Who wrote the ballet Giselle. The history of the creation of the ballet Adana "Giselle"

« Giselle, or Wilis"(French Giselle, ou les Wilis) - “fantastic ballet" in two acts by composer Adolphe Adam to a libretto by Henri de Saint-Georges, Théophile Gautier and Jean Coralli, according to a legend retold by Heinrich Heine. Choreography by Jean Coralli with participation of Jules Perrot, scenery by Pierre Ciseri, costumes Fields of Lormier.

Further editions

In Paris

• - renewal by Jean Coralli (sets by Edouard Desplechin, Antoine Cambon and Joseph Thierry, costumes by Albert).
• - staging Joseph Hansen (Giselle- Carlotta Zambelli).
• - performance of “Diaghilev’s Russian Ballet” (staged by Mikhail Fokine, set design by Alexandre Benois, Giselle- Tamara Karsavina, Count Albert- Vaslav Nijinsky).
• - production by Nikolai Sergeev based on recordings of the performance Mariinsky Theater, scenery and costumes by Alexander Benois (especially for Olga Spesivtseva).
• - a renewal of the 1924 version as edited by Serge Lifar. In this performance, Marina Semyonova performed with him in 1935-1936. New scenery and costumes - Leon Leyritz(1939), Jean Carzu (1954).
• - Edited by Alberto Alonso (sets and costumes by Thierry Bosquet).
• April 25 - editorial Patrice Bara and Evgenia Polyakova, dedicated to the 150th anniversary of the performance, design by Loïc le Grumellec ( Giselle - Monique Loudiere, Count Albert- Patrick Dupont).
• - resumption of the ballet designed by Alexandre Benois.

In London

• - edited by Mikhail Mordkin for Anna Pavlova.
• - performance of “Diaghilev’s Russian Ballet” (staged by Mikhail Fokin, set design by Alexandre Benois, Giselle- Tamara Karsavina, Count Albert- Vaslav Nijinsky).
• - edition by Ivan Khlustin, ballet troupe of Anna Pavlova.

On the Russian stage

• - Bolshoi Theater, edited by Leonid Lavrovsky.
• - Gorky Opera House; 1984 - renewal (conductor-producer Vladimir Boykov, production designer Vasily Bazhenov).
• - Bolshoi Theater, edited by Vladimir Vasiliev.
• - Rostov Musical Theatre, Rostov-on-Don ( music director Andrei Galanov, choreographers Elena Ivanova and Oleg Korzenkov, production designer Sergei Barkhin).
• - Mikhailovsky Theater, St. Petersburg (choreographer Nikita Dolgushin)
• 2007 - Krasnodar Musical Theater (choreographer - Yuri Grigorovich, production designer - Simon Virsaladze)
• - Samara Opera and Ballet Theater (conductor-producer Vladimir Kovalenko, choreographer-producer Kirill Shmorgoner, production designer Vyacheslav Okunev.
• - Moscow regional state theater"Russian ballet"

In other countries

• - Roman Opera, edited by Vladimir Vasiliev.

Original versions

• - “Giselle”, choreography by Mats Ek ( Giselle- Ana Laguna, Count Albert- Luke Bowie). The action of Act II is transferred to a psychiatric hospital. In the same year, it was filmed by the director himself with the same cast.
• - « Creole Giselle", choreography Frederick Franklin, Dance Theater of Harlem.

Prominent Performers

On the Russian stage in the party Giselle Nadezhda Bogdanova, Praskovya Lebedeva, Ekaterina Vazem performed. On April 30 of the year, Anna Pavlova made her debut in this role at the Mariinsky Theater. In the year Agrippina Vaganova prepared the role Giselle with Olga Spesivtseva: according to existing opinion, this part became fatal for the ballerina’s mental health. In the year, one of the most soulful and lyrical creators of the image of Giselle in the 20th century, Galina Ulanova, made her debut in this role, in the year - Marina Semyonova, in 1961 - Malika Sabirova.

“This made me understand that France recognizes my Giselle as one of the best,” the ballerina believed.

