What colors to combine to get green. How to make brown paint

Burnt sienna, ultramarine, cadmium yellow - these words sound like mysterious spells to the uninitiated ear. In fact, these are just names of colors, although a certain magic is, of course, present in them. One has only to pick up a brush and apply a few drops to the palette, and the imagination immediately comes to life. And all that remains for the artist is to mix the paints correctly to create real miracles.

It is sometimes difficult for novice artists to navigate the choice of colors for their painting, especially if there are many colors in their watercolor set. This is why it is recommended to buy paints with a smaller variety of shades, because it is much more interesting and, most importantly, more useful to mix the paints yourself. Ready-made colors often turn out to be quite harsh, far from natural muted tones. But a palette created with your own hands will not only help you find what you need for the desired image, but will also serve as a source of imagination and useful knowledge.

All shades of colors are divided into warm and cold. These names are absolutely telling; warm colors are sunnier, more summery: orange, red, yellow. Cold, respectively winter, refreshing: blue, light blue, violet.

The colors on the palette interact with each other, forming absolutely incredible variations. However, there are general trends, which are reflected in the so-called Itten circle. This is a model of combining primary and secondary colors.

The circle not only shows how secondary colors are formed from primary ones, but also visually divides them into warm and cold, respectively, some on the right, others on the left. It is important to understand that we are talking about base colors, not shades. After all, in comparison, some will turn out to be warmer, others colder.

Here is a small table on mixing primary colors.

Rules for mixing paints

To mix watercolor paints correctly, you need to know some of their features and be sure to take them into account when applying them to paper. It's about not only about the division into warm and cold tones, but also about the hiding power of some colors, i.e. ability to overlap previous layers. Different shades are obtained not only by mixing two colors, but also by varying their quantity, as well as the amount of water used. For example, mixing the classic combination of yellow and green, when adding more yellow it will gradually change to a lighter lime green, and may even return to the original element.

Colors that are close to each other when mixed will not give a pure tone, but with their help you can get a very expressive shade, it will be called chromatic. If you combine colors located on opposite sides of the color wheel, you can get an achromatic, grayish tone. For example, a combination of orange with green and purple will give this effect.

Some paints give an undesirable reaction when mixed. It's not just about dirt on the drawing, it can lead to cracking of the paint layer, as well as to its darkening when drying. The combination of zinc white with cinnabar has a beautiful light pink tone, but later this combination darkens and becomes inexpressive. Therefore, it is, of course, considered optimal to achieve brightness and multi-color by mixing a minimum number of colors. Remember that some combinations give a lasting effect, while others are completely unacceptable.

How to get yellow color when mixing paints

Yellow is one of the three basic colors, so it is impossible to obtain it by mixing it in its pure form! However, you can achieve some results by playing with shades that are close to the palette. For example, to get gold, you will need regular yellow and a drop of red or brown. A good option is also to make them yellow with red and adding white.

How to get orange color when mixing paints

It is much more productive to mix yellow paint to create orange. It is formed from a mixture of yellow and red. Adding a little brown and red can make it tangerine or gold, depending on the amount of ingredients. Bright orange comes from classic orange with brown and white.

How to get a mint color when mixing paints

How to get black by mixing paints

Each watercolor set contains black, but if for some reason you don’t have it, or you need a very dark shade, you can mix it yourself. You will need to combine red, yellow and blue in equal proportions. Great color comes from blue and brown. Also suitable for mixing are red, green, yellow, and purple. Soft black colors come from cobalt yellow, cobalt blue and madder pink.

How to get green color when mixing paints

Green comes from yellow and blue. However, in watercolors in its pure form it is rarely used. Much more popular colors are sunny green or olive green, midnight green, their combination and other options. Solar green uses ultramarine and cobalt yellow, olive is prepared from the same flowers with the addition of burnt sienna, and midnight is made from FC blue, yellow and a drop of black.

How to get turquoise color by mixing paints

Turquoise is better known by its other name, aquamarine. On the color spectrum its place is between green and blue. Therefore, they will be needed for mixing. You will need a slightly larger amount of blue cyan than green. However, this depends on the color intensity required. For a more subtle turquoise, you can add a drop of white or light gray paint. For a rich aquamarine, you will need to take a bright shade of blue, green and a little yellow.

