Presentation on the topic Artists Mobile. specific, real facts

05.04.2021

Movie artists

art

Amounted to Yershova Lyudmila Viktorovna ,

teacher of the 1st qualifying category,

MOBU "SOSH No. 3", Orenburg.

On November 29, 1871, the first mobile art exhibition opened in the halls of the St. Petersburg Academy of Arts. But it was not just another exhibition, there were then quite a lot in St. Petersburg, and the beginning, the first page of the new chapter in the history of Russian painting - chapter on mobile phone.

Students of the last course of the Academy had to write a graduation picture for a gold medal. The topics for the execution of the canvas, which appointed the Council of the Academy, were mainly taken from ancient mythology. This practice existed for the whole century, from the day of the founding of the Academy

In the late 1850 - early 1860s, artistic youth became very acute to respond to the political and social changes occurring in Russia, sympathetically belonged to the trends of the "Poreframe Time", and did not want to remain aside from the problems of modern society. And therefore, in their thesis pictures, young painters, led by Kramsky, wanted to apply not to distant from reality mythological plots, but to the display of realities of their era

Who are they?

Russian artists of the 19th century For a lot of time, tired of academic monopoly in visual arts, sought to independence of creative work.

in 1763.

The Imperial Academy of Arts

November 9, 1863 14 of the most prominent students of the Imperial Academy of Arts, admitted to the competition for the first gold medal turned to the Council of the Academy with a request to replace the competitive task (writing the picture on the specified the plot from the Scandinavian mythology "The feast of God Odin in Valgalle") on the free task, writing a picture on the topic chosen by the art itself.

At the refusal of the Council, all 14 people left the Academy.

They lost material support, losing housing. But they were saved by friendship and faith in a common cause. Young artists began to live together, organizing Artel , We took orders for portraits, paintings and money earned money.

Later the artel was transformed into a mobile exhibition partnership.

This event entered the story as "Bounce 14." They were organized "Art Artel" later, in 1870, she was transformed into "Association of mobile art exhibitions."

In aesthetic plan participants Partnership , or movements, It is purposefully opposed to representatives of the official, academic artistic direction.

The founders of the Company were:

Ivan Nikolaevich

Grigory Grigorievich Myasedov

Nikolai

Vasily Grigorievich Perov.

Kramskaya

Nikolaevich

Since 1870 Kramskaya N.K. - The founder and ideological leader of the partnership of mobile art exhibitions, passionate propaganda of realism in art.

Members of the Partnership considered it important to create paintings showing the history of the Russian people, the modern life of Russia, its nature.

In their activities, the heads were inspired by the ideas of populism.

The purpose of the partnership became enlightening the simple people with their art, which was supposed to be transported on the route Petersburg-Moscow - Saradov - Samara and Next. First exhibition took place in 1871.

Mobile exhibitions opened every year. Those who participated in them began to call movements. The life of the partnership was built at a cooperative basis.

Ivan Nikolaevich Kramskaya

"Christ in the desert" 1872 (State Tretyakov Gallery)

In St. Petersburg, at the second mobile exhibition, the audience were captured by emotional expressiveness and monumental image of the image. In the gloomy, wild landscape of the rocky desert as if a fixed figure of a sitting man. Having adopted baptism, Christ is forty days alone in the wilderness, in heavy thought. Deep sorrow on his face, convulsively compressed hands, which will soon break through nails. What does he reflect on?

Portraits Ivan Kramsky deeply psychological and social.

Picture " Unknown (1883) was first shown in the 11th TPV exhibition, where he made the effect of a broken bomb. The composition, the plot and the mood of this picture absolutely did not match the concept of a partnership nor the ideas of that time about the permitted. There are several different versions of creating this work. One of them is a portrait of a deeply beloved daughter Kramsky - Sofia, also artist

with tragic fate.

On another version - A wonderful stranger, which looks at us from the painting - the identity is real. This is the former peasant Matrena Savvishna. For beauty took her lady in the maids. As a young nobleman Bestuzhev arrived at the aunt. I saw Matrene and married her. Once in the city she met her former her mistress. She, it can be seen, waiting for gratitude from her, but it was not there! The former maid drove by, without even honored her!

The origin of the picture "Stranger" - It remains a mystery.

The artist in his picture seems to us: "Appearances are deceptive!".

Perhaps just in this was the task of the artist who wrote a collective image of a woman of his time.

Artist's idea:
not a simple illustration of the evangelical episode saw the audience in front of themselves, and picture-symbol Protecting problem lifestyle choice In front of honest Russian people in the 70s. XIX century
Sacrifice for the sake of struggle for justice,
for higher ideals, or to give in to the feeling of self-preservation, climb into a personal well-being?

Vasily Grigorievich Pereov

"Ceremonies of the dead" 1865.

Picture "Troika" as if he continues the story about the fate of unfortunate children who lost his father.

Thicken, pale, exhausted children underwent, barely pulling sledges with a huge garbage barrel with water. "How can I endure this?" - asked himself anyone,

standing in front of this picture.

The artist deeply compared his heroes and wanted the same feelings with other people at the bottom of his work. The unbearable gravity of immense human grief covers the viewer at the sight of such a picture. The artist visibly embodied the whole pain of orphaned children, pressing his father's coffin, and the Mother's Mount, walked and hopelessly dropped her head.

Syroids, 1864

Grigory Grigorievich Myesiedov (1834 - 1911)

"Strong time (costers)" 1887.

State Russian Museum, St. Petersburg.

The costers depicted at work as if singing a solemn anthem nature, sounding in a golden field with rye, in a high blue sky with white clouds. The selected painter compositional view - from the bottom, due to the Rye spikes - emphasizes the monumentality and the greatness of the country's image.

"Zemstvo dints", 1872. State Tretyakov Gallery . Moscow. This is the most significant messenger cloth exposed on the second mobile art exhibition. Zemstvo - elected local authorities in Russia of the 1860s. The peasants depicted in the picture apparently came from some request to the member of the zemstvo, but are forced to sit under the door, pleaseing their meager dinner and granted to their unexpected thoughts.

In the window, a servant is visible, smiling to the dishes: the gentlemen probably attempted well, and the problems of asking for a long time will not interest them for a long time. The artist shows the contrast between poverty and wealth.

This work serves as a business card of an artist-mobile phone.

The picture reflects the peasant life, which unites all generations into a single working team.

Nikolai Nikolaevich GE (1831 - 1894)

"Last Supper" 1863. Russian Museum. St. Petersburg.

The picture brought a real popularity artist. It is a canvas, imbued with an unprecedented dramatic emotion, distinguished by the new interpretation of the evangelical story. For this canvas he received from the Academy of Arts at once the status of professor.

In 1871, participates in the first exhibition of mobile artists, presenting work "Peter I interrogates Tsarevich Alexey in Peterhof." This picture has become the next success of the artist, it is distinguished by special truthfulness and reliability. In the face of the Father and the Son, Ge saw the confrontation of the two forces of that time.

. Peter I looks at his son angry and a formidable look, condemning for some misdemeanor.

His majestic and proud posture speaks of obvious discontent. He looks at the expectancy Alexey, As if, waiting for his excuse or repentance in the deed. His turning pose in the opposite side of his son can say that he seems to and not want to even hear what his son says.

Alexey, in turn, is obedient before the Father. He feels guilty. Perhaps he even experiences the fear of the anger of the Father. Piercing view of Peter I

as if he burns it from the inside.

A great role in the development of the art of the mobileians was playing famous

explorer of art and critic V. V. Stasov.

P. M. Tretyakov, potenate, collector works of Russian visual arts, founder of the Tretyakov Gallery By purchasing in his gallery, the works of mobileians, provided them with important material and moral support. Many of the works of the mobileians were made by order

Pavel Mikhailovich Tretyakova.

Vladimir Vasilyevich Stasov

Pavel Mikhailovich Tretyakov

In rows movements lit and forever shone the brightest stars of Russian painting

Isaac

Levitan

Alexei

Savrasov

Michael

Nesterov

Basil

Surikov

Basil

Polenov

Arkhip

Quinji

Valentine

Serov

Ilya

Repin

These masters raised the plank of Russian painting on an unprecedented height.

"Morning in Pine Bor"

The artist loved the forest and his nature very much, admired each bush and blades, moldy trunks of trees decorated with sorry from the severity of foliage and needle branches. All this love Shishkin reflected on the usual linen canvas, so that the whole world saw the unrivaled and in now the skill of the Great Russian Master. Looking at the picture, the presence of the viewer is felt. The human mind is fully poured into the atmosphere of the forest with marvelous and mighty giants of pines.

"Ship Grove" For the first time was exhibited at a mobile exhibition, and caused universal praise and admiration of colleagues of artists and visitors. The picture is inspired by the lyricism and love of the artist to the forest with his inexhaustible wealth, it is easily perceived by all lovers of forest nature.

In this last work Shishkin Demonstrated in 1898, the craftsmanship, which did not fade towards the end of his life.

Beautiful artist landscape, master of lyrical Russian landscape. His famous painting "Graci flew". In it, the artist revealed all the subtle beauty of the Russian landscape inspired by extraordinary libraries and, the sacrament of being, which turned all sorts of ideas from contemporaries about his native Russian nature.

V.G. Perov

A.K.savrasov (1830-1897)

A.K. Savrasov . "The Rooks Have Arrived". 1871. .

I.N. Kramskaya

I.I. Chishkin (1832 -1897)

"Cossacks write a letter to Turkish Sultan"

The basis Pictures Ilya Repin The historical event was 1676. Plot masterpiece - Zaporizhzhya Cossacks write an answer to the offer of Turkish Sultan to go to the side of the Ottoman Empire. Then the Cossacks of the Free Zaporizhia Steeper guarded the country from the Turks. Sultan Mahmoud IV sent a letter to Zaporozhye Cossacks, where he proposed to give up to him without resistance. Wanting to frighten the Cossacks, the Turkish Sultan brought in the title of letters many of his ranks. The Cossacks also laughed over the pompous style of the letter and wrote their own, very caustic response to Sultan. In the picture, not finding the main character, many Cossacks are presented here, and each of them

in their own way coloring. Everyone is discharged with such care, as if the artist created only his portrait.

Ilya Efimovich Repin (1844-1930).

"Barge Haulers on the Volga", 1873. A typical example of creativity of mobile phone. Repin became a member of the partnership in 1878. The captured oppression of the poor was a call for mercy towards a simple person. Surprisingly, as in, it would seem, the painter revealed the individual traits of each of the burles, endowed them with a character, the fate, reading in the crazy years of adversaries.

Vasily Ivanovich Surikov (1848 - 1916)

Wonderful Russian artist beautiful master of color and colors of paints, picturesque techniques , I knew the Russian life and morals of the past epoch. In many of their works Surikov Pictured tragic fragments of Russian history , reflecting bright psychological images their heroes in large-scale canvases . Surikov's canvas - this is an artistic recreated story, the main hero which is russian people.

In the Gold Foundation of Russian Artistic Culture Famous canvases entered:

"Fear of Morozova", "Morning Streletzka execution", "Menshikov in Berezov", the transition of Suvorov through the Alps ", etc. This is a whole poem about the struggle and suffering, heroism and tragic tests of the Russian person.

"Fear Morozova " - Picture that transmits the maximum number of emotions, The scene from the church split period in the 17th century. Surimov decides one of the most important problems of informative. As you move, the internal relationship is revealed between each character and the haulage itself. The degree of a variety of different and contrasting states is determined. There is a fright, pity, fear, sympathy, mockery, curiosity.

"Morning Streletzka execution", 1878-1881gg.

On the canvas we see not the execution itself, but a complete huge psychological tension of the minute before the non-repulsive execution. The action takes place in Moscow on Red Square, against the background of the church of Vasily blissful.

Last chapter partnership chosen in 1918 was

Radimov Pavel Alexandrovich (1887 - 1967)

In 1922, organized the 47th exhibition of the Mobile.

P.A. Debut P.Adimova took place at the 39th exhibition of the Mobile Partnership and was recognized as successful. In 1914 for the picture "Old mezonin" P.Radimova takes members of the partnership of mobile exhibitions. His guarantors were I.E.Pepin and V.D. Polenov. At the same years, the books of his poems "Field Psalms" and "Earth Riza" are published. Radimov-artist Cycles of landscape and genre works devoted to the middle lane of Russia and Central Asia were created.

"The artist is a poet! Poet in painting and artist in poetry." These words determine the creative way P.A. Aradimova.

Association of mobile art exhibitions it is a key milestone in the development of Russian art. Movie artists became kinda, symbol of Russian painting of the 19th century. An emerged as a response to the dead lifeless art of the Academy of Arts, the partnership of the Mobile has become the most massive and influential artistic association in the history of Russia. Never before, nor after that - the art of Russian artists was not so close and understandable to the masses.

A partnership of mobile art exhibitions broke up in 1923, However, during its existence, the importance of painting in the life of Russian society has reached its climax and played a huge role in the development of the realistic art of that era.

Internet resources:

http://art-portres.com/hudojniki_peredvijniki.html
http://ilyarepin.ru/ ?
http://tphv.ru/idea2.php.
http://www.liveinternet.ru/users/gregoryh/post247805396.
http://www.palitra.co/post/363

"Students Masters" received the name "Troika", was large enough in its size. Upon arrival in Moscow [in 1866] Perov managed to remove one of the few workshops in Moscow, so he had suitable conditions for work. To some extent Troika varied the construction of the "Ceremonies' Wires". And then there was a motive motive - in this case, it was expressed through the image of the sliding sleigh. But in the new picture, the movement took place on the diagonal to the right to left to the foreground, and the children-workshops, the lucky sleeves, were facing the viewer. They descend from the hillock, making every effort to drag sledges on the bench with a huge barrel filled with water. Children do not notice that the barrel would be overturned by certainly if there were no passing passers around, which, lowling on her with all the severity, tries to straighten it. The whole group is depicted against the background of the inugenuous wall of China-city. Dahl sinks in a fit fog, where a slightly distinguishable figure of another, removing traveler. Snow cover exploded with ruts. Apparently, the frost is very strong, since the spurnitable jets of water freeze on the surface of the barrel. The picture is written in brownish gray shades, underlined by black clothing of the boy depicted in profile, and a real girl skirt.

Artists of the 19th century Movies
M.Potapenko

Original talents Russian artists of the 19th century during a lot of time tired of academic monopoly in visual arts, sought to independence of creative work. Anyway, the creation of membership of the United Artists contributed to the interest of many artists, to really bring together art with folk masses, thereby ensuring their independence from various institutions, patronage of patronized by the government.

In 1863, 14 graduates of artists led by I. Kramsky refused to write a diploma picture on the predicted mythological theme in Valgall and demanded to choose the plot of the paintings, to which they were categorically denied, after which many artists defeated the Academy. The decision was: that it was necessary to form an independent artist of artists by the type of communes, independent of the academic monopoly Union of Russian artists. It did not exist for a long time and broke out in 7 years, though by this time in 1870 the new movement of the Association of Movie or the Association of Mobile Art Exhibitions TPHV and the movement of them in the cities of Russia, this is an association of professionals. Creativity of mobile phone brought many artists in unity and ideological positions, the rejection of Academism with his decorative landscapes, buttofa theater and various mythology.

Russian artists Mobiles sought to show in their works the ideological side of the visual art that was valued much higher than the aesthetic, putting the task of a wide propaganda of the visual art, the purpose of which was the public-aesthetic education of the masses, brings closer to the life of democratic art. In their pictures, the true living life of the oppressed peasantry suffering from the authorities of the landowners and the rich is the main task. Many works of famgery artists wrote from nature in the style of genre painting, other works were written under the imagination from real life.
Creativity of mobile phone

"The 19th century is the golden age of Russian visual art, which generated a large number of famous artists of Russia, who left their descendants a rich heritage, whose value is simply immeasurably. Thanks to Russian mobile phone, the most famous artists of that time, the paintings of Russian painting help all humanity to comprehend those ideas about the life of those years and the work of Russian artists who have achieved the creation of a partnership of mobile art exhibitions with great difficulty. "
».

Famous artists mobile

Kramskaya Ivan Nikolaevich (1837 - 1887)
The famous painter, one of the main reformers in art, known for its anti-academic activities, promoting the free development of young artists in favor of the free development of young artists. Kramskaya Chief Founder and Founder of TPHV.
Ivan Kramskaya wonderful master portrait genre, they written a number of famous portraits: L. N. Tolstoy, M. E. Saltykov - Shchedrin, Sofia Nikolaevna Kramskaya, Portrait of an unknown beautiful stranger.

Vasily Grigorievich Perov (1834-1882)
His famous paintings of tea drinking in Mytishchi, the arrival of the fact about the investigation,
Pictures of the pea brushes are penetrated with genuine tragedy: old men on the grave of the son, a very touching work about the plight of children. Very touching troika painting, birds, birds, the last bank of the head. Which in our days is considered the most discussed and beloved by all the hunters.

Alexey Kondratievich Savrasov (1830-1897)
Lovely artist landscape player, master of lyrical Russian landscape, his famous picture of Graci flew, sowing in this picture all the subtle beauty of the Russian landscape inspired by the extraordinary Lorismomy, the sacrament of being, which turned out all sorts of ideas from contemporaries about his native Russian nature.
His other paintings are no less popular forest road, at the gate of the monastery, the spring day.

Vasily Dmitrievich Polenov (1844-1927)
A beautiful artist who left a significant heritage in Russian landscape painting of the 19th and 20th century, which is distinguished by the touching emotional perception and bright saturation of the colors of the paints.
The creative potential of Polenov was inclined to the epic vision of the landscape, he very much loved Russian nature and, accordingly, herself for landscape topics.
In life, the artist's work is a permanent search for a beautiful, awakening to good mood and peace. The most noticeable works of the Polenov littered in such wonderful paintings as, the "Moscow courtyard", the "overgrown pond", the Golden Autumn and the picture of Grandma Garden, which was just exhibited at the mobile exhibition of the Movies in 1879, from now on he became a full member of the Union Movements.

Fedor Aleksandrovich Vasilyev (1850-1873)
The creativity of this young artist who lived a small, short life, enriched Russian painting with many landscapes, such as a wet meadow, thaw, in the Crimean mountains, brightly in the autumn colors painting a swamp.
Vasiliev was able to show in his works the nature of the transitional state from the sad weather to the solar condition. Favorite motives in his paintings by God the forgotten calary, ravines, bumps, ingrown in the ground peasant dilapidated houses.

Isaac Ilyich Levitan (1860-1900)
Magnificent master of quiet and calm landscapes.
Levitan loved his native nature, often he retired with her finding her understanding of her beauty, which was reflected in his landscapes.
Levitan even in not very good weather he found his rare colorful shades of Russian bad weather. Singing the nature of the top Volga. He showed the world. His beautiful masterpieces: Autumn day Sokolniki, Gloomy day, evening ringing, masterfully written evening landscapes: evening on the Volga, Golden Ples, and transmitting bright autumn mood Golden autumn , Spring. Greater water, quiet abyad and lake picture.

Slide 1.

Slide 2.

Movie-Russian realist artists who were partnership of mobile art exhibitions (1870-1923), which developed the best traditions of artists. Movies reflected a folk life, nature, demonstrated their exhibitions in various cities of Russia. The largest artists-Mobile: Repin, Surikov, Vasnetsov, Perov, Shishkin, Levitan, Serov and others. The creator of the partnership was Kramskaya.

Slide 3.

On November 9, 1863, 14 of the most prominent students of the Imperial Academy of Arts, admitted to the competition for the first gold medal, appealed to the Council of the Academy with a request to replace the competitive task (writing a picture on a given plot from the Scandinavian mythology "Feast of God's Odin in Valhal") on a free task, writing Pictures on chosen by the artist theme itself. At the refusal of the Council, all 14 people left the Academy. This event entered the story as "Bunction 14". It was they who organized "Art Artel" later, in 1870 she was transformed into a "partnership of mobile art exhibitions".

Slide 4.

Participation

The flourishing of the activities of the mobile partnership fell in the 1870-1880s. I. E. Repin, V. I. Surikov, A. K. Savrasov, I. I. Shishkin, AM and V. M. Vasnetsov, A. I. Kindji, V. D. Polenov , N. A. Yaroshenko, I. I. Levitan, V. A. Serov, etc.

Slide 5.

Ilya Efimovich Repin (1844 - 1930)

Russian artist of Ukrainian origin, painter, master portraits, historical and domestic scenes.

Slide 6.

Tretyakov, acquired in his gallery the works of mobileians, provided them with important material and moral support. Many of the works of the heads were made by order Pavel Mikhailovich Tretyakov.

Repin I.E. "Portrait of Tretyakov", 1883

Slide 7.

Repin I.E. "Burlaki on the Volga", 1870 -1873

Repin depicts people's lives, folk interests, folk folk reality in his paintings. Images of burlacs embody the submission of fate, protest and binding, calm or simpleness.

Slide 8.

Victor Mikhailovich Vasnetsov (1848 -1926)

Outstanding Russian artist, master painting on historical and folklore plots.

Slide 9.

Vasnetsov V.M. "Bogati", 1881-1898

The image of powerful heroes, which are the personification of a calm and confident strength of the Russian people, leaning Vasnetsov from the initial steps of the creative path.

Slide 10.

Vasnetsov V.M. "Carpet-plane" 1880

Viktor Mikhailovich Vasnetsov first among the painters turned to the epic and fabulous plots, convinced that "in fairy tales, the song, the episodes, the drama affects the whole feature of the people, internal and external, with the past and present, and maybe the future."

Slide 11.

Ivan Ivanovich Shishkin (1832 - 1898)

Russian painter artist, painter, draftsman and engraver.

Slide 12.

Shishkin I.I. "Morning in a pine forest", 1889

I.I. Shishkin wrote this picture in collaboration with his friend, Magnifier by K.A. Savitsky whose brushes belong to the image of a bear with three fried bearings. Shishkin himself wrote a landscape part - the deaf forest thickening with the fallen trunks of the trees.

Slide 13.

Valentin Aleksandrovich Serov (1865 - 1911)

Russian painter and graph, portrait master.

Slide 14.

Serov V.A. "Girl with peaches", 1887

The portrait shows the twelve-year-old daughter of the Mammoth Vera. The girl is drawn sitting at the table; On it a pink blouse with a black bow; On the table knife and peaches.

Slide 15.

Serov V.A. Mika Morozov, 1901

The work is full of internal movement, the composition itself is unusually dynamic - it seems, the "small hero" is about to make an impatient gesture and leave the plane of the painting, "jumping out" to us.

Slide 16.

Serov V.A. "Children (Sasha and Jura Serov)", 1899

Serov paintings are surprisingly beautiful in color of paints.

Slide 17.

Isaac Ilich Levitan (1860-1900)

Grand Russian artist, master landscape, founder of the mood landscape genre.

Slide 18.

Levitan I.I. "Over the Eternal Region", 1897

The philosophical significance was noted the picture "Over the Eternal Region", which the artist himself attached great importance. In the image of the expressed spaces of the thunderstorm sky and the exhausted water elements, the excavated Russian reality, the long-suffering of Russian society, and ready to break through the long-suffering of Russian society, were focused.

Slide 19.

Levitan I.I. "Evening ring", 1892

The artist and did not put his task to portray a certain place - the picture is the state of the soul, the meditation in which a person is immersed when he sees the ancient monastery in the golden rays of the sunset, and hears the dizzying chime of bells, calling whether to serve, or in the sky for cranes. ..

Movies - Russian realist artists who were partnership of mobile art exhibitions (GG), who developed the best traditions of artists. Movies reflected a folk life, nature, demonstrated their exhibitions in various cities of Russia. The largest artists-Mobile: Repin, Surikov, Vasnetsov, Perov, Shishkin, Levitan, Serov and others. The creator of the partnership was Kramskaya.

On November 9, 1863, 14 of the most prominent students of the Imperial Academy of Arts, admitted to the competition for the first gold medal, appealed to the Council of the Academy with a request to replace the competitive task (writing a picture on the specified plot from the Scandinavian mythology "Pyato God's feast in Valhal") for free assignment, Writing a picture to the artist's chief chosen by the artist. At the refusal of the Council, all 14 people left the Academy. This event entered the story as "Bunction 14". It was they who organized the "Art Artel" later, in 1870 she was transformed into a "partnership of mobile art exhibitions".

The flourishing of the activities of the commember of the mobileians fell in the years. I. E. Repin, V. I. Surikov, A. K. Savrasov, I. I. Shishkin, AM and V. M. Vasnetsov, A. I. Kindji, V. D. Polenov , N. A. Yaroshenko, I. I. Levitan, V. A. Serov, etc.