In Great Britain, Alicia Markova was considered an outstanding performer of the role. Alicia Alonso, who replaced Markova in New York on November 2, began her ballet career with this performance. In France, Yvette Chauvire, who made her debut in “Giselle” in the year, is considered the standard performer. During the Paris Opera's tour in the USSR, spectators and critics were impressed by the interpretation of another French ballerina, Lian Dade.

Filmography

• 1956 - recording of the performance with Galina Ulanova in leading role; taken during the tour ballet troupe The Bolshoi Theater in London, at night, after the end of the performance; L'Orchestre du Théâtre National de L'Opèra, Paris [ ] .
• - “Giselle”, a film adaptation of the play by the American Ballet Theatre. Starring Carla Fracci and Eric Brun, choreographer David Blair, conductor John Lanchbury, director of the film Hugo Nibling, made in the USA.
• - “Giselle”, a film adaptation of the Bolshoi Theater play. In the main roles Natalia Bessmertnova and Mikhail Lavrovsky, choreographer

First action

A small, quiet village drenched in sunshine. Simple, simple-minded people live here.

The young peasant girl Giselle rejoices in the sun, the blue sky, the singing of birds and most of all the happiness of love, trusting and pure, that has illuminated her life. She loves and believes that she is loved. In vain, the forester Hans, who is in love with her, tries to assure Giselle that her beloved Albert is not a simple peasant, but a nobleman in disguise and that he is deceiving her.

The forester sneaks into Albert's house, which he rents in the village, and finds there a silver sword with a coat of arms. Now he is finally convinced that Albert is hiding his noble origin.

In the village, after a hunt, noble gentlemen with a magnificent retinue stop to rest. The peasants warmly and cordially welcome rich guests.

Albert is embarrassed by the unexpected meeting, because his fiancée Bathilda is among the guests. At this time, the indignant forester shows everyone Albert’s sword and talks about his deception.

Giselle is shocked by her lover's deceit. The pure and clear world of her faith, hopes and dreams was destroyed. She goes crazy and dies.

Second act

At night among the graves of a quiet village cemetery in moonlight Willis appear - the ghosts of brides who died before the wedding. “Dressed in wedding dresses, crowned with flowers... irresistibly beautiful, the Wiliss dance in the light of the moon, dancing the more passionately and quickly the more they feel that the hour given to them for dancing is running out, and they must again descend into their ice-cold graves... "(G. Heine).

The Willis notice the forester: exhausted by remorse, he came to Giselle’s grave. By order of their inexorable mistress Myrta, the Willis circle the forester in a ghostly round dance until he falls, lifeless.

Albert also cannot forget the deceased Giselle. Deep at night he comes to her grave. The Willies immediately surround the young man. Albert also faces the terrible fate of the forester. But the shadow of Giselle that appears protects him from the wrath of the Willis. Clean and selfless love The girls are protected and saved by Albert.

With the first rays rising sun The white ghosts - the jeeps - disappear. Giselle’s light shadow also disappears, but she will always live in Albert’s memory with eternal regret and a dream of lost love, a love that is stronger than death itself.

The ballet "Giselle" by Adolphe Adam is one of the most famous performances world classical choreographic repertoire. Its premiere took place in 1841 in Paris. The authors of the libretto drew from the works of Heine and Hugo the theme of the Wilis - brides who died before the wedding. The libretto and music were created on the initiative of choreographer Jules Perrault. Over time, Marius Petipa turned to “Giselle” and brought its choreography to perfection. At the beginning of the 20th century, during the triumphant “Russian Seasons”, Sergei Diaghilev brought “Giselle” to Paris, and the French saw their national ballet, carefully preserved in Russia. Since then, the play has received many interpretations. For Mikhailovsky Theater Nikita Dolgushin reconstructed Petipa's performance with a time-tested choreographic text, precise staging, and numerous ancient details.

