Verbal portrait of a wild thunderstorm from the play. Comparative speech characteristics of wild and boar

One of the most respected representatives of Kalinov is the enterprising and domineering merchant Savel Prokofievich Dikoy. At the same time, this figure, along with Kabanikha, is considered the personification of the "dark kingdom". At its core, Dikoy is a tyrant who, in the first place, puts only his desires and whims. Therefore, his relationship with others can be characterized by only one word - arbitrariness. People are used to giving in to him, and he, feeling his power over them, continues to tyrannize everyone who is weaker than him. Kabanova, whom Dikoy is only afraid of, comments on his actions as follows: "There are no elders over you, so you are swaggering." Dikoy cowards only those who can put him in his place. There was a case when he gave up a passing hussar, but then with interest he took out all the accumulated anger on his family. He also gives in to Kabanikha, knowing that she is smarter and more cunning than him. Naturally, the merchant gets the most from the Wild one. Every morning his wife tearfully asks everyone not to anger her husband. But if it was possible to predict what exactly he will be angry with in the next minute.
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Ignorance is usually behind rudeness, and, most importantly, the Wild is completely lacking in curiosity and desire for enlightenment. This is how the merchant demonstrates all his deep darkness in a conversation in Kuligin on the boulevard, when he declares that a thunderstorm is sent as punishment to people, so the lightning rod does not make sense.

At the time of the writing of the play, the society was ruled by heroes like the Wild. His portrait is similar to hundreds of other wealthy merchants who were drowning in a luxurious lifestyle, absolute ignorance. Such people were pulling Russia to the bottom. Into the dark kingdom of stupidity, stupidity, medieval customs. The image and characteristics of the Wild in the play "The Thunderstorm" is negative. He is the true embodiment of the concept of tyranny. He is a vivid representative of wild morals and a harsh attitude towards people and life.

Savel Prokofievich Dikoy- a wealthy merchant in the city of Kalinov. Negative character.

Image and characteristics

A wild man, to put it mildly, unpleasant. It makes this impression because of its terrible nature. The wife of the Wild, knowing that it is better not to anger her husband, begins to tearfully address those around her every morning:

“Don't make priests angry! Dear fellows, do not make you angry! "

And so every day. It is not difficult to guess how she gets from him if she disobeys or deigns to anger. There is no talk of a happy, family life.

Wild typical portrait of a tyrant. Accustomed to feel like a full-fledged ruler of the city. I am absolutely sure that he has the right to influence the fate of residents by impudently interfering in their lives.

"If I want - I will have mercy, if I want - I will crush."

Feeling power over people, he uses it to the fullest, doing whatever comes to his head. Dikoy knows for sure that his antics will go unpunished.

Rude and boor. Speaking is a complete nightmare. Continuous curses. Maybe he is used to expressing himself like that, believing that the interlocutor will understand faster. You will definitely not hear a kind word from him. Dikoy knows exactly who to yell at and where to keep quiet.

Man of moods. You never know in what frame of mind he will be today. However, they did not see him smiling. Always gloomy and embittered.

Not educated. I have never read a single book in my entire life. The names of famous writers are perplexing to Savel. Doesn't know history. He is not on friendly terms with modernity. Considers science a waste of time. Foolishness, a ridiculous occupation unworthy of respect. In one word, a wild man.

Aware of actions. He is well aware that he is doing wrong, but changing the situation or changing himself is not for him.

“I know I’m doing badly, but I can’t help myself.”

Hungry for money. Money is the main thing in the life of Savel Prokofievich. Meaning and essence. Get money into the pocket of the Wild, he will never be able to part with them. The employees have forgotten what a salary is. As soon as someone asks to lend some money, the Dikiy begins to gurgle within.

“Therefore, just give me a hint of money, I’ll start to kindle my whole inner life.”

When they try to reproach him with greed, Dikoy excuses himself:

"Who does not feel sorry for his good."

A rare case when it will be possible to beg. But he will hear enough of this, it will not seem a little.

Attitude towards women. Those who get from Savel Prokofievich are poor women. All aggression is directed at the female sex. The only woman whom the tyrant and despot is afraid of Kabanikh. Respects her. Opinion counts. The woman feels stronger and more cunning. The very character is akin to him.

Selfish. According to his will, Dikoy owes his nephew the inheritance that Boris inherited from his grandmother. One of the conditions for obtaining is respectful attitude towards the uncle. Such conditions are beneficial to the Wild. He takes advantage of this, forcing his nephew to plow on him from morning to night. Like he's free labor. Why not exploit a relative. At the same time, Dikoy constantly humiliates and insults his nephew. Constantly reminds him, as if justifying:

“I have my own children, why would I give money to strangers? Through this, I must offend my own! "

Cowardly. Despite the militant nature of the Wild one, he is as cowardly as a hare. An ordinary thunderstorm can thrill him. He associates it with the Lord's punishment, supernatural power. He tries to hide from her, fearing that heavenly thunder will strike him.

Self-assured. Goes ahead through life. Like a tank, it does not stop in front of obstacles on the way. He knows exactly what he is doing and is absolutely sure that he is doing the right thing. The opinions of others are indifferent.

The play "The Thunderstorm" by Alexander Ostrovsky presents a vivid picture of the serf society at the end of the 18th century. The playwright introduces us to the world of the Russian Volga city of Kalinov, which has lived for centuries the same patriarchal measured life. This is the world of philistines and merchants. Is he that good? Is there a lot of light in the Russian patriarchal pre-bourgeois society?

Who holds the "dark kingdom"?

Deprived of a positive vector of development, the urban community of the times of the decay of serfdom is socially sick to such an extent that Nikolai Dobrolyubov calls it a “dark kingdom” .. He, having called Ostrovsky “an expert on Russian life,” actually confirms the typicality of images presented by the playwright. Dikoy and Kabanikha in the play "The Thunderstorm" really benefit from the suffering of those around them and in every possible way support the suffocating, antisocial atmosphere in society. The meaning of the "dark kingdom" they retain is obvious: the transformation of human suffering into their personal wealth, into the capital of merchants - the world eaters. Both of the above negative images are considered classical in Russian literature. They are revealed by the author with tremendous artistic force. The topic of our article is the type of merchant Savely Prokofich the Diky. Unfortunately, many critics emphasize its primitiveness. In our opinion, this is not true. In particular, it is noteworthy that Savel Prokofich is both the ruler and the victim of the county "dark kingdom".

The specifics of the image of the Wild Merchant

The image of the Wild in the play "The Thunderstorm" is typical for Russian society. This is a person who "made" a huge fortune, rising from the bottom. The author does not give us a direct comment on this matter, but the thoughtful reader will find it out. By the psychotype of a merchant. Let us explain our version. The people once had a proverb "There is no worse master for his Ivan". The image of the Wild in the play "The Thunderstorm" is a clear illustration of the validity of this idea. Savel Prokofievich, even having become the main tycoon of the city of Kalinov, cannot stop in his inertia of such a cyborg for making money by any means.

Savel Prokofich's syndrome

Our task is to understand the image of the Wild in the play "The Thunderstorm". Imagine that you are an actor "entering this role." How to do it in the shortest way? What can I advise you? Let's say you are chronically deprived of mercy. Imagine: having inflicted suffering on a person and even ruining him, you do not experience any moral remorse. "Entering the image", pretend that you do not know the sense of responsibility to society ... Did you feel it?

Agree, the terrible, destructive image of the Wild in the play "The Thunderstorm" is typical and often found in our society, only in other guises ... In his rapid and continuous enrichment, he has one strange advantage over other people - he is not tormented by his conscience. Savel Prokofich aggressively expands his living space, stopping at only two factors: before Power and before Power. Consider the above condensed characteristic in more detail ...

Mercy of the Wild Merchant

As we have already mentioned, the image of the Wild in Ostrovsky's play "The Thunderstorm" is not even the type of a person who makes a deal with his conscience (Savel Prokofich simply does not have it). His moral principles are very vague, and following the rituals of the Orthodox Church is more like a deal with God for forgiveness of sins than a sincere desire to harmonize oneself and one's relations with society and family.

Every day, his wife begs visitors not to anger him. After all, Dikoy, in a rage, does not control himself, even his family hides from him in attics and closets.

Reflex rage

Manipulating a person through fear is his comfortable state, which he is embarrassed to openly say. (Aloud, he says: "My heart is like that!") The image of the Dikiy from the play "The Thunderstorm" is a dangerous type of a person who receives material benefits while in a state of inadequacy bordering on schizophrenia.

It is in a state of consciousness altered by rage that he creates things that he often cannot explain later. Let us recall, for example, his story to the godmother Marfa Kabanova about the unfortunate peasant petitioner who was almost “knocked to death”.

Attention is drawn to the episode when Dikoy talks about his uncontrollable rage in Ostrovsky's play "The Thunderstorm". The characteristic given to himself is deceitful. Everything is understandable: his fits of rage are initially selfish, they bring him money. After all, when he underpays with humiliated shouting to hired people for work, then the principle works in his favor: "the money saved is the money earned!" Daily seizures guarantee extra daily gains.

The danger of mental illness

He is worried about something else. Deprived of all spirituality, the image of Dikov in the play "The Thunderstorm" falls into a kind of vicious circle, reminiscent of Tolkien's deceitful ring of omnipotence. He understands that the reflex "initiation of rabies - gaining a profit", developed by him for decades, can play a cruel joke with him: completely drive him crazy and destroy him. It is about this that he expresses concern to his godmother, the merchant Kabanikha. Savel Prokofich himself does not even notice when a mechanism is triggered in him, turning on madness ...

Why is the image of the Wild one presented sporadically?

A man terrorizing the city ... The image of the Wild in Ostrovsky's play "The Thunderstorm" is deliberately disclosed by Ostrovsky unsystematically. In the course of the action, he appears only three times before the gaze of the spectator of the performance. And this is understandable. It is quite risky even for the classics to denounce their contemporaries - the mighty of this world.

What features, not disclosed by the author, may be inherent in Savel Prokofich? Most adult readers can easily speculate such a description themselves. We will provide only two key points for this reasoning. Is the psychotype of the main merchant of the city of Kalinov typical among the modern powers that be? Does the average citizen have real rights in court? ...

Conclusion

This, of course, is a sad truth, but before us in the mass media every day a host of modern shameless Dikikh merchants, apologists for the neo-version of serfdom, flash across. These are modern feudal lords, prospering among entire strata of society (as Pelevin aptly put it, working "for food").

So, what features can complement the modernized image of the Wild in Ostrovsky's play "The Thunderstorm"? This practice, by the way, is demonstrated by the theaters of Israel, where the modernized version of Gogol's "Inspector General" is playing with a bang. Let's “turn on the fantasy. What can in modern society help the Wild type "by raising the dregs in the water", make money more efficiently and plant his "ego"?

We will answer briefly. A talent for inciting hatred between people and representatives of different nationalities. Lack of moral brakes when sanctioning murder (or murders). The desire to rake in the heat with someone else's hands, using your money as a tool.

Concluding our reasoning, we note that such a sociopathy really poisons the harmony of society, turning relations in it into a "dark kingdom".

Already such and such a scolder, like ours
Savel Prokofich, look for more!
A. N. Ostrovsky
The drama of Alexander Nikolaevich Ostrovsky "The Thunderstorm" for many years became a textbook, depicting a "dark kingdom" that suppresses the best human feelings and aspirations, tries to force everyone to live according to their rough laws. No free thinking - unconditional and complete submission to elders. The carriers of this "ideology" are Dikoy and Kabanikha. Internally, they are very similar, but some external difference is present in their characters.
The boar is a hypocrite and a hypocrite. Under the guise of piety, she, “like rusting iron,” eats her household members, completely suppressing their will. The boar has raised a weak-willed son, wants to control his every step. She dislikes the very thought that Tikhon can make decisions on his own without looking back at his mother. “I would have believed you, my friend,” she says to Tikhon, “if I hadn’t seen with my own ears and with my own ears I hadn’t heard what the respect for parents from children has now become! If only they remembered how many diseases mothers endure from their children. "
Kabanikha not only