How to get burgundy color when mixing paints

The burgundy color owes its name to the French wine of the same name. This is a solemn, deep color, you can mix it using three parts red and one blue. For a warmer shade, you can introduce a little yellow, or combine bright scarlet in half with brown. A cooler tone will be obtained from red, brown and black; it comes out so rich that it must be diluted with water.

How to get blue color by mixing paints

It’s very easy to get blue color in watercolors; just dilute ultramarine with water, and you’re done. However, for those who are not looking for easy ways, there are always a couple interesting ways. One of them is the use of white: for 2 parts of ultramarine you will need one part of white paint. Dilute Blue colour you need to gradually adjust the tone saturation. For a bright blue color you will need the same blue, a drop of red and white. Another shade can be obtained by adding to this mixture one part of not red, but green paint.

How to get crimson color when mixing paints

Bright and energetic crimson color has a whole range of shades. The main one can be obtained by combining red, blue and a small amount of white. To tone down a too bright color, add a little black. Instead of black, you can use brown, and instead of blue, turquoise or cyan, or purple, the results will be very extraordinary.

How to get brown color when mixing paints

You can get brown color different ways. The simplest one is mixing red and green paints. It can also be made from purple and yellow, the more yellow, the lighter the tone. Another way is to use red, blue and yellow, but you need to mix them gradually, adding more paint to adjust the shade, otherwise a black color may form, especially if red and blue predominate. A good tint comes from mixing orange and blue.

How to get purple color by mixing paints

From school curriculum It is known that purple is obtained from red and blue colors. However, in reality this is not entirely true. It is quite difficult to obtain a high-quality bright shade, and what comes out of these two colors is more like a nondescript burgundy. So, in order for a bright, rich lilac color to come out in a company of red and blue, the latter must predominate. In this case, the shade of red should be taken as cold as possible, otherwise there is a high probability of mixing brown rather than purple. Blue also has its own requirements - it should not contain any greenish notes, take only in its pure form, for example, cobalt blue or ultramarine. To lighten the final tone, you can use a small amount of white. An important nuance is that after drying the color fades a little.

How to get blue by mixing paints

Blue is a basic color and cannot be mixed with other colors. But with the help of blue paint and auxiliary paints you can get many shades of it. For example, from bright ultramarine with white lead you can get sky blue. For a rich blue tone, take ultramarine with dark turquoise. A beautiful blue-green comes from blue with a little yellow. This shade will make it paler White color. The famous Prussian blue is obtained from mixing blue and green in equal parts. If you take 2 parts blue and 1 part red, you get blue-violet. And if you take pink rather than red, you get royal blue. A complex gray-blue color, excellent for drawing shadows, can be obtained from blue and brown. A rich dark blue will come out of blue and black, combining two to one.

How to get pink color by mixing paints

Usually pink color obtained from a combination of red and white, its shade will depend on the proportions. But you can also experiment with various types red The bright scarlet gives a wonderful effect, the pink color turns out to be very pure. Brick red gives a peachy tint. And bloody alizarin and white form a fuchsia color. By adding drops of purple or yellow to the mix, you can get unexpectedly interesting results. Not everyone accepts the use of white in watercolor, then you can get pink simply by diluting any red color with water. In a low concentration, this will be what you need.

How to get beige color when mixing paints

Beige or flesh color is necessary for the artist to depict people, faces, portraits, etc. Delicate beige can be obtained from white with the addition of ocher, cadmium yellow and red, sienna and sometimes ubra in minute quantities for light shading. The ratio of ocher in comparison with other components will be higher, all ingredients need to be introduced little by little, adjusting the required color intensity. Unfortunately, exact recipe no, each artist has his own vision of this issue.

How to get lilac color when mixing paints

The lilac color is quite close to purple, they are even called related. They are both cool shades and are quite close on the color wheel. Actually, the main recipe for lilac color is diluting purple with white or water.

How to get gray color when mixing paints

You never see black shadows in watercolor paintings; they are usually painted with the same colors as the rest of the details, but with the addition of a darker element, for example, gray. This color in watercolor can be obtained by combining black with a large amount of water or white. Interesting shades are obtained from cobalt blue with the addition of burnt sienna or burnt umber.

Mixing oil paints, mixing technology

Mixing oil paints has a slightly different specificity, unlike watercolor. Although the basic recipes for obtaining certain flowers are, of course, general. Basic Mixing Techniques acrylic paints:

• Combining colors on the palette, i.e. physical, to obtain a new tone or shade for the purpose of applying to a drawing. If one of the paints is lighter, then it is applied in small strokes over the dark one, provided that both paints have the same covering properties. When clear paint is mixed with opaque paint, the result is opaque paint. If two transparent paints are taken, then the result will be transparent. With this method, a decrease in the purity and intensity of tones is inevitable.
• The method of overlaying paints, otherwise known as glazing, involves layering transparent paints on top of each other directly on the image. Of course, the previous layer must be completely dry.
• Color joining method. If you apply brush strokes very tightly together, then visually mixing of these colors occurs, like a kind of optical illusion.

Oil Paint Mixing Chart

Mixing acrylic paints, technology

Acrylic paints are a great option for beginning artists and painting enthusiasts. They are universally suitable for paper, fabric, glass, wood, etc. Their only drawback is their rather high cost, and therefore acrylic sets usually do not have a very rich palette. But nothing prevents us from expanding it using mixing technology. You must have 7 colors: red, pink, yellow, blue, brown, white and black. And then, using a special table, you can easily mix acrylic yourself.

Acrylic paint mixing table

Mixing gouache paint colors

When choosing gouache, you should not focus on large sets; they look very impressive and presentable. But in fact, you will have to overpay for completely unnecessary colors. It is much better to focus not on the number of jars, but on their volume. After all, when the primary colors run out, you will still have to buy new paints, and the unused ones will remain as dead weight. Moreover, it is very easy to obtain new colors and shades of gouache, as simple as holding a brush in your hands. There are no special rules here, except that you will need a color combination table.

Gouache paint mixing table

Red, blue and yellow are the primary colors of the spectrum. By mixing them together, you can achieve various shades green, purple, brown, orange and all other colors.

There are several ways to achieve brown by mixing base colors. The proportions will be very approximate, since the colors of the base may also differ in shades. Therefore, you first need to achieve the desired mixture of two colors, and then adjust the shade using a third.

Quick navigation through the article

Purple and yellow

To get brown from purple and yellow, you should:

• Mix red and blue. These colors in equal proportions will give a dark, rich shade of purple;
• Gradually add yellow. The more yellow, the lighter the brownish-purple hue;

If the shade is too light, it can be darkened with purple or blue.

Green and red

Brown with a hint of red can be obtained by mixing green with red. To do this you need:

• Mix blue and yellow in equal proportions to get green color;
• Add red. The more red, the darker the brown.

Orange and blue

Chocolate color is obtained by mixing blue and orange. To do this you need:

• Mix yellow and red to make orange;
• By adding blue to orange, you can get brown with a dark or light chocolate tint.

Black and white

To darken or lighten shades of brown, you can use artificial paint colors - black and white:

• To achieve a chestnut color, add red to the resulting dark brown, or initially mix red and black;
• Red-brown comes from mixing orange and blue. To make the tone lighter, but not increase the brightness, you can dilute it with white;
• To get a golden hue, red-brown should be diluted more with white and the amount of yellow should be increased;
• A medium shade of brown can be darkened and lightened with black and white flowers. Do not use auxiliary colors in large quantities(it is better to correct the shade with the main colors of the spectrum), since the result may turn out to be gray;
• Dark brown can be made from orange darkened with black instead of blue;
• For a light brown color, you need to dilute the yellow color with white, and then darken it with dark brown or black.

What is needed to create beautiful picture or drawing? In addition to the ability to draw, there are also coloring skills. One of the most common means for this is gouache. But the classic palette of colors is not too rich. So, when getting down to work, it’s worth studying the technology of mixing paints, in particular, how to get brown from gouache.

The color wheel is a friend to beginners

It’s good to be an experienced artist: you know all the intricacies of mixing tones to obtain the most intricate shades. But beginners can rack their brains for a long time about what colors to mix to get brown or some other color not included in the traditional set. However, you shouldn’t despair: the color wheel will come to the rescue. In gouache sets good quality The packaging always contains a table describing the components to be mixed. Having studied it, we can breathe a sigh of relief, since it is possible to get a beautiful brown color by mixing paints, and even in several ways.

Subtleties of mixing

It would seem that it was complicated: they combined two or three tones and stirred them. It turned out really well dark color- added white paint, too light - mixed in black gouache. Meanwhile, mixing shades is a much more complex process that requires certain skills. But you can cope without experience if you follow these recommendations and take into account the following:

If we combine 2 tones from the palette of a circle, then it is called secondary, and if the resulting mixture is added to other shades, then the result is already tertiary;

To obtain a brown tone (and all others too), you should not mix more than 3 colors;

Too much black to darken will simply "eat" the shade you want;

When adding white, it is worth considering that the tone turns out cold. In the case of brown, this can do a disservice, since the color itself belongs to the palette of warm shades;

When working with gouache, we must not forget that 5-7 minutes after application the color brightens significantly. So, when combining shades, you need to make the tone a little darker than what was originally intended;

Before mixing colors, you need to dilute the selected tones and combine them in strokes - then you can evaluate the result of the mixture;

To obtain a beautiful, uniform paint of the required shade, do not mix gouache different types. For example, a regular one and one with fluorescent pigments added, since the final shade will turn out to be very dull.

7 and 1 way to “make” brown gouache

Our life is a series of black and white stripes, accompanying us in all manifestations of existence. So in color scheme These paints are required for painting. There are also three shades in the color palette that cannot be made by mixing. These are sky blue, bright yellow and scarlet or red. All other tones can be created on this base. And the easiest way to get brown is to mix three base colors.

But what if you need not just brown, but its undertones? To do this, you need not only to change the base set, but also to monitor the proportions: by adding a little more or a little less, you may not get what you wanted.

1st method

Mix green with red. And here the question arises: where can I get green if it is not in the database? In fact, everything is very simple: you need to combine blue and yellow. And then, by mixing red, we end up with tertiary brown.

2nd method

Add to orange paint blue. In order to have orange at your disposal, you need to mix red and a little yellow. To obtain a beautiful shade of brown, add a little blue at a time.

3rd method

We combine red with blue and get purple. Now all that remains is to add yellow paint - and the noble brown is ready.

4th method

This deep brown option is multi-step. To implement it, you will need to mix two secondary colors - gray and orange. The first is obtained by mixing classic white and blue-black, and the second - scarlet and bright yellow.

5th method

Coffee brown with iridescence is obtained when mixed purple paint with muted yellow and acid orange. When combining tones for the base, make sure that they are not pale, otherwise the desired tone will be too washed out.

6th method

To the orange we add light green and bright purple. This is a rather painstaking way to create the desired shade, but the finished result - a slightly shaded brown - is worth the effort.

7th method

This option will appeal to those who love the creative process on a palette. You will have to mix blue, yellow and red. But not all at once, but first two tones (any), and then little by little we add the remaining 3rd tone.

...and 1 more

Mix greens with blues. Then we introduce strict black, scarlet, and at the very end - rich yellow. It is the last component that is responsible for the shade.

Getting beautiful tones

Just describing what colors you need to mix to get dark, light, pale or bright brown will not be enough. We need to indicate what tones we get in certain combinations:

The more yellow is mixed in, the more the color will resemble ocher;

To give a chestnut tint to red, yellow, orange, add black;

Dark brown is the result of mixing yellow with red and black with white;

Light undertone is the result of adding white paint to the finished mixture.

Brown, like all other colors, has many shades and is perceived differently by each individual. If you need to draw a brown dog or paint a fence this color, then we will try to help you. The recipes will indicate the basic proportions of paints to be mixed, but you can vary them to add depth or a lighter shade. We will also tell you how to get brown color from plant materials, for example, to dye a white blouse yourself.

Brown color - how to get it by mixing other colors

Any artist will tell you that absolutely all colors are based on three basic colors: red, yellow and blue. They are the ones that make up the entire spectrum of colors, which means you can get the same brown by mixing the three basic ones. Brown color will be obtained if:

• First mix red and blue in equal proportions, and then in this purple add a little yellow. If you need dark brown, then add a little yellow; if it is light, then add more.
• Mix blue and yellow (proportion 1/1) and achieve green color. Add red color to it drop by drop until you get the shade of brown you want.
• Take red and yellow paint and mix them into orange. Add blue to orange and you will get brown, reminiscent of chocolate.

Using this knowledge as a basis, you can use not only the three primary colors for mixing, but also the rest. This means ready-made:

• Purple and blue.
• Green and red.
• Orange and blue.

Brown color - how to get its different tones

Any resulting brown color can be made darker or lighter. For this:

• Add a small amount of red to dark brown and you will end up with a chestnut color.
• Chocolate (made from orange and blue paint) can be lightened with white - you get the color of milk chocolate.
• The brown color will take on a golden hue if you add the colors white and yellow to it.
• You will get the darkest shade of brown if you add black to orange instead of green.

Brown color - how to get it from plant materials

In ancient times, the juice of beets, blueberries, blackberries, sorrel, etc. was used to dye clothes brown. Nowadays, it is unlikely that anyone will squeeze out these juices and mix them in basins. It is best to go to a clothing dyeing shop or buy a ready-made brown sweater. But, if you urgently want to wear a brown blouse in the evening, then dye it with natural coffee. For this:

• Brew coffee from 100 grams of powder and 2 liters of water.
• Chill the resulting broth and strain through several layers of gauze.
• Pour the solution into a basin and heat it to 80 degrees.
• Wet the item to be dyed in warm water.
• Dip the wet item into the hot coffee broth and wait until it boils.
• Keep the basin on the stove for 15 minutes, constantly stirring its contents. This is necessary so that the blouse or skirt is evenly colored.
• Remove the fabric from the basin and allow the liquid to drain.
• Dry the blouse on hangers, and fasten the skirt to a rope with clothespins at the belt.

In this video clip you will find ways to obtain not only brown color, but also many others.

Knowledge of color mixing options can be useful not only in professional activity artists. Individual design of a living space often poses the question to the designer of how to achieve this or that interesting undertone. The proposed combination options and color mixing table will help you achieve the desired effect.

Everyday life is filled with a wide range of different colors. To get the right one, you need to know the intricacies of combination.

Blue, red and yellow paint are the three pillars on which a wide palette of halftones rests. It is impossible to form these colors by mixing other colors. At the same time, combining them with each other gives an unusually large number of combinations.

Important! You can create a variety of shades by mixing only two colors by changing their proportions.

Depending on the volume of one part of paint added to another, the resulting result approaches one or another original color. One of the most famous examples is mixing blue and yellow to create green. The resulting result, when adding new portions of yellow paint, will gradually change, getting as close as possible from green to yellow. You can return to blue by adding more of the original element to the green mixture.

Mixing chromatic colors that are located close to each other on the color wheel produces a paint that does not have a pure tone, but has an expressive chromatic hue. Combining colors that are on opposite sides of the chromatic circle will result in an achromatic tone. An example is combining orange or purple with green. That is, a mixture of colors located closely in the color wheel gives a rich chromatic shade; the maximum distance of colors from each other when mixed leads to a grayish tone.

Individual paints, when interacting, produce undesirable chemical reaction, which may result in cracking of the decorative layer. In some cases, the resulting background may darken or turn gray. A clear example A mixture of white lead and red cinnabar is used. The attractive pink color darkens over time.

It is optimal when the impression of multicolor is achieved by mixing a minimum number of colors. At the same time, it is important to consider which paints, when mixed with each other, give a lasting result, and which ones are unacceptable to combine. The knowledge gained allows us to eliminate paints that fade or darken in the future from work.

The table of unwanted mixtures below will help reduce the risk of erroneous combinations:

Having tried the examples given in practice, future painters and designers will gain valuable professional experience.

Methods for obtaining red and its shades

Red is one of the three primary colors and is necessarily present even in minimal sets. But for mass printing, magenta tone is used. The answer to the question of how to get red is quite simple: mix the proposed magenta with yellow in a 1:1 ratio. There are other options for getting red when mixing paints:

The main red is located in the center. Next are the options for mixing. The next circle is the result of combining the first two colors. In conclusion, color options are presented when added to last result red, black or white paint.

Blue and its shades

Blue is considered a primary color, so to form all its shades you will need blue paint.

Attention! No combination of other colors produces a shade of blue, so the presence of this paint in the kit is mandatory.

Even with a set of 12 colors available, the question periodically arises of how to get blue. The classic tone is called “royal”, and in a set of acrylic paints the main color is often ultramarine, which has a bright dark shade with a purple undertone. A lighter effect can be achieved by mixing blue and white in a 3:1 ratio. Increasing the white leads to a lighter tone, up to a sky blue. If you want to achieve a moderately rich result, dark blue paint is mixed with turquoise.

Let's look at what colors need to be mixed to get shades of blue:

• The effect of a dark blue-green tone is achieved by mixing blue and yellow paint in equal proportions. Adding white paint will result in a lighter shade while reducing the brightness due to the combination of the 3 elements.
• The creation of “Prussian blue” is carried out by mixing 1 part of the main blue and adding 1 part of a composition of bright green and light green. A rich and deep shade can be diluted with white, and its purity will not change.
• Combining blue and red in a 2:1 ratio produces blue with a hint of purple. Adding white allows you to lighten a dark and rich tone.
• Royal blue is distinguished by its brightness; a similar effect is achieved by mixing the main blue with mangento pink in equal parts. An admixture of white traditionally brightens the result.
• Combination with orange gives a gray mass. Replacing orange with brown in a 1:2 ratio to the base creates a dark color with a complex gray-blue tint.
• The formation of dark blue occurs with the help of an admixture of black in a ratio of 3:1.
• You can create a blue tone yourself by mixing the main color with white.

A small table of combination options is presented below:

Green color palette

Solving the problem of how to get green if it is not in the set is quite simple: combine yellow and blue. A rich palette of green halftones is created by changing the proportions of the original components and adding additional elements that perform the function of darkening or lightening. Black and white paint plays this role. The olive and khaki effect is achieved by mixing two main elements (yellow and blue) and a slight admixture of brown.

Comment! The saturation of green depends entirely on the quality of the constituent elements: intense tones of the source materials guarantee a bright result.

If green is obtained by mixing, then all subsequent undertones will be duller. Therefore, it is better to experiment with the range of green if you initially have a ready-made primary color. There are many combination options:

• A combination of equal proportions of blue and yellow produces a grassy green.
• Increasing yellow to 2 parts and adding 1 part blue results in a yellow-green effect.
• An experiment on the contrary in the form of a blue-yellow proportion of 2:1 will allow you to obtain a blue-green tone.
• If you add ½ part of black to the previous composition, you will achieve a dark green effect.
• A light green warm tone is formed from yellow, blue and white paint in a ratio of 1:1:2.
• For a similar light green shade, but a cool tone, you need to take yellow, blue and white bases in a 1: 2: 2 ratio.
• Dark olive color is formed by mixing equal parts of yellow, blue and brown paint.
• The gray-brown tone is obtained from similar elements in a ratio of 1:2:0.5.

The expressiveness of the green color is directly dependent on the original elements; accordingly, the brightness of the halftones is based on the saturation of the green. The graphic palette gives a clear idea of ​​the mixing options:

As in the case of the red circle, the main paint is located in the center, followed by mixing options, then the result of the experiments. The final circle is the shades of the previous level when adding base, white or black paint.

Other combination options

There are many other techniques to create the desired effect by adding some kind of dye to the base color. The answer to the question of how to get color Ivory multifaceted and depends on the surface where you plan to apply the paint. The simplest option is to mix snow-white basic basis with yellowish. For example, yellowish ocher or a minimal amount of strontium is added to white. To tint paper, a small amount of potassium permanganate is diluted in water. A light pink tint indicates a correctly diluted solution. A cotton swab, brush or sponge is moistened with the resulting composition, after which the surface of the paper is treated.

Advice! For double-sided tinting, the sheet can be dipped in a container with a solution of potassium permanganate for a couple of minutes. After drying, it will acquire the desired ivory effect.

There are also several ways to get black:

• by mixing the three basic colors of red, blue and yellow;
• when combining cyan, magenta and yellow;
• a combination of green and red, but the result will not be 100% clear, but only close to the desired effect.

We will try to answer the most popular questions about mixing options:

• How to get raspberry color: the base is blue with the addition of red, white and brown tones.
• Get turquoise, whose second name is aquamarine, can be used by mixing blue and green. Depending on the proportions, the tones of the new shade range from soft pastels to intense and bright ones.
• How to get yellow? It is a basic color and cannot be obtained by combining other colors. Something similar to yellow can be created watercolor paints when combining green and orange or red. But it is impossible to achieve purity of tone in this way.
• How to get brown tint? To do this you will need basic paints: red, yellow and blue. First, a small amount of yellow is added to the red (in an approximate ratio of 10:1), then the volume is gradually increased until an orange tone is obtained. After which they proceed to the introduction of the blue element, 5-10% of the total volume will be enough. Minor adjustments to proportions will produce a wide variety of brown effects.
• Combining black and white elements in different proportions gives a diverse range of gray tones.

As you can see, there are options to achieve desired effect V creative process an innumerable variety of designs. The information presented will be supplemented by a table with options for mixing colors and video: