art historians and scientists could not establish the date of creation of one of Rubens’s most famous paintings - the painting “The Feast of the Gods on Olympus”. The mystery was resolved only after astronomers took a closer look at the picture. It turned out that the characters in the picture were located in exactly the same order as the planets were located in the sky in 1602.

The Chupa Chups logo was drawn by the world famous surrealist

In 1961, Enrique Bernata, owner of the Chupa Chups company, asked artist Salvador Dali to come up with an image for a candy wrapper. Dali fulfilled the request. Today this image, although in a slightly modified form, is recognizable on the company's lollipops.

It is worth noting that in 1967 in Italy, with the blessing of the Pope, a unique version of the Bible with illustrations by Salvador Dali was released.

The most expensive painting Flour brings misfortune

Munch's "The Scream" was sold at auction for $120 million and is the artist's most expensive painting today. They say that Munch, whose life path was a series of tragedies, put so much grief into it that the picture absorbed negative energy and takes revenge on the offenders.

One of the employees of the Munch Museum once accidentally dropped a painting, after which he began to suffer from terrible headaches, which led this man to suicide. Another museum employee, unable to hold onto the painting, was involved in a terrible car accident just a few minutes later. And a museum visitor who allowed himself to touch the painting, after some time, burned alive in a fire. However, it is possible that these are just coincidences.

Malevich's "Black Square" has an "older brother"

“Black Square,” which is perhaps the most famous painting by Kazimir Malevich, is a canvas 79.5 * 79.5 centimeters, on which a black square is depicted on a white background. Malevich painted his painting in 1915. And back in 1893, 20 years before Malevich, Alphonse Allais, a French humorist writer, painted his “black square”. True, Allais’s painting was called “Battle of Negroes in a Deep Cave on a Dark Night.”

Last Supper. Leonardo da Vinci.

Once on the street the artist saw a drunkard who was unsuccessfully trying to get out of a cesspool. Da Vinci took him to one of the drinking establishments, sat him down and began to draw. Imagine the artist’s surprise when, having opened up his thoughts, the drunkard admitted that he had already posed for him several years ago. It turned out that this was the same singer.

“The Nun” by Ilya Repin

Ilya Repin. Nun. 1878. State Tretyakov Gallery / Portrait under an X-ray

From the portrait, a young girl in strict monastic clothes looks thoughtfully at the viewer. The image is classic and familiar - it probably would not have aroused interest among art critics if not for the memoirs of Lyudmila Alekseevna Shevtsova-Spore, the niece of Repin’s wife. They revealed interesting story.

Sofia Repina, née Shevtsova, posed for Ilya Repina for The Nun. The girl was the artist’s sister-in-law - and at one time Repin himself was seriously infatuated with her, but he married her younger sister Vera. Sophia became the wife of Repin’s brother Vasily, an orchestra member of the Mariinsky Theater.

This did not stop the artist from repeatedly painting portraits of Sophia. For one of them, the girl posed in a formal ball gown: a light elegant dress, lace sleeves, and a high hairstyle. While working on the painting, Repin had a serious quarrel with the model. As you know, anyone can offend an artist, but few can take revenge as creatively as Repin did. The offended artist “dressed” Sophia in the portrait in monastic clothes.

The story, similar to an anecdote, was confirmed by an x-ray. The researchers were lucky: Repin did not remove the original paint layer, which allowed them to examine the heroine’s original outfit in detail.

"Park Alley" by Isaac Brodsky

Isaac Brodsky. Park alley. 1930. Private collection / Isaac Brodsky. Alley of the park in Rome. 1911

No less interesting riddle left for researchers by Repin's student, Isaac Brodsky. The Tretyakov Gallery houses his painting “Park Alley,” which at first glance is unremarkable: Brodsky had many works on “park” themes. However, the further you go into the park, the more colorful layers there are.

One of the researchers noticed that the composition of the painting was suspiciously reminiscent of another work of the artist - “Park Alley in Rome” (Brodsky was stingy with original titles). This painting was considered lost for a long time, and its reproduction was published only in quite rare edition 1929. With the help of x-rays, the Roman alley that had mysteriously disappeared was found - right under the Soviet one. The artist did not clean up the already finished image and simply made a number of simple changes to it: he dressed the passers-by according to the fashion of the 30s of the 20th century, “took away” the children’s clothes, removed the marble statues and slightly modified the trees. So, with a couple of light movements of the hand, the sunny Italian park turned into an exemplary Soviet one.

When asked why Brodsky decided to hide his Roman alley, they did not find an answer. But it can be assumed that the depiction of the “modest charm of the bourgeoisie” in 1930 was no longer inappropriate from an ideological point of view. Nevertheless, of all Brodsky’s post-revolutionary landscape works, “Park Alley” is the most interesting: despite the changes, the picture retained the charming grace of Art Nouveau, which, alas, no longer existed in Soviet realism.

“Morning in a Pine Forest” by Ivan Shishkin

Ivan Shishkin and Konstantin Savitsky. Morning in pine forest. 1889. State Tretyakov Gallery

A forest landscape with bear cubs playing on a fallen tree is perhaps the most famous work artist. But the idea for the landscape was suggested to Ivan Shishkin by another artist, Konstantin Savitsky. He also painted a bear with three cubs: the forest expert Shishkin had no luck with bears.

Shishkin had an impeccable understanding of forest flora; he noticed the slightest mistakes in the drawings of his students - either the birch bark was depicted incorrectly, or the pine looked like a fake one. However, people and animals have always been rare in his works. This is where Savitsky came to the rescue. By the way, he left several preparatory drawings and sketches with bear cubs - he was looking for suitable poses. “Morning in a Pine Forest” was not originally “Morning”: the painting was called “Bear Family in the Forest,” and there were only two bears in it. As a co-author, Savitsky also put his signature on the canvas.

When the canvas was delivered to the merchant Pavel Tretyakov, he was indignant: he paid for Shishkin (ordered an original work), but received Shishkin and Savitsky. Shishkin, how fair man, did not attribute authorship to himself. But Tretyakov followed the principle and blasphemously erased Savitsky’s signature from the painting with turpentine. Savitsky later nobly renounced copyright, and the bears were attributed to Shishkin for a long time.

“Portrait of a Chorus Girl” by Konstantin Korovin

Konstantin Korovin. Portrait of a chorus girl. 1887. State Tretyakov Gallery / Reverse side of the portrait

On the back of the canvas, researchers found a message from Konstantin Korovin on cardboard, which turned out to be almost more interesting than the painting itself:

“In 1883 in Kharkov, a portrait of a chorus girl. Written on a balcony in a commercial public garden. Repin said when S.I. Mamontov showed him this sketch that he, Korovin, was writing and looking for something else, but what is it for - this is painting for painting’s sake only. Serov had not yet painted portraits at this time. And the painting of this sketch was found incomprehensible??!! So Polenov asked me to remove this sketch from the exhibition, since neither the artists nor the members - Mr. Mosolov and some others - liked it. The model was not a beautiful woman, even somewhat ugly.”

Konstantin Korovin

The “Letter” was disarming with its directness and daring challenge to the entire artistic community: “Serov had not yet painted portraits at that time,” but he, Konstantin Korovin, painted them. And he was allegedly the first to use techniques characteristic of the style that would later be called Russian impressionism. But all this turned out to be a myth that the artist created intentionally.

The harmonious theory “Korovin is the forerunner of Russian impressionism” was mercilessly destroyed by objective technical and technological research. On the front side of the portrait they found the artist’s signature in paint, and just below in ink: “1883, Kharkov.” The artist worked in Kharkov in May - June 1887: he painted scenery for performances of the Mamontov Russian Private Opera. In addition, art historians have found that the “Portrait of a Chorus Girl” was made in a certain artistic manner- a la prima. This technique oil painting allowed me to paint a picture in one session. Korovin began to use this technique only in the late 1880s.

After analyzing these two inconsistencies, the Tretyakov Gallery staff came to the conclusion that the portrait was painted only in 1887, and Korovin added an earlier date to emphasize his own innovation.

“The Man and the Cradle” by Ivan Yakimov

Ivan Yakimov. Man and cradle.1770. State Tretyakov Gallery / Full version work

For a long time, Ivan Yakimov’s painting “Man and Cradle” puzzled art critics. And the point was not even that this kind of everyday sketches are absolutely not typical for painting XVIII centuries - the rocking horse in the lower right corner of the picture has a rope that is too unnaturally stretched, which logically should be lying on the floor. And it was too early for a child to play with such toys from the cradle. Also, the fireplace did not even fit half onto the canvas, which looked very strange.

The situation was “clarified” - in the literal sense - by an x-ray. She showed that the canvas was cut on the right and top.

IN Tretyakov Gallery The painting arrived after the sale of the collection of Pavel Petrovich Tugoy-Svinin. He owned the so-called “Russian Museum” - a collection of paintings, sculptures and antiques. But in 1834, due to financial problems, the collection had to be sold - and the painting “Man and Cradle” ended up in the Tretyakov Gallery: not all of it, but only its left half. The right one, unfortunately, was lost, but you can still see the work in its entirety, thanks to another unique exhibit of the Tretyakov Gallery. The full version of Yakimov’s work was found in the album “Collection of Excellent Works Russian artists and curious domestic antiquities”, which contains drawings from most of the paintings that were part of Svinin’s collection.

23.04.2017 20:25 426

Who painted the very first paintings.

Do you like to draw? Most likely the answer will be "yes". And you've probably already been to a museum where painting exhibitions are held. And perhaps they even asked adults the following question: “Who was the author of the world’s very first painting.”

The very first artists on earth can rightfully be considered ancient people who still lived in caves. In the south of France, as well as in Spain, researchers discovered color drawings of animals painted on the walls of caves.

According to archaeologists, these images could have been drawn approximately 20-30 thousand years BC. Ancient people depicted the wild animals that surrounded them.

Surprisingly, despite such antiquity, many of the drawings are well preserved. This became possible because the caves containing primitive painting, for many centuries were unknown to people.

Also in Africa and eastern Spain, rather imperfectly depicted human figures have been found. However, their poses were as if they were alive.

In their drawings, primitive artists used various bright colors. The dyes they used were earthen ocher - iron oxide (or simply rust) of various shades - from bright yellow to dark orange. Manganese is also a metallic element.

The ancient people crushed these substances into powder, then mixed them with fat or animal lard, and then applied them to the walls of the cave with something similar to brushes.

But the first people also had devices similar to modern pencils. They represented wooden sticks, filled with dyes, previously crushed into powder and mixed with lard.

In addition, they used sharply sharpened flint cutters to scratch lines. The ancient inhabitants of our planet made brushes for painting from animal wool or plant fibers.

IN Ancient Egypt primitive artists created paintings to decorate the pyramids, as well as the tombs of pharaohs and other important people.

On the walls of tombs, artists with their works of art immortalized scenes from the life of a noble person buried there. For this purpose, ancient Egyptian painters used watercolor paints and whitewash.

Other ancient civilization- Aegean, also reached great success in the development of the art of painting. Aegean artists created in a free and graceful style.

In the paintings, they depicted animals, flowers, and the life of sea creatures. And also the theme of their works was sport games. They created their drawings on wet plaster. Nowadays, this type of painting is called fresco.

As you can see guys, the art of drawing and painting has a very ancient history.