Folk performers of music and songs, folklore. Folk performers of music and songs, folklore Singers of Russian folk songs

Russians folk songs represent a very important layer of national folklore and are rooted in extreme antiquity. Some of them are of pagan origin, and some arose under the influence of Christianity. Old songs were composed East Slavic tribes who lived on the territory of Rus'. This can be judged from the results of the conducted archaeological excavations and a number of creative elements preserved in later folklore. By the time of its founding ancient Russian state beautiful songs occupied an important place in the culture of the Russians, but with the advent of Christianity, folklore began to decline. Songs for dancing and instrumental music were not welcomed by the official authorities, and were often completely banned as pagan. Folk instrumental music began to experience its next period of prosperity almost two hundred years after the adoption of Christianity.

Main directions

To the main genres musical folklore Russia includes dance songs, round dance songs, wedding, ritual and lyrical songs. In the nineteenth century, ditties became popular. Russian folk music is also famous for its rich instrumental accompaniment. Strings and wind instruments, and folk songs accompanied by accordion became completely business card countries. But, despite this, Russian songs still rely heavily on vocals. This is obviously due to the introduction by the church of a number of restrictions on the use musical instruments. Cheerful songs were not welcomed in those days, although there was no strict ban on them either.

Contemporary Russian performers folk songs famous all over the world. This fame is primarily due to its unique vocals. The folk song ensemble "" has been famous throughout the planet for many years. Its participants have repeatedly become winners of many music competitions in various categories. Also, such performers of Russian folk songs as Nikolai Ermilin, Larisa Kurdyumova and. On the website Zaitsev.net you can listen online or download for free any song you like music collection in mp3 format. Here you can find music for every taste - as quickly as possible, free of charge and without the need to register on the site.

Folklore groups – the flavor of any event!

Are you preparing for a wedding, anniversary, concert, corporate event or other event that is significant to you? Today, not a single celebration can do without musical accompaniment And entertainment program. And the right music becomes the main key to the success of any holiday!

But here a dilemma arises - how to please all the guests and those present, different in age, status, gender, and musical preferences. And we found such a universal solution for ourselves - to organize a performance of Russian folk performers. It is probably difficult to find a person who would not be a connoisseur of traditions, would not respect folk art and would not be interested in history. In addition, folklore always brings interesting semantic load, perfectly conveys emotions and joys ordinary people, and the instrumental accompaniment will not leave anyone indifferent. That is why a performance by a Russian folk song ensemble will be the best solution for an event of any format.

Today, “Buranovskie Babushki” is incredibly popular. This is easy to explain. People appreciate sincere, soulful performances of folk songs. We decided to tell you about others, no less beautiful, but less famous performers folklore from the Russian hinterland.

“Aliyoshnye” songs of the village of Plekhovo

A striking feature of the musical culture of the village of Plekhovo, Sudzhansky district of the Kursk region are “alilesh” songs performed to dance, a developed tradition of instrumental playing, specific choreographic genres - tanks (ritual dance) and karagodas (round dances).

Local tunes that have made Plekhovo famous throughout the world - “Timonya”, “Chebotukha”, “Father”, “It’s Hot to Plow” - are performed by an ensemble with a unique set of instruments: kugikly (Pan flute), horn (zhaleika), violin, balalaika.

The performing style of the Plekhovites is distinguished by a richness of improvisation and complex polyphony. Instrumental music, singing and dancing are inseparable components of the Plekhov tradition, which are owned by everyone true masters: good singers they often know how to play the kugikl, and violinists and horn players sing with pleasure - and everyone, without exception, dances deftly in the karagod.

In instrumental performance there are traditional rules: only women play the kugikl; on the horn, violin, accordion - only men.

“Oh, what a miracle this is.” Karagod song for Maslenitsa performed by residents of the village of Plekhovo

Suffering in the village of Russkaya Trostyanka

Song tradition of the village of Russkaya Trostyanka, Ostrogozhsky district Voronezh region distinguished by the loud chesty timbre of female voices, sounding in the upper register male voices, colorful polyphony, high level performing improvisation, using special singing techniques - “kicks”, “dumps” (specific short bursts of voice into another, usually high register).

The genre music and folklore system of the village includes calendar, wedding, plangent, round dance, and game songs. Significant place in the repertoire local residents occupied by ditties and suffering. They could be performed either solo to the accordion or balalaika (“Matanya”, “Semyonovna”, “Barynya”), or in chorus without instrumental accompaniment(“I begin to sing suffering”, “Puva, puva”).

Another feature song tradition the village of Russkaya Trostyanka - the presence of special spring songs performed from Krasnaya Gorka to Trinity. Such songs that mark the season are the drawn-out “Beyond the little forest, the little forest, the nightingale and the cuckoo flew together,” “We had a good summer in the forest.”

The drawn-out song “My nightingale, nightingales” performed by folklore ensemble“Peasant woman” from the village of Russkaya Trostyanka, Ostrogozhsky district, Voronezh region

Ballads of the Dukhovshchinsky district

Lyrical songs are one of the dominant genres in the song tradition of the Dukhovshchinsky region. IN poetic texts these songs are revealed emotional states and human emotional experiences. Among the plots there are even ballads. In the tunes lyrical songs exclamatory and narrative intonations are combined, expressive chants play an important role. Songs are traditionally dedicated to calendar periods (summer, winter) and individual holidays (Maslenitsa, Spiritual Day, patronal holidays), autumn-winter gatherings, farewell to the army. Among the features of the local performing tradition are a characteristic timbre and special performing techniques.

The lyrical song “The girls walked” performed by P.M. Kozlova and K.M. Titova from the village of Sheboltaevo, Dukhovshchinsky district, Smolensk region

Lamentations in the village of Cuckoo

Village Cuckoo, which is in Perm region, is like a reserve of Komi-Permyak traditional singing. The area of ​​specialization of the ensemble members is singing, traditional dances, dances and games, folk costume. The “massive”, timbre-intense, “filled” ensemble singing typical of the Kochi-Permyak Kochis acquires special brightness and intense emotionality when performed by Kukushan singers.

The ensemble consists of residents of the village of Kukushka, connected to each other by family, kinship, and neighborhood ties. The members of the group collect all genres of the local song tradition: drawn-out, lyrical Komi and Russian songs, dance, game, round dance songs, wedding ritual songs, spiritual poems, ditties and choruses. They master the tradition of lamentation, know children's folklore repertoire, fairy tales and lullabies, as well as dance, dance, game forms local folklore. Finally, they preserve and reproduce local ritual and holiday traditions: antique wedding ceremony, a rite of farewell to the army, remembrance of the dead, Christmas games and Trinity meadow festivities.

Dance song (“yӧktӧtan”) “Basok nylka, volkyt yura” (“ Beautiful girl, smooth head") performed by an ethnographic ensemble from the village of Kukushka, Kochevsky district, Perm Territory

Karagod songs of Ilovka

Traditional songs of the southern Russian village of Ilovka, Alekseevsky district, Belgorod region, belong to the song style of the Voronezh-Belgorod border region. IN musical culture Ilovki is dominated by drawn-out, widely chanted songs and round dance (karagodny) songs with crossed dances.

In the singing tradition of the village, signs of the southern Russian style are clearly visible: an open, bright voice, the use of high registers for men and low registers for women in joint singing, the influence of the style of round dance songs.

There are very few calendar-ritual song forms in the Ilovsk tradition. The only calendar song that has survived to this day is the carol “Oh, Kaleda, under the forest, forest!”, which is performed in polyphony. There are few seasonally dedicated songs, among them we can note the Trinity round dance “My All-Leafy Wreath”.

Round dance song “My All-Leafy Wreath” performed by residents of the village of Ilovka, Alekseevsky district, Belgorod region

Binge drinking in the Afanasyevsky district

Residents of the villages of the Kirov region remember, love and carefully preserve local singing traditions.

Lyrical songs form one of the most important parts cultural heritage areas. Special term to designate the genre of lyrical songs in the Afanasyevsky district of the Kirov region does not exist. Most often, such songs are characterized as long, drawn-out, heavy. In the stories of the performers they are also mentioned as ancient, since they were sung in former times. Common names are associated with the absence of a song being tied to a date ( simple songs) or with their affiliation with holidays ( holiday songs). In some places, there are memories of singing certain lyrical songs when seeing off the army. Then they are called soldiers.

Lyrical songs here, as a rule, were not confined to certain life situations: sang, “when it comes.” Most often, they were sung during field work, as well as on holidays, by both women and men: “whoever wants, sings.”

An important place in tradition was occupied by beer festivals, when guests reveled. The participants in the feast made folds - everyone brought honey, mash or beer. After sitting for an hour or two with one owner, the guests went to another hut. At these celebrations, lyrical songs were necessarily sung.

The lyrical song “Steep Mountains Are Cheerful” performed by P.N. Varankina from the village of Ichetovkiny, Afanasyevsky district, Kirov region

Shchedrovki in the village of Kamen

The song tradition of the Bryansk region is characterized by the dominance of wedding, round dance and later lyrical songs. In the village of Kamen, wedding, round dance, lyrical and calendar songs are still popular. The calendar cycle is represented here by the genres of the Yuletide period - Shchedrovkas and songs that accompanied the driving of the goat, and Maslenitsa songs performed during the Maslenitsa festivities.

The genre that occurs most often in the Starodub district is wedding songs. One of the few “living” genres today is lyrical songs. Local singers believe that they have undeniable beauty, they say about them: “Beautiful songs!”

Wedding song “Oh, mother-in-law was waiting for her son-in-law at supper” performed by residents of the village of Kamen, Starodubsky district, Bryansk region

The biography of Marina Devyatova, a performer of Russian songs, began in December 1983. It was then in the family people's artist Devyatov Vladimir, in Moscow, the future singer was born. Marina's artistic abilities were already evident in three years of age. Her childish voice sounded harmonious, the girl felt the tonality and rhythm of the melody. After watching their daughter for some time, the parents decided to send the child to music school, which was done in 1990, when Marina turned 7 years old. Thus, the biography of Marina Devyatova opened its next page.

Studying at a music school

For a full eight years, the young student learned the basics of musical science, harmony and solfeggio, and also studied choral conducting. After school, Marina entered School of Music named after Schnittke, and four years later she continued her studies at the famous Gnesinka Academy of Music, where she studied vocals for several years. Musical education allowed the girl to believe in herself and continue to improve in performing Russian folk songs.

First concerts

In October 2008, singer Marina Devyatova, whose biography was constantly updated with new pages, organized her first concert, which was held under the sign of Russian singing traditions. The success was stunning; after the concert, the young singer decided to devote herself entirely to Russian folk song and the study of folklore. And in March 2009, the biography of singer Marina Devyatova was marked by another event that excited the girl to the depths of her soul; she received an invitation to participate in a reception organized by the Russian Ministry of Foreign Affairs in honor of Queen Elizabeth of England and her entire family.

Solo albums

Exactly a year and a half later, Marina presented her own program, with the ingenuous title “I’ll go, I’ll go out,” at the Moscow Variety Theater. At the same time, her album “I Didn’t Think, I Didn’t Guess” was released. Critics unanimously suggested that Marina Devyatova neither thought nor imagined that Russian songs performed by her would become so widely known. And when at the end of 2011 Marina’s next album, entitled “I Am Happy,” was released, no one had any doubt that the singer had, by and large, found herself and would continue to develop in the field of Russian folk song.

Foreign concerts

Marina regularly visits various countries around the world with concerts, and she is already considered an “ambassador” of Russian culture. At the same time, the biography of Marina Devyatova is developing in a given direction and new creative pages appear in it. The singer loves to work with children's groups; talented children add a ringing note to her performances, and Marina is simply happy about this, as are her little helpers. A Russian also helps her on tours folk group, show ballet "Young Dance", which includes professionally trained dancers who master the technique of original Russian dance.

Religious Beliefs

Biography of Marina Devyatova, except creative pages, contains information about the singer’s religious beliefs. By her own admission, Marina is a Hare Krishna. Being a vegetarian, the singer tries to convey her beliefs to every person with whom fate brings her in one way or another. Marina Devyatova, among other things, has difficulty, but finds time to practice yoga, which, according to her assurances, is the key to physical and moral health.

Name : Collection of the best Russian folk songs
Performers : different
Year : 2015
Genre: miscellaneous
Duration : 05:21:05
Format/Codec : MP3
Audio bitrate : 256 kbps
Size: 618 MB

Description: Collection of 100 of the best folk songs. All those songs that the entire Russian people knows and sings! Sing along with us!

Download for free collection of the best Russian folk songs Can

List of songs:
001. Lidiya Ruslanova - Golden Mountains
002. Sergey Zakharov - Troika
003. Russian song - Marusya
004. Nadezhda Krygina - Mosquitoes
005. Lyudmila Zykina - Dropped the ring
006. Lyudmila Nikolaeva - Black-browed, black-eyed
007. Georg Ots - It’s not the wind that bends the branch
008. Tatyana Petrova - My gilded ring
009. Ivan Skobtsov - Here comes the postal troika
010. Nikolay Timchenko - Along Piterskaya
011. Joseph Kobzon - Are you waiting for Lizaveta
012. Nikolay Erdenko - I remember, I remember
013. Sergey Lemeshev - How Vanyusha walked and walked
014. Olga Voronets - Will I go, will I go out
015. Nikolai Gedda - Oh, darling
016. Evgeny Nesterenko - Evening bells
017. Alexandra Strelchenko - Charming eyes
018. Evgenia Shevchenko - We rode on a boat
019. Russian folk choir them. M.E. Pyatnitsky - How my own mother saw me off
020. Ivan Surzhikov - Wife
021. Nikolay Timchenko - I’ll go outside
022. Olga Voronets - Someone is missing, someone is sorry
023. Olga Kovaleva - There are two flowers on the window
024. Nadezhda Kadysheva and the Golden Ring Ensemble - Katyusha
025. Maxim Mikhailov - Oh you, my share is my share
026. Vladiyar - Oh, frost, frost
027. Lidiya Ruslanova - Kamarinskaya
028. Ivan Skobtsov - The night is dark, seize the minutes
029. Tamara Abdullaeva - How a soldier served
030. Sergey Zakharov - The moon is shining
031. Lyudmila Nikolaeva - The gypsies were driving
032. Tatyana Petrova - Like in the evening, in the evening
033. Olga Voronets - In front of the people in a round dance
034. Sergey Lemeshev - Snowstorm
035. White Day - Oh, how I like you!
036. Vika Tsyganova - Peddlers
037. Nadezhda Kadysheva and the Golden Ring Ensemble - Someone came down the hill
038. Galina Nevara - Nightingales
039. Maria Pakhomenko - There is no better color
040. Nikolay Erdenko - Otrada
041. Russian folk choir named after. M.E. Pyatnitsky - Handsome, young
042. Alla Bayanova - Holiday in the village
043. Nadezhda Krygina - Uhar-merchant
044. Ivan Skobtsov - Among the flat valleys
045. Maxim Mikhailov - Oh you, my share is my share
046. Sergey Lemeshev - I'm sitting on a pebble
047. Nadezhda Kadysheva and the Golden Ring Ensemble - If only I had mountains of gold
048. Olga Voronets - The bird cherry tree is swaying under the window
049. Ivan Skobtsov - Steppe and steppe all around
050. Lyudmila Nikolaeva - Matanya
051. Sergey Zakharov - Along and along the river
052. Russian folk choir named after. M.E. Pyatnitsky - Lullaby
053. Sergey Zakharov - Hey, coachman, drive to Yar
054. Lidia Ruslanova - Through the wild steppes of Transbaikalia
055. Zinaida Sazonova - Oh, it’s not evening
056. Tamara Sinyavskaya - Mother, it’s dusty in the field
057. State Voronezh Russian Folk Choir - Ducks Are Flying
058. Vladiyar - My joy lives on
059. Lidiya Ruslanova - I went up the hill
060. Tatyana Petrova - My Vanyushka
061. Karina and Ruzana Lisitsian - Meadow duck
062. Lyudmila Zykina - From under a pebble
063. Ekaterina Shavrina - The month turned crimson
064. Russian folk choir named after. M.E. Pyatnitsky - Like a roller coaster ride in the mountains
065. Lyudmila Zykina - Under the arc there is a bell
066. Lidia Ruslanova - Valenki
067. Vocal ensemble Voronezh girls - Thin Rowan
068. State Academic Choir, director. A. Sveshnikova - Oh, you wide steppe
069. Alexandra Strelchenko - Along the Murom path
070. Sergey Zakharov - I’ve been all over the universe
071. Anna German - From behind the island to the core
072. Russian folk choir named after. M.E. Pyatnitsky - Oh, my fogs
073. Ivan Skobtsov - Dubinushka
074. Vika Tsyganova - Red viburnum
075. Lyudmila Zykina - You sing in the nightingale garden
076. Sergey Zakharov - Spinner
077. Boris Shtokolov - Night
078. Olga Voronets - Kalinka
079. Victor Klimenko - Coachman, don’t drive the horses
080. Nadezhda Kadysheva and the Golden Ring Ensemble - Ural mountain ash
081. Maria Maksakova - Above the fields, and above the clean ones
082. Russian folk choir named after. M.E. Pyatnitsky - When we were at war
083. Russian folk choir named after. M.E. Pyatnitsky - And who knows
084. Lyudmila Nikolaeva - Oh, why this night
085. Maria Mordasova - Zavlekalochka
086. Nadezhda Kadysheva and the Golden Ring Ensemble - You are my fallen maple
087. Russian folk choir named after. M.E. Pyatnitsky - Along the street
088. Anna Litvinenko - Golden-domed Moscow
089. Vika Tsyganova - Oh, the viburnum is blooming
090. Tamara Sinyavskaya - Katyusha
091. Olga Voronets - One, two, I love you
092. Nadezhda Kadysheva and the Golden Ring Ensemble - Bloomed under the window
093. Evgeniy Nesterenko - Here the daring troika is rushing
094. Ekaterina Shavrina - Luchinushka
095. Lyudmila Nikolaeva - Walking along the Don
096. Irina Maslennikova - Grass Ant
097. Lyudmila Zykina - The Volga Flows
098. Olga Voronets - The stitch tracks are overgrown
099. Anna Litvinenko - There was a carriage at the church
100. Maria Mordasova - Ivanovna