Description of Olga in the novel Oblomov quotes. Image of Olga Ilinskaya

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The image of Olga Ilyinskaya stands out noticeably against the general background of the characters in the novel. Thanks to her honesty, sincerity and nobility, many people associate the girl with an angel who descended from heaven to earth.

Origin of Ilyinskaya and her family

Olga Sergeevna Ilyinskaya was a hereditary noblewoman. Her parents died and she was taken in by her aunt. The author does not say at what age Ilyinskaya became an orphan. The only thing that is known is that it happened after the girl turned 5 years old. (When Olga was 5, her father left their estate with her).

Olga’s estate was under collateral for some time, but at the time when the main events unfolded, all the documents were put in order, and the girl could already live on her estate. The Ilyinsky estate was no different good condition, but had a favorable location, which was promising for its restoration and development.

We invite you to get acquainted with a person distinguished by laziness and apathy towards life in I. Goncharov’s novel “Oblomov”.

Olga's family is small - she was only child in the family, so she has no brothers or sisters. The girl's only relative is her aunt, Marya Mikhailovna. The aunt has neither a husband nor children of her own - Olga replaced her family.

A trusting relationship has arisen between the aunt and niece, but Olga is not always ready to discuss everything with her aunt. So, for example, she conceals the details of their relationship with Oblomov, but does this not because she does not trust Marya Mikhailovna, but because she is not ready to discuss this situation with anyone.

Leisure

The role of women in society at that time was limited. For female representatives of noble birth the road to any service was closed. Women at that time took care of household chores and raising children.

Like all women, Olga is actively involved in needlework - she often embroiders, she likes this activity, because she is fascinated by the process of creating unusual patterns.

Olga’s leisure time is not limited only to needlework: in free time the girl does not neglect books. She likes to learn something new, but even more Olga likes to listen to stories and retellings of books.

It is because of this that Oblomov begins to actively read books - thanks to retelling the plot, he manages to attract the attention of his beloved to his person and hold it for a long time.

Ilyinskaya also loves theater - she is fascinated by the acting. The girl never misses a chance to see a performance.

Olga, like the majority of nobles, knows how to play musical instruments. In addition to this, she has developed ear for music, the girl sings well, accompanying herself on the piano.

Appearance Ilyinskaya

Olga Sergeevna is a girl with a pleasant, attractive appearance. People around her consider her a beautiful and sweet girl. Olga has pleasant gray-blue eyes; you can always find something kind and affectionate in them.

Olga has eyebrows different shapes. One of them is always curved - just in this place a small fold is noticeable - according to the author, this indicates the girl’s perseverance. In general, her eyebrows were not the generally accepted one - a thin, arched shape; they did not frame her eyes. Olga's eyebrows were fluffy and more like a straight line. Her face was oval in shape, it was not distinguished by classical beauty - it was not immaculately white, and her cheeks were not rosy, her teeth were not like pearls, but she could not be considered unattractive.

On our website you can follow the stories described in I. Goncharov’s novel “Oblomov”.

Olga always bowed her head a little, which gave her some nobility. This image was enhanced by the neck - beautiful and thin. Her nose “formed a slightly noticeably convex, graceful line.”

The girl had beautiful curly hair, which she tied in a braid at the back of her head, which further enhanced her noble image.

The girl's lips were thin and always tightly compressed. One got the impression that her lips were not laughing, even when her whole face was laughing.

Ilyinskaya’s hands were of normal size, slightly damp and soft.

Olga was beautifully built - she had good body. Her gait was light and beautiful. Those around her considered her like an angel.

Olga's clothes are not anything unusual. Her dress is always cleaned and neat. The girl does not chase fashion trends; when choosing clothes, she is guided by personal preferences, and not by the tenets of fashion. In her wardrobe you can find clothes for any occasion - there are light silk dresses and exquisite, lace ones, and warm, cotton-lined ones for the cold season. During hot days, Olga Sergeevna uses a decorative umbrella, and on cold days she dresses in a mantilla with a headscarf or a hat and cloak.

Characteristics of personal qualities

Olga has always been a “wonderful creature.” She was active and smart even as a child. Even in her childhood, Olga was noticeably distinguished by her sincerity and emotionality.

Olga does not know how to lie and deceive - the concepts of falsehood and deception are alien to him.

Olga is not like most girls high society- her distinctive feature became inability to flirt and make advances. She never purses her lip, like most cutesy girls in case of indignation, does not stick out her leg while playing the piano in order to attract the attention of the male half of the audience, does not feign fainting and does not pretend to be illusory in order to attract attention to her person.

Olga - ordinary girl. There are no memorized philosophical sayings in her speech. She never uses overheard opinions about anything for personal gain and does not pass off someone else’s opinion as her own. Based on this, many consider her to be a simpleton and not insightful and narrow-minded.

In general, Olga was a timid girl. She rarely intervened in the conversation, not so much because she knew little about the subject of discussion, but because by nature she was a taciturn person.

Olga is a sincere and emotional girl; she rarely remains indifferent to current events, but she tries not to advertise her feelings. Her calm nature allows her to do this.

Olga is a very curious girl, she likes to listen different stories as from real life people and literary stories. From time to time, the girl likes to fall into thought.

Olga Sergeevna treats others kindly and patiently. She is a trusting person. Ilyinskaya waits for a long time for decisive action on the part of Oblomov, even in those cases when it was easy to indicate Oblomov’s neglect of her. However, she cannot be called spineless - having become convinced of Oblomov’s deception, the girl follows the dictates of her pride - she breaks off relations with Ilya Ilyich, despite the fact that her attachment to him is still strong.

Despite the fact that Olga is a dreamy girl, she is not without a pragmatic and clear mind. Ilyinskaya is a smart girl, she often becomes Oblomov’s adviser; the solutions she proposes surprise Oblomov with their simplicity and at the same time effectiveness.

Olga has tenacity and perseverance; she is used to following her goal in life, and not waiting for what she wants to come true by itself.

Ilyinskaya – gentle and sensual nature. She is gentle and affectionate with the person she loves.

She is highly moral and loyal. Ilyinskaya does not recognize betrayal and does not understand such a relationship between beloved people or spouses.

Undoubtedly, Olga has determination - she is always open to change and is not afraid of it. Ilyinskaya is not used to going with the flow of life; she is ready to radically change her life.

Relationship between Olga Ilyinskaya and Ilya Ilyich Oblomov

Olga and Ilya Ilyich Oblomov met on the initiative of their mutual friend, Andrei Stolts. Andrei Ivanovich, on one of his regular visits to Oblomov, decides to actively take up the modernization of his friend’s life.

One evening he brings him to the Ilyinskys’ house. The eccentric and simple-minded Ilya Ilyich became the subject of Olga’s interest. The girl at the time of their acquaintance was still very young and inexperienced, so she gives herself entirely to the feeling of sympathy that arises, allowing it to develop into love.

Ilya Ilyich also fell in love with the girl. Since he was the same age as Stolz, he shared a fairly large age gap with Olga Oblomov - 10 years, but in the case of Oblomov this was little noticeable. Ilya Ilyich was an extremely unadapted person for life, and his ascetic, lazy lifestyle completely deprived him of the opportunity and ability to communicate with people. Ilya Ilyich had no experience yet romantic relationships, therefore, he is somewhat frightened by the feeling that has arisen in relation to Olga, he is embarrassed and ashamed of his feelings and does not know how he should behave correctly.

One evening, while in prison, Olga performed the aria “Casta Diva,” which was Oblomov’s favorite work. Oblomov’s unexpectedly failed confession became the reason for the active development of the relationship between these heroes.

Ilya Ilyich changed noticeably under the influence of the feeling that arose - he gradually began to abandon his usual Oblomovism, began to monitor his wardrobe and the state of his home. Oblomov actively reads books and constantly goes out into the world.

In a word, he leads the usual life of an aristocrat. However, such a change was not truly his desire - he does this for the sake of his love and in the name of Olga. Oblomov completely surrenders to love, he is very sentimental and romantic man. It is difficult for Ilya Ilyich to understand other manifestations of love other than this. He is very demanding of Olga, he wants her love to be identical to his love for the girl, and having found different traits, he questions the girl’s love. In this regard, Oblomov writes a letter to the girl, in which he reproaches her for the absence true feelings towards him and announces his separation to her.

After reading the letter, Olga becomes very upset; she does not understand why her feelings were questioned, because she did not give Oblomov any reason to think that his personality was unpleasant to him. Oblomov, having seen the girl’s reaction to the message about the breakup, understands the error of his actions, he is ashamed of his action. The lovers explain and make peace - their relationship continues to develop.

Oblomov proposes to Olga, and the girl agrees. The only thing left to do is to make their relationship public (which until that time had been secret) and announce their engagement, but Oblomov does not dare to take such actions - he has changed, but not that much. Dramatic changes frighten Ilya Ilyich and he keeps stalling for time. By this point, Oblomov is tired of Olga’s activity and determination; active life position, willingness to change your life and develop as a person. His relationship with Olga is increasingly associated with work. Oblomov does not dare to break up with the girl, but he also has no desire to develop the relationship longer. He takes a wait-and-see attitude. At first, Olga doesn’t care much about her lover’s lack of initiative.

She believes that Oblomov needs some time to take action, but the more time passes, the more bigger girl realizes the illusory nature of her lover’s feelings.

The apogee of the relationship is the exposure of Oblomov’s deception with his invented illness. The upset girl decides to break off relations with Oblomov.

This event has a depressing effect on Olga - despite the secrecy of their relationship, everyone around has already begun to talk about them as future spouses and this hurts the wounded Olga even more.

Relationship between Olga and Andrei Stolts

Olga Sergeevna and Andrei Ivanovich were old acquaintances. A significant age difference (Stolz was 10 years older than Ilyinskaya) did not allow them to create a romantic relationship at the beginning of their communication - in the eyes of Andrei Ivanovich, the girl looked like just a child.

For a long time their communication did not go beyond friendship, although it was impossible to deny the presence of sympathy. Andrei Ivanovich’s behavior prompted Ilyinskaya to think that he was indifferent to her as a woman. This state of affairs intensified significantly after Stolz introduced the young girl to his friend Ilya Ilyich Oblomov. Andrei Ivanovich knew how to present even the most unattractive features of a person in a favorable light, which is what happened in the case of Oblomov. This fact does not stem from selfish goals, but was the fault of Stolz’s positive and optimistic beginning, who knows how to consider positive, attractive character traits in a person. Olga turns her attention to Oblomov and falls in love with him.

The development of a romantic relationship did not take long to develop - Olga’s feelings turned out to be mutual. However, Oblomovism and Oblomov’s suspiciousness did not allow this relationship to outgrow and start a family - Olga and Oblomov’s engagement was terminated. This incident caused Olga's blues. The girl became disillusioned with love and men in general.

Soon Olga and her aunt are leaving abroad. They lived for some time in France, where they met Andrei Stolts. Andrei Ivanovich, who knew nothing not only about Olga’s engagement to Oblomov, but also about the romantic relationship between them, becomes an active guest in the Ilyinsky house.

After some time, Stolz notices affection for the girl - he realizes that his life is no longer conceivable without Olga. Andrei Ivanovich decides to explain himself to the girl.

Some time ago, Olga would have been happy to hear this, but a bad relationship experience changed her position. Olga decides to open up to Stoltz and tells him all the details from her relationship with Oblomov. Andrei Ivanovich is unpleasantly surprised by his friend’s behavior, but he is unable to change anything. Stolz does not intend to give up his intention and proposes to the girl. Olga does not feel passion or love for Stolz - a feeling of affection and sympathy connects her with Andrei Ivanovich, but the girl agrees to become his wife.

The marriage of Olga and Andrey was not unsuccessful - Olga was able to find harmony in her marriage and become a happy mother.

After her marriage to Andrei Stolz, Olga was transformed; she was able to abstract herself from the negative impressions that arose after breaking up with Ilya Ilyich Oblomov, but their relationship cannot be called complete.

Despite such a sad experience, Olga does not remain indifferent to Oblomov’s fate, and after his death she raises his son along with her children.

Summarize. Olga Ilyinskaya – positive character Goncharov's novel. embodied in her best features and characteristics - she is romantic, gentle and dreamy in nature, but at the same time has a cold mind and prudence. Olga is noticeably different from the image of cutesy girls that has taken root in society. In her actions, she is guided by morality and humanity, and not by personal gain, which also sets her apart from society.

Olga Ilyinskaya in the novel “Oblomov”: analysis and characteristics of the heroine

4 (80%) 5 votes

Article menu:

The image of Olga Ilyinskaya stands out noticeably against the general background of the characters in the novel. Thanks to her honesty, sincerity and nobility, many people associate the girl with an angel who descended from heaven to earth.

Origin of Ilyinskaya and her family

Olga Sergeevna Ilyinskaya was a hereditary noblewoman. Her parents died and she was taken in by her aunt. The author does not say at what age Ilyinskaya became an orphan. The only thing that is known is that it happened after the girl turned 5 years old. (When Olga was 5, her father left their estate with her).

Olga’s estate was under collateral for some time, but at the time when the main events unfolded, all the documents were put in order, and the girl could already live on her estate. The Ilyinsky estate was not in good condition, but had a favorable location, which was promising for its restoration and development.

We invite you to familiarize yourself with the image of Ilya Oblomov, a man distinguished by laziness and apathy towards life, in I. Goncharov’s novel “Oblomov”.

Olga's family is small - she was the only child in the family, so she has no brothers or sisters. The girl's only relative is her aunt, Marya Mikhailovna. The aunt has neither a husband nor children of her own - Olga replaced her family.

A trusting relationship has arisen between the aunt and niece, but Olga is not always ready to discuss everything with her aunt. So, for example, she conceals the details of their relationship with Oblomov, but does this not because she does not trust Marya Mikhailovna, but because she is not ready to discuss this situation with anyone.

Leisure

The role of women in society at that time was limited. For female representatives of noble birth the road to any service was closed. Women at that time took care of household chores and raising children.

Like all women, Olga is actively involved in needlework - she often embroiders, she likes this activity, because she is fascinated by the process of creating unusual patterns.

Olga’s leisure time is not limited only to needlework: in her free time, the girl does not neglect books. She likes to learn something new, but even more Olga likes to listen to stories and retellings of books.

It is because of this that Oblomov begins to actively read books - thanks to retelling the plot, he manages to attract the attention of his beloved to his person and hold it for a long time.

Ilyinskaya also loves theater - she is fascinated by the acting. The girl never misses a chance to see a performance.

Olga, like the majority of nobles, knows how to play musical instruments. In addition to this, she has a developed ear for music; the girl sings well, accompanying herself on the piano.

Appearance Ilyinskaya

Olga Sergeevna is a girl with a pleasant, attractive appearance. People around her consider her a beautiful and sweet girl. Olga has pleasant gray-blue eyes; you can always find something kind and affectionate in them.

Olga has eyebrows of different shapes. One of them is always curved - just in this place a small fold is noticeable - according to the author, this indicates the girl’s perseverance. In general, her eyebrows were not the generally accepted one - a thin, arched shape; they did not frame her eyes. Olga's eyebrows were fluffy and more like a straight line. Her face was oval in shape, it was not distinguished by classical beauty - it was not immaculately white, and her cheeks were not rosy, her teeth were not like pearls, but she could not be considered unattractive.

On our website you can follow the relationship between Olga Ilyinskaya and Ilya Oblomov, described in I. Goncharov’s novel “Oblomov”.

Olga always bowed her head a little, which gave her some nobility. This image was enhanced by the neck - beautiful and thin. Her nose “formed a slightly noticeably convex, graceful line.”

The girl had beautiful curly hair, which she tied in a braid at the back of her head, which further enhanced her noble image.

The girl's lips were thin and always tightly compressed. One got the impression that her lips were not laughing, even when her whole face was laughing.

Ilyinskaya’s hands were of normal size, slightly damp and soft.

Olga was beautifully built - she had a good figure. Her gait was light and beautiful. Those around her considered her like an angel.

Olga's clothes are not anything unusual. Her dress is always cleaned and neat. The girl does not chase fashion trends; when choosing clothes, she is guided by personal preferences, and not by the tenets of fashion. In her wardrobe you can find clothes for any occasion - there are light silk dresses and exquisite, lace ones, and warm, cotton-lined ones for the cold season. During hot days, Olga Sergeevna uses a decorative umbrella, and on cold days she dresses in a mantilla with a headscarf or a hat and cloak.

Characteristics of personal qualities

Olga has always been a “wonderful creature.” She was active and smart even as a child. Even in her childhood, Olga was noticeably distinguished by her sincerity and emotionality.

Olga does not know how to lie and deceive - the concepts of falsehood and deception are alien to him.

Olga is not like most girls in high society - her distinctive feature was her inability to flirt and make advances. She never purses her lip, like most cutesy girls in case of indignation, does not stick out her leg while playing the piano in order to attract the attention of the male half of the audience, does not feign fainting and does not pretend to be illusory in order to attract attention to her person.

Olga is a simple girl. There are no memorized philosophical sayings in her speech. She never uses overheard opinions about anything for personal gain and does not pass off someone else’s opinion as her own. Based on this, many consider her to be a simpleton and not insightful and narrow-minded.

In general, Olga was a timid girl. She rarely intervened in the conversation, not so much because she knew little about the subject of discussion, but because by nature she was a taciturn person.

Olga is a sincere and emotional girl; she rarely remains indifferent to current events, but she tries not to advertise her feelings. Her calm nature allows her to do this.

Olga is a very curious girl, she likes to listen to different stories, both from people’s real lives and literary stories. From time to time, the girl likes to fall into thought.

Olga Sergeevna treats others kindly and patiently. She is a trusting person. Ilyinskaya waits for a long time for decisive action on the part of Oblomov, even in those cases when it was easy to indicate Oblomov’s neglect of her. However, she cannot be called spineless - having become convinced of Oblomov’s deception, the girl follows the dictates of her pride - she breaks off relations with Ilya Ilyich, despite the fact that her attachment to him is still strong.

Despite the fact that Olga is a dreamy girl, she is not without a pragmatic and clear mind. Ilyinskaya is a smart girl, she often becomes Oblomov’s adviser; the solutions she proposes surprise Oblomov with their simplicity and at the same time effectiveness.

Olga has tenacity and perseverance; she is used to following her goal in life, and not waiting for what she wants to come true by itself.

Ilyinskaya is a gentle and sensual nature. She is gentle and affectionate with the person she loves.

She is highly moral and loyal. Ilyinskaya does not recognize betrayal and does not understand such a relationship between beloved people or spouses.

Undoubtedly, Olga has determination - she is always open to change and is not afraid of it. Ilyinskaya is not used to going with the flow of life; she is ready to radically change her life.

Relationship between Olga Ilyinskaya and Ilya Ilyich Oblomov

Olga and Ilya Ilyich Oblomov met on the initiative of their mutual friend, Andrei Stolts. Andrei Ivanovich, on one of his regular visits to Oblomov, decides to actively take up the modernization of his friend’s life.

One evening he brings him to the Ilyinskys’ house. The eccentric and simple-minded Ilya Ilyich became the subject of Olga’s interest. The girl at the time of their acquaintance was still very young and inexperienced, so she gives herself entirely to the feeling of sympathy that arises, allowing it to develop into love.

Ilya Ilyich also fell in love with the girl. Since he was the same age as Stolz, he shared a fairly large age gap with Olga Oblomov - 10 years, but in the case of Oblomov this was little noticeable. Ilya Ilyich was an extremely unadapted person for life, and his ascetic, lazy lifestyle completely deprived him of the opportunity and ability to communicate with people. Ilya Ilyich has not yet had experience in a romantic relationship, so he is somewhat frightened by the feeling that has arisen towards Olga, he is embarrassed and ashamed of his feelings and does not know how he should behave correctly.

One evening, while in prison, Olga performed the aria “Casta Diva,” which was Oblomov’s favorite work. Oblomov’s unexpectedly failed confession became the reason for the active development of the relationship between these heroes.

Ilya Ilyich changed noticeably under the influence of the feeling that arose - he gradually began to abandon his usual Oblomovism, began to monitor his wardrobe and the state of his home. Oblomov actively reads books and constantly goes out into the world.

In a word, he leads the usual life of an aristocrat. However, such a change was not truly his desire - he does this for the sake of his love and in the name of Olga. Oblomov completely surrenders to love, he is a very sentimental and romantic person. It is difficult for Ilya Ilyich to understand other manifestations of love other than this. He is very demanding of Olga, he wants her love to be identical to his love for the girl, and having found different traits, he questions the girl’s love. In this regard, Oblomov writes a letter to the girl, in which he reproaches her for the lack of true feelings towards him and announces to her the separation.

After reading the letter, Olga becomes very upset; she does not understand why her feelings were questioned, because she did not give Oblomov any reason to think that his personality was unpleasant to him. Oblomov, having seen the girl’s reaction to the message about the breakup, understands the error of his actions, he is ashamed of his action. The lovers explain and make peace - their relationship continues to develop.

Oblomov proposes to Olga, and the girl agrees. The only thing left to do is to make their relationship public (which until that time had been secret) and announce their engagement, but Oblomov does not dare to take such actions - he has changed, but not that much. Dramatic changes frighten Ilya Ilyich and he keeps stalling for time. By this moment, Oblomov is tired of Olga’s activity and determination, an active life position, a willingness to change his life and develop as a person are alien to him. His relationship with Olga is increasingly associated with work. Oblomov does not dare to break up with the girl, but he also has no desire to develop the relationship longer. He takes a wait-and-see attitude. At first, Olga doesn’t care much about her lover’s lack of initiative.

She believes that Oblomov needs some time to take action, but the more time passes, the more the girl realizes the illusory nature of her lover’s feelings.

The apogee of the relationship is the exposure of Oblomov’s deception with his invented illness. The upset girl decides to break off relations with Oblomov.

This event has a depressing effect on Olga - despite the secrecy of their relationship, everyone around has already begun to talk about them as future spouses and this hurts the wounded Olga even more.

Relationship between Olga and Andrei Stolts

Olga Sergeevna and Andrei Ivanovich were old acquaintances. A significant age difference (Stolz was 10 years older than Ilyinskaya) did not allow them to create a romantic relationship at the beginning of their communication - in the eyes of Andrei Ivanovich, the girl looked like just a child.

For a long time, their communication did not go beyond friendship, although it was impossible to deny the presence of sympathy. Andrei Ivanovich’s behavior prompted Ilyinskaya to think that he was indifferent to her as a woman. This state of affairs intensified significantly after Stolz introduced the young girl to his friend Ilya Ilyich Oblomov. Andrei Ivanovich knew how to present even the most unattractive features of a person in a favorable light, which is what happened in the case of Oblomov. This fact does not stem from selfish goals, but was the fault of Stolz’s positive and optimistic beginning, who knows how to consider positive, attractive character traits in a person. Olga turns her attention to Oblomov and falls in love with him.

The development of a romantic relationship did not take long to develop - Olga’s feelings turned out to be mutual. However, Oblomovism and Oblomov’s suspiciousness did not allow this relationship to outgrow and start a family - Olga and Oblomov’s engagement was terminated. This incident caused Olga's blues. The girl became disillusioned with love and men in general.

Soon Olga and her aunt are leaving abroad. They lived for some time in France, where they met Andrei Stolts. Andrei Ivanovich, who knew nothing not only about Olga’s engagement to Oblomov, but also about the romantic relationship between them, becomes an active guest in the Ilyinsky house.

After some time, Stolz notices affection for the girl - he realizes that his life is no longer conceivable without Olga. Andrei Ivanovich decides to explain himself to the girl.

Some time ago, Olga would have been happy to hear this, but a bad relationship experience changed her position. Olga decides to open up to Stoltz and tells him all the details from her relationship with Oblomov. Andrei Ivanovich is unpleasantly surprised by his friend’s behavior, but he is unable to change anything. Stolz does not intend to give up his intention and proposes to the girl. Olga does not feel passion or love for Stolz - a feeling of affection and sympathy connects her with Andrei Ivanovich, but the girl agrees to become his wife.

The marriage of Olga and Andrey was not unsuccessful - Olga was able to find harmony in her marriage and become a happy mother.

After her marriage to Andrei Stolz, Olga was transformed; she was able to abstract herself from the negative impressions that arose after breaking up with Ilya Ilyich Oblomov, but their relationship cannot be called complete.

Despite such a sad experience, Olga does not remain indifferent to Oblomov’s fate, and after his death she raises his son along with her children.

Summarize. Olga Ilyinskaya is a positive character in Goncharov’s novel. She embodies the best traits and characteristics - she is romantic, gentle and dreamy in nature, but at the same time she has a cold mind and prudence. Olga is noticeably different from the image of cutesy girls that has taken root in society. In her actions, she is guided by morality and humanity, and not by personal gain, which also sets her apart from society.

Olga Ilyinskaya in the novel “Oblomov”: analysis and characteristics of the heroine

4 (80%) 5 votes

"is the most vibrant and complex female character. Getting to know her as a young, only developing girl, the reader sees her gradual maturation and revelation as a woman, mother, and independent person. Wherein full characteristics the image of Olga in the novel “Oblomov” is possible only when working with quotes from the novel that most succinctly convey the appearance and personality of the heroine:

“If she were turned into a statue, she would be a statue of grace and harmony. The size of the head strictly corresponded to a somewhat tall stature; the size of the head corresponded to the oval and size of the face; all this, in turn, was in harmony with the shoulders, and the shoulders with the body...”

When meeting Olga, people always stopped for a moment “before this so strictly and thoughtfully, artistically created creature.”

Olga received good upbringing and education, understands science and art, reads a lot and is in constant development, learning, achieving new and new goals.
These features of hers were reflected in the girl’s appearance: “Lips are thin and for the most part compressed: a sign of a thought continuously directed at something. The same presence of a speaking thought shone in the vigilant, always cheerful, unmissing gaze of dark, gray-blue eyes,” and unevenly spaced thin eyebrows created a small fold on the forehead “in which something seemed to say, as if a thought rested there.” Everything about her spoke of dignity, inner strength and beauty: “Olga walked with her head tilted slightly forward, resting so slenderly and nobly on her thin, proud neck; she moved her whole body evenly, walking lightly, almost imperceptibly.”

Love for Oblomov

The image of Olga Ilyinskaya in “Oblomov” appears at the beginning of the novel as still very young, little knowledgeable girl, with wide with open eyes looking at the world around us and trying to understand it in all its manifestations. The turning point, which became for Olga a transition from childhood shyness and a certain embarrassment (as was the case when communicating with Stoltz), became love for Oblomov. The wonderful, strong, inspiring feeling that flared up between the lovers with lightning speed was doomed to parting, since Olga and Oblomov did not want to accept each other as they really are, cultivating in themselves a feeling for semi-ideal prototypes of real heroes.

For Ilyinskaya love to Oblomov was connected not with those feminine tenderness, softness, acceptance and care that Oblomov expected from her, but with duty, the need to change inner world beloved, make him a completely different person:

“She dreamed of how she would “order him to read the books” that Stolz left, then read newspapers every day and tell her the news, write letters to the village, complete a plan for organizing the estate, get ready to go abroad - in a word, he would not fall asleep with her; she will show him a goal, make him love again everything that he has stopped loving.”

“And she will do all this miracle, so timid, silent, whom no one has listened to until now, who has not yet begun to live!”

Olga's love for Oblomov was based on the heroine's selfishness and ambitions. Moreover, her feelings for Ilya Ilyich are difficult to name true love- it was a fleeting love, a state of inspiration and ascent before the new peak that she wanted to achieve. For Ilyinskaya, Oblomov’s feelings were not really important; she wanted to make him her ideal, so that she could then be proud of the fruits of her labors and, perhaps, remind him later that he owed everything he had to Olga.

Introduction

Olga Ilyinskaya in Goncharov’s novel “Oblomov” is the most striking and complex female character. Getting to know her as a young, only developing girl, the reader sees her gradual maturation and revelation as a woman, mother, and independent person. At the same time, a complete description of Olga’s image in the novel “Oblomov” is possible only when working with quotes from the novel that most succinctly convey the appearance and personality of the heroine:

“If she were turned into a statue, she would be a statue of grace and harmony. The size of the head strictly corresponded to a somewhat tall stature; the size of the head corresponded to the oval and size of the face; all this, in turn, was in harmony with the shoulders, and the shoulders with the body...”

When meeting Olga, people always stopped for a moment “before this so strictly and thoughtfully, artistically created creature.”

Olga received a good upbringing and education, understands science and art, reads a lot and is in constant development, learning, achieving new and new goals. These features of hers were reflected in the girl’s appearance: “The lips are thin and mostly compressed: a sign of a thought constantly directed at something. The same presence of a speaking thought shone in the vigilant, always cheerful, unmissing gaze of dark, gray-blue eyes,” and unevenly spaced thin eyebrows created a small fold on the forehead “in which something seemed to say, as if a thought rested there.” Everything about her spoke of her own dignity, inner strength and beauty: “Olga walked with her head tilted slightly forward, resting so slenderly and nobly on her thin, proud neck; she moved her whole body evenly, walking lightly, almost imperceptibly.”

Love for Oblomov

The image of Olga Ilyinskaya in “Oblomov” appears at the beginning of the novel as a still very young, little-knowing girl, looking at the world around her with wide open eyes and trying to understand it in all its manifestations. The turning point, which became for Olga a transition from childhood shyness and a certain embarrassment (as was the case when communicating with Stolz), was her love for Oblomov. The wonderful, strong, inspiring feeling that flared up between the lovers with lightning speed was doomed to parting, since Olga and Oblomov did not want to accept each other as they really are, cultivating in themselves a feeling for semi-ideal prototypes of real heroes.

For Ilyinskaya, love for Oblomov was not associated with those feminine tenderness, softness, acceptance and care that Oblomov expected from her, but with duty, the need to change the inner world of her lover, to make him a completely different person:

“She dreamed of how she would “order him to read the books” that Stolz left, then read newspapers every day and tell her the news, write letters to the village, complete a plan for organizing the estate, get ready to go abroad - in a word, he would not fall asleep with her; she will show him a goal, make him love again everything that he has stopped loving.”

“And she will do all this miracle, so timid, silent, whom no one has listened to until now, who has not yet begun to live!”

Olga's love for Oblomov was based on the heroine's selfishness and ambitions. Moreover, her feelings for Ilya Ilyich can hardly be called true love - it was a fleeting love, a state of inspiration and ascent before a new peak that she wanted to achieve. For Ilyinskaya, Oblomov’s feelings were not really important; she wanted to make him her ideal, so that she could then be proud of the fruits of her labors and, perhaps, remind him later that he owed everything he had to Olga.

Olga and Stolz

The relationship between Olga and Stolz developed from a tender, reverent friendship, when Andrei Ivanovich was for the girl a teacher, mentor, an inspiring figure, distant and inaccessible in his own way: “When a question or bewilderment arose in her mind, she did not suddenly decide to believe him: he was too far ahead of her, too taller than her, so that her pride sometimes suffered from this immaturity, from the distance in their minds and years.”

The marriage to Stolz, who helped her recover after breaking up with Ilya Ilyich, was logical, since the characters are very similar in character, life guidelines and goals. Olga saw quiet, calm, endless happiness in life together with Stolz:

“She experienced happiness and could not determine where the boundaries were, what it was.”

“She, too, walked alone, along an inconspicuous path, and he also met her at a crossroads, gave her his hand and led her out not into the brilliance of dazzling rays, but as if onto the flood of a wide river, to spacious fields and friendly smiling hills.”

Having lived together for several years in cloudless, endless happiness, seeing in each other those ideals that they had always dreamed of and those people who appeared in their dreams, the heroes began to seem to move away from each other. It became difficult for Stolz to reach out for the inquisitive Olga, constantly striving forward, and the woman “began to strictly notice herself and realized that she was embarrassed by this silence of life, its stopping at moments of happiness,” asking questions: “Is it really still necessary and possible to desire something?” ? Where should we go? Nowhere! There is no further road... Really, really, have you completed the circle of life? Is it really all here... everything....” The heroine begins to become disillusioned with family life, in a woman's destiny and in the fate that was destined for her from birth, but continues to believe in her doubting husband and that their love will keep them together even in the most difficult hour:

“That unfading and undying love lay powerfully, like the force of life, on their faces - in a time of friendly sorrow, it shone in the slowly and silently exchanged glance of collective suffering, was heard in endless mutual patience against life’s torture, in restrained tears and muffled sobs.”

And although Goncharov does not describe in the novel how the further relationship between Olga and Stolz developed, one can briefly assume that after some time the woman either left her husband or lived the rest of her life unhappy, increasingly plunging into disappointment from the unattainability of those lofty goals about which I dreamed of in my youth.

Conclusion

The image of Olga Ilyinskaya in the novel “Oblomov” by Goncharov is a new, to some extent feminist type of Russian woman who does not want to close herself off from the world, limiting herself to the household and family. a brief description of Olga in the novel is a woman seeker, a woman innovator, for whom “routine” family happiness and “Oblomovism” were truly the most terrifying and frightening things that could lead to the degradation and stagnation of her forward-oriented, cognizing personality. For the heroine, love was something secondary, stemming from friendship or inspiration, but not an original, leading feeling, and certainly not the meaning of life, as with Agafya Pshenitsyna.

The tragedy of Olga’s image lies in the fact that the society of the 19th century was not yet ready for the emergence of strong female personalities capable of changing the world on an equal basis with men, so she would still have been awaited by the same soporific, monotonous family happiness that the girl so feared.

Work test

OBLOMOV

(Novel. 1859)

Ilyinskaya Olga Sergeevna - one of the main heroines of the novel, bright and a strong character. Possible prototype I. - Elizaveta Tolstaya, only love Goncharov, although some researchers reject this hypothesis. “Olga in the strict sense was not a beauty, that is, there was no whiteness in her, no bright coloring of her cheeks and lips, and her eyes did not burn with rays of inner fire; there were no corals on the lips, no pearls in the mouth, no miniature hands, like those of a five-year-old child, with fingers in the shape of grapes. But if she were turned into a statue, she would be a statue of grace and harmony.”

Since the time she was orphaned, I. has been living in the house of her aunt Marya Mikhailovna. Goncharov emphasizes the heroine’s rapid spiritual maturation: she “as if she was following the course of life by leaps and bounds. And every hour of the slightest, barely noticeable experience, an incident that flashes like a bird past a man’s nose, is grasped inexplicably quickly by a girl.”

Andrei Ivanovich Stolts introduces I. and Oblomov. How, when and where Stolz and I. met is unknown, but the relationship connecting these characters is distinguished by sincere mutual attraction and trust. “...In a rare girl you will find such simplicity and natural freedom of look, word, action... No affectation, no coquetry, no lies, no tinsel, no intent! But almost only Stolz appreciated her, but she sat through more than one mazurka alone, not hiding her boredom... Some considered her simple, short-sighted, shallow, because neither wise maxims about life, about love, nor quick, unexpected and bold remarks, nor read or overheard judgments about music and literature..."

Stolz brings Oblomov to I.’s house not by chance: knowing that she has an inquisitive mind and deep feelings, he hopes that with his spiritual requests I. will be able to awaken Oblomov - will force him to read, watch, learn more and more legibly.

Oblomov captured her in one of the first meetings amazing voice- I. sings an aria from Bellini’s opera “Norma”, the famous “Casta diva”, and “this destroyed Oblomov: he was exhausted,” plunging more and more into a new feeling for himself.

I.’s literary predecessor is Tatyana Larina (“Eugene Onegin”). But like the heroine of another historical time, I. is more confident in herself, her mind demands permanent job. This was noted by N.A. Dobrolyubov in the article “What is Oblomovism?”: “Olga, in her development, represents the highest ideal that only a Russian artist can now evoke from present-day Russian life... There is more in her than in Stolz, one can see a hint of a new Russian life; One can expect from her a word that will burn and dispel Oblomovism...”

But this is not given to I. in the novel, just as it is not given to Goncharov’s similar heroine Vera from “The Precipice” to dispel phenomena of a different order. Olga’s character, fused simultaneously from strength and weakness, knowledge about life and the inability to bestow this knowledge on others, will be developed in Russian literature - in the heroines of A.P. Chekhov’s drama - in particular, in Elena Andreevna and Sonya Voinitskaya from “Uncle Vanya”.

The main property of I., inherent in many female characters Russian literature of the last century - not just love for a specific person, but an indispensable desire to change him, raise him to his ideal, re-educate him, instilling in him new concepts, new tastes. Oblomov turns out to be the most suitable object for this: “She dreamed of how she would “order him to read the books” that Stolz left, then read newspapers every day and tell her the news, write letters to the village, complete a plan for organizing the estate, get ready to go abroad, - in a word, he will not fall asleep with her; she will show him his goal, make him love again everything that he has stopped loving, and Stolz will not recognize him when he returns. And she will do all this miracle, so timid, silent, whom no one has listened to until now, who has not yet begun to live!.. She even trembled with proud, joyful trepidation; I considered this a lesson ordained from above.”

Here you can compare her character with the character of Liza Kalitina from the novel by I. S. Turgenev “ Noble Nest", with Elena from his own "On the Eve". Re-education becomes the goal, the goal captivates so much that everything else is pushed aside, and the feeling of love gradually submits to the teaching. Teaching, in a sense, enlarges and enriches love. It is from this that the serious change occurs in I. that so amazed Stolz when he met her abroad, where she arrived with her aunt after breaking up with Oblomov.

I. immediately understands that in her relationship with Oblomov she belongs the main role, she “instantly weighed her power over him, and she liked this role of a guiding star, a ray of light that she would pour over the stagnant lake and be reflected in it.” Life seems to wake up in I. along with Oblomov’s life. But in her this process occurs much more intensely than in Ilya Ilyich. I. seems to be testing her capabilities as a woman and teacher at the same time. Her extraordinary mind and soul require more and more “complex” food.

It is no coincidence that at some point Obkomov sees Cordelia in her: all of I.’s feelings are permeated by a simple, natural, like a Shakespearean heroine, pride, encouraging her to realize the treasures of her soul as a happy and well-deserved given: “What I once called mine is no longer I’ll give it back, unless they take it away...” she says to Oblomov.

I.’s feeling for Oblomov is whole and harmonious: she simply loves, while Oblomov is constantly trying to find out the depth of this love, which is why he suffers, believing that I. “loves now, like embroidering on canvas: the pattern comes out quietly, lazily, she is even lazier unfolds it, admires it, then puts it down and forgets.” When Ilya Ilyich tells the heroine that she is smarter than him, I. replies: “No, simpler and bolder,” thereby expressing almost the defining line of their relationship.

I. hardly knows that the feeling she experiences is more reminiscent of a complex experiment than first love. She does not tell Oblomov that all the affairs of her estate have been settled, with only one goal - “...to see to the end how love will make a revolution in his lazy soul, how the oppression will finally fall from him, how he will not resist his loved one happiness..." But, like any experiment on a living soul, this experiment cannot be crowned with success.

I. needs to see his chosen one on a pedestal, above himself, and this, according to the author’s concept, is impossible. Even Stolz, whom I. marries after an unsuccessful romance with Oblomov, only temporarily stands higher than her, and Goncharov emphasizes this. By the end, it becomes clear that I. will outgrow her husband both in the strength of her feelings and in the depth of her thoughts about life.

Realizing how far her ideals diverge from the ideals of Oblomov, who dreams of living according to the ancient way of life of his native Oblomovka, I. is forced to abandon further experiments. “I loved the future Oblomov! - she says to Ilya Ilyich. - You are meek and honest, Ilya; you are gentle... like a dove; you hide your head under your wing - and don’t want anything more; you’re ready to coo under the roof all your life... but I’m not like that: this is not enough for me, I need something else, but I don’t know what!” This “something” will not leave I.: even after surviving a break with Oblomov and happily marrying Stolz, she will not calm down. The moment will come when Stolz will be faced with the need to explain to his wife, mother of two children, the mysterious “something” that haunts her restless soul. “The deep abyss of her soul” does not frighten, but worries Stolz. In I., whom he knew almost as a girl, for whom he felt first friendship and then love, he gradually discovers new and unexpected depths. It is difficult for Stoltz to get used to them, therefore his happiness with I. seems problematic in many ways.

It happens that I. is overcome by fear: “She was afraid to fall into something similar to Oblomov’s apathy. But no matter how hard she tried to get rid of these moments of periodic torpor, the sleep of the soul, no, no, but first a dream of happiness would creep up on her, surround her with the blue night and envelop her in drowsiness, then again there would be a thoughtful stop, as if the rest of life, and then embarrassment, fear , languor, some kind of dull sadness, some vague, foggy questions will be heard in a restless head.”

These turmoil are fully consistent with the author’s final reflection, which makes us think about the heroine’s future: “Olga did not know... the logic of submission to blind fate and did not understand women’s passions and hobbies. Having once recognized the dignity and rights to herself in the chosen person, she believed in him and therefore loved, and if she stopped believing, she stopped loving, as happened with Oblomov... But now she believed in Andrei not blindly, but with consciousness, and in him her ideal of male perfection was embodied... That is why she would not tolerate a decrease in the merits she recognized by even a hair; any false note in his character or mind would produce stunning dissonance. The destroyed building of happiness would have buried her under the rubble, or, if her strength had still survived, she would have searched..."