The plot of the ballet is simple: the young count, being engaged to a rich bride, falls in love with the peasant girl Giselle and, hiding his title, looks after her under the guise of a peasant. A forester in love with Giselle reveals the count's secret; Giselle learns of his infidelity and, mad with grief, dies. After death, Giselle becomes a Wilis, but forgives her unfaithful lover and saves him from the revenge of her friends.

Act one
The young Count is in love with Giselle. He wears a peasant's dress, and Giselle mistakes him for a young man from a neighboring village. The forester, who is in love with Giselle, tries to convince her that her lover is not who he claims to be. But Giselle doesn't want to listen to him.
The forester enters the house where the young count is changing into a peasant dress, and finds his sword with a coat of arms. The sound of a horn announces the approach of hunters. Among them are the count's bride and her father. The noble lady is fascinated by Giselle and gives her her necklace.
In the midst of a peasant festival, a forester appears. He accuses the count of lying and shows his sword as proof. Giselle doesn't believe him. Then the forester blows his horn, and his bride appears before the embarrassed count. Shocked by her lover's deception, Giselle loses her mind and dies.

Act two
Midnight. The forester comes to Giselle's grave. The Wilis rise from their graves and he flees. Everyone who appears in the cemetery is forced by the Wilis to dance until the traveler falls dead. The mistress of the Wilis calls the shadow of Giselle from the grave: from now on she is one of the Wilis. The Count comes to Giselle's grave. Seeing the young man's grief and repentance, Giselle forgives him. The Wilis pursue the forester and, having overtaken him, throw him into the lake. Now the same fate awaits the count. In vain Giselle asks the Wilis to let her lover go, the Wilis are inexorable. The striking of a clock can be heard from afar. When the sun rises, the Wilis lose their power. The Count is saved and forgiven. Giselle disappears into the predawn fog.

Gerald Dowler, Financial Times

Giselle, directed by Nikita Dolgushin, is back in London, and invariably beautiful: absolutely traditional, with scenery lovingly painted “based on” those used in the first Paris production in 1841. There is nothing superfluous either in the choreographic or in the narrative part: everything unnecessary is discarded to reveal the essence of this ballet.

The costumes are simple, especially in the second act with the jeeps. The only dissonant note occurs in the first act, where the hunters are dressed more for a banquet than for a foray into the forest. What the director achieved best was the sharp contrast between the sunny, earthly world depicted in the first act and the gloomy world of ghosts in the second. Giselle herself becomes the bridge between the two worlds.

This is a production the highest level- not in last resort thanks to the Willis, the souls of betrayed brides, who dance as one, in absolutely impeccable style. It's rare to see such synchronicity combined with such dedication. The main roles are played by guest soloist Denis Matvienko (Albert) and soloist of the Mikhailovsky Theater Irina Perren. Matvienko fully exploited the technical possibilities that this role offers - his solos are filled with confident nobility. However, the greatest impression is made by his strength and thoughtfulness as Giselle's partner and his detailed portrait of a repentant scoundrel. Albert, played by Matvienko, first repels us with his undisguised desire to take possession of Giselle - this is not a love-sick youth at all. Gradually, the hero realizes that his feelings are much deeper - and the artist skillfully portrays this. And in the second act we acutely feel Albert’s repentance at Giselle’s grave. The dancer managed to create a memorable image.

Irina Perren dances the part of Giselle with inspiration. In the first act she is a dangerously naive peasant girl. Her happiness when she hears Albert's confessions or accepts a necklace as a gift from Bathilda is so great that her heart is ready to burst. The ballerina also vividly portrays the pangs of madness into which she falls after Albert’s betrayal. The shadow of this betrayal plunges the heroine’s entire world into darkness and leads to her death. Irina Perrin did an excellent job of transforming Giselle: the pretty, simple-minded girl in the first act becomes a sad ghost in the second. The ballerina's technique perfectly complements her artistic skills. When she freezes in an arabesque, this is not done for show - the soloist seems to be denying the heaviness of the earthly world. This production is a real achievement.

The production of “Giselle” appeared on stage ballet theater during the heyday of romanticism. Her role in the formation of this direction in art is very significant. T. Gautier, J. Coralli and J. Saint-Georges are the creators of the libretto of the ballet “Giselle”, summary which we will look at in this article. The production demonstrates the authors' appeal to their beloved romantic theme- mysticism. Adolphe-Charles Adam is a French composer. He is also one of the creators of the romantic ballet.

Exhibition of images

The article will present a brief summary of the ballet “Giselle”. The plot is based on the events taking place in the village. It is located among the mountains, surrounded by forests and vineyards. Peasants gather to harvest grapes. They pass by the house where the peasant woman Bertha lives, and her friends greet her daughter Giselle. Prince Albert and his squire Wilfried appear. They head to the hunting lodge and hide there for a while. From there the prince comes out already in peasant clothes. The unnoticed forester Hans witnesses this scene.

Love affair

Albert heads to Bertha's house. The squire tries in vain to dissuade his master from some intentions. The prince dismisses the servant and knocks on the door, then hides. Giselle, having come out to the knock and not finding anyone, dances, then gets ready to leave. Albert appears, but the girl, as if not noticing him, walks towards the house. The prince touches her hand and hugs her tenderly. Their subsequent dance turns into a love scene. Albert confesses his love, but Giselle, jokingly, expresses her doubts about it. She tells fortunes on the petals of a flower. As a result, when she receives the answer “she doesn’t like”, she is very upset. Then Albert tells fortunes on another flower. The fortune telling ends with the answer “loves”. The girl is calm and happy. They dance enthusiastically again.

Next, briefly retelling the content of the ballet “Giselle”, we will mention the forester Hans. He appears unexpectedly, asks the girl not to trust Albert’s words and assures her of his devotion. Hans has no doubt that Albert will only bring her grief and disappointment.

Albert is furious. He drives the forester away. The girl justifies Hans's action with jealousy. Then, even more tenderly and passionately, she continues her dance with Albert.

The next scene begins with the return of Giselle's friends from the vineyards. General fun and dancing ensues. Albert watches the girl in admiration. Flattered by his attention, she invites him to take part in this fun, which he does with pleasure.

Bertha comes out of the house and reminds her daughter that she has diseased heart. Therefore, it is not healthy for her to dance so much. The fun is over.

Noble guests

The sounds of hunting can be heard in the distance. The appearance of new characters makes the action more intense. Smartly dressed ladies and gentlemen appear. Among them are the Duke of Courland with his daughter Bathilda, Albert’s fiancée. The hunt has made everyone hot and tired, and they dream of rest and food. The Duke chooses Giselle's house for relaxation. Bertha and her daughter came out to meet the guests. Bathilda is fascinated by the beauty and spontaneity of the main character. She, in turn, admires the guest’s elegant toilets. A dialogue takes place between them, in which Bathilda asks the girl about her favorite pastime. She replies that she loves to dance. As a sign of her sympathy, Bathilda gives the simpleton a gift. This is a luxurious gold chain. Giselle is very happy, but this makes her confused. The noble guests disperse to rest. Bathilda's father also went to Bertha's house.

Exposure

Giselle and her friends persuade Berthe to let them dance. Bertha reluctantly agrees. Giselle is happy. She performs her most best dance. Albert joins her. Suddenly the forester Hans appears. Roughly pushing them aside, he accuses Albert of dishonesty and deceit. Everyone around is perplexed, they are outraged by the forester’s action. Then, as proof of his accusations, Hans shows everyone Albert’s weapon, which he found in hunting lodge. It is decorated with jewels, which testifies to his noble origin. This shocked Giselle. She demands an explanation from her new acquaintance. The prince tries to calm the girl down, and then snatches the sword from Hans’s hands and rushes at him. Wilfried arrived in time and prevented his master from committing the murder. Forester Hans begins to blow the hunting horn. Alarmed by the signal, noble guests leave Bertha's house. Among them is the Duke and his daughter Bathilda. Albert, dressed in peasant clothes, puzzles them. He, in turn, tries to justify his action.

Tragic ending

Giselle sees how respectfully noble guests greet Albert, and how respectful the duke’s servants are with him. She has no doubt that she was deceived. The prince then turns to Bathilda, kissing her hand. Giselle runs up to her rival with the words that Albert swore allegiance to her in his love. Bathilda is outraged. She shows Giselle her wedding ring, indicating that she is the prince's real bride. Giselle is in despair. She tears off and throws away the gold chain given by Bathilda. Sobbing, she falls into her mother's arms. Not only her friends, but also noble guests sympathize with her.

Albert tries to calm Giselle down. He says something to her. However, the girl does not listen to him, her mind is clouded with grief. She remembers his vows, promises, fortune telling, dancing. Seeing Albert's sword, she tries to kill herself. But Hans takes the weapon from her hands.

Her last memory is fortune telling with daisies. Giselle dies.

Instead of an epilogue

We continue our acquaintance with the content of the ballet “Giselle”. Next, the action takes place in a rural cemetery. Hans came here, but, frightened by mysterious sounds, he ran away.

Willis - brides who died before the wedding, lead their own round dance. At a sign from their mistress Myrtha, they surround Giselle’s grave, from which her ghostly figure appears. With a wave of Myrta's hand, she gained strength.

Albert appears at the cemetery, accompanied by his squire. He is looking for where the girl is buried. Suddenly he saw her figure and rushed after her. Several times this vision appeared and disappeared, as if melting into thin air.

Meanwhile, the Willis are chasing Hans and, having overtaken them, vengefully push him into the lake.

Albert should be their next victim. He unsuccessfully begs the ruthless Myrtha for mercy. Giselle appears. She intends to protect her lover and save him from certain death. Together they dance their last dance. Then the ghost of the girl disappears into her grave, and the round dance of the Willis surrounds Albert. The ringing of the clock signals the end of the night. At dawn the jeeps disappeared. The prince's retinue appears, sent to search for their master. The ghost of Giselle appears in last time. Albert's return to real world completes the ballet "Giselle".

"Giselle" in Russia

The premiere of this ballet in Russia took place in 1842. It was staged on the stage of the Mariinsky Theater in 1884. The production of the ballet “Giselle” at the Mariinsky Theater, the content of which makes everyone empathize, was a huge success.

The main meaning of the plot is the idea eternal love which is stronger than death.

Nowadays great amount spectators visit Russian theaters, including the Mariinsky, and the content of the ballet “Giselle” arouses interest among people of different generations.

A. Adan ballet “Giselle”

Based on the work "Giselle" Adolf Adam lies ancient Slavic legend about the Willis - the dead young unmarried girls, betrayed by their lovers. From now on, they are forced to avenge themselves by killing young men at night, dragging them into their dances.

The performance itself is a slightly modified and expanded fantastic story, on the plot of which three librettists worked.

Read a summary of the ballet Adana and many interesting facts about this work on our page.

Characters	Description
	peasant girl
Albert	graph
Hans	forester
Myrta	Queen Willis
Bertha	Giselle's mother
Wilfried	Albert's squire
Bathilda	lady betrothed to albert
Duke	Bathilda's father

Summary of “Giselle”

The plot of the ballet “Giselle” shows a tender and at the same time mystical story about a young and naive girl who loves with all her heart and is confident in the reciprocal feelings of her chosen one, Albert. But her admirer, the forester, discovers her lover’s deception, as a result of which she loses her mind and dies, unable to bear the betrayal.

Now Giselle is not a simple peasant girl, but vengeful and cruel, like all the Wilis she joins. The first person they punished was the Forester, who came to Giselle’s grave. Count Albert came next to this place, but the girl’s soul, still loving him tenderly and devotedly, protects her lover from the vengeful Willis, saving him from death. With dawn, the shadows of all the girls and Giselle herself disappear, leaving only a deep mark in Albert’s soul and memory, like eternal regret for lost love, which is stronger than death.

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Interesting Facts

• Such a popular performance, which has been studied by many artists, continues to contain many ambiguities and omissions. What does the four strokes of the clock mean, why did Hans and Albert go to the cemetery at night, what connected the prince and mother Giselle?
• What do you know about the composer Adolphe Adam, who wrote the legendary ballet? He was cheerful and versatile developed person, researchers like to mention in their works that he trained his frog, which lives on his table in a jar and fervently jumps to the accompaniment.
• Having visited St. Petersburg and received an invitation from the emperor to the position of court composer with a luxurious salary, A. Adan hastened to refuse, considering our country barbaric, filled with “wild traditions.” And he wrote his ballet, which brought him worldwide recognition, in just ten days of work.
• In the first production of Giselle (1841), dance and facial expressions occupied almost equal shares in the performance. To convey emotions through pantomime, dancers had to possess considerable acting skills. Subsequently dance began to give the leading role in revealing the plot.
• The title of the play and the name of the main character come from the German word “gisil”, meaning “mortgage”, “collateral”.
• Immediately after the premiere of the ballet, the hairstyle with a center parting worn by main character, became a real hit among Parisian fashionistas.
• It is noteworthy that at first famous choreographer Jules Perrault worked with the performer Giselle (his wife) on the sly, but gradually he began to be attracted more and more to work on the play. As a result, the entire main batch was completely developed by him alone.
• After the resounding success of the ballet during the premiere, the fee for Carlotta Grisi, the performer main party, was immediately promoted.

• At the premiere of the ballet “Giselle,” the name of Jules Perrot was not indicated on the poster, and only a few people associated with the creation of the ballet knew about his huge role in the production of the choreography.
• One of the authors of the libretto, Théophile Gautier, was in family ties with the first performer of the role of Giselle – Carlotta Grisi. He was married to her older sister Erneste.
• It is noteworthy that at the beginning of the 20th century, Western ballet art practically fell into decay and “Giselle” was preserved only thanks to the Russian stage. Exactly the version M. Petipa , which was successfully performed in 1910 during the “Russian Seasons Abroad,” was able to renew interest in ballet in her homeland.
• Few places mention the fact that the music of Giselle’s transformation belongs to Minkus. Composer Puni is also the author of the female variation in the inserted Pas de deux.

The history of the creation of “Giselle”

In 1840, Adolphe Adam arrived back in Paris from his trip to St. Petersburg. He went to Russia for the dancer Maria Taglioni. The composer wrote the ballet “The Sea Robber” especially for her, and already in Paris he began a new performance “Giselle”.

It was based on one ancient legend about the jeeps, which Heinrich Heine recreated in his book “On Germany”. It is known that the main author of the libretto is the French poet Théophile Gautier. He is also called a critic of the romantic school. Besides his passion for literature, his second passion was traveling around the world. He even visited Russia, after which he wrote “Travel to Russia” and “Treasures of Russian Art.” In addition, his romantic style found application in wonderful ballet scenarios. Researchers of his work note that stories based on his works were especially popular in Russia.

While working on the ballet Giselle, Gautier proposed changing the legend by moving the action to another country, changing titles, names and customs. So, all the action now takes place in Thuringia, and main character Albert became Duke of Silesia (later Count). Bathilda's father now became a prince (later Duke of Courland). In addition to Gautier, librettist Jules-Henri Vernoy de Saint-Georges and Jean Coralli (choreographer) also worked on the performance. It is noteworthy that the librettists came up with the most suitable plot in just three days. In addition, Jules Joseph Perrault, a most talented dancer, actively participated in the ballet work. There is a version that he met Carlotta Grisi in Italy, future star ballet It was for her that he later came up with the role of Giselle.

Productions

The performance premiered successfully in June 1841 at the Royal Academy of Music. The role of Giselle was performed by Carlotta Grisi, and Lucien Petipa played the role of Albert. Jean Coralli also took part in this production, playing the role of Hilarion.

The scenery was masterfully designed by Pierre Luc-Charles Cisery. The audience greeted the performance very enthusiastically. Theater critics tirelessly praised the composer, directors, performers and librettists in their reviews. The undoubted success of the performance is also supported by the fact that for another whole month only “Giselle” was staged on the stage of the Paris Opera. So, in one year alone there were 26 performances. The first edition lasted on stage for 18 years, and during this time the ballet was performed 150 times.

The next production took place in Great Britain, where Carlotta Grisi went after her husband Jules Perrault. Moreover, in this version, they had already performed together and his name was indicated on the poster as the director of the play. After this, the ballet was repeatedly staged with great success on various world stages: Austria, Italy, Denmark and, of course, Russia.

The Russian public first appreciated this masterpiece in December 1842 on the stage of the Bolshoi Stone Theater, under the direction of Antoine Titus. Already in 1943, P. Didier staged this production in the Moscow Bolshoi Theater. Another remarkable edition of the ballet was carried out by Marius Petipa at the Mariinsky Theater. After this, many other choreographers turned to this ballet and successfully staged it in various theaters. It's interesting that in Soviet time The choreographers were required to change the plot. The ideologist did not like the fact that an ordinary girl inflamed with feelings for the aristocrat and demanded that the forester Hans take his place. And some figures even demanded that the ballet be excluded from the repertoire, since it is not Soviet ballet and it promotes not entirely ethical things. However, despite all this, the performance remained on stage.

Among the original productions, the work of Mats Ek in 1982, where Ana Laguna appeared in the role of Giselle, stands out. In this version, the entire second act is moved to a mental hospital. This Swedish choreographer has long been famous for his unusual performances. classic stories. Suffice it to remember that in “ Swan Lake "his bald birds can barely walk, and Aurora from " Sleeping beauty ” and falls asleep completely due to the abuse of illegal drugs. In “Giselle,” the first act practically does not deviate from the original version, only the main character does not die, but begins to rage and the residents try to calm her down by pinning her to the ground with sharp pitchforks. Afterwards she ends up in a psychiatric hospital. It turns out that this Giselle is saving her beloved not from jeeps, but from rampaging psychos.

It is noteworthy that this performance was filmed in the same year. In addition to this version, there are a number of other films. Thus, in 1969, the ballet was filmed by American director Hugo Nibling, with David Blair as choreographer. Feature Film Emil Loteanu's Anna Pavlova, starring Galina Belyaeva, was filmed in 1983. In addition, such interesting story also attracted director Herbett Ross, who created the film “Dancers” in 1987; Alexei Uchitel, who is the author of the film “Giselle Mania”, filmed in 1996. This version tells about the life of the great dancer Olga Spesivtseva. The film contains a short excerpt from the first act, which shows the scene of Giselle's madness. This picture is also interesting because it contains unique footage dating back to 1932 from “Giselle” with Olga Spesivtseva and Anton Dolin in the leading roles.

In October 2015, the public in Israel was able to appreciate the brilliant idea of ​​choreographer Mikhail Lavrovsky. In his “Giselle,” everything that happened on stage was done according to the classical model, but the scenery itself was in 3D format, which delighted the entire audience. A special design of five screens made it possible to change the space, open incredible story on stage and emphasize its fantastic nature.

Perhaps one of the most unusual productions is the one-of-a-kind project by Maria Sokolova. Its essence is that anyone who is familiar with the basics of ballet choreography can take part in the production classical performance. At the end of 2016, the ballet “Giselle” will be shown on the stage of the Moscow Theater.

This ballet is unique in its kind. At the center of the play is the story of the large and incredibly beautiful soul of a peasant girl, who is contrasted with a selfish aristocrat. Only later does the main idea change and revenge comes to the fore. At the same time, the musical text of the ballet cannot be called simply an accompaniment to the dances. He stands out noticeably for his spirituality and character. All images of heroes and their inner world received a very subtle embodiment in the romantic dance of ballet. In addition, the extraordinarily rich content of the performance, a great idea and vivid images allowed it to become one of the most famous and beloved ballets for more than one hundred and seventy years. We invite you to appreciate it right now and watch “” in a magnificent production and excellent quality.

Video: watch the ballet “Giselle” by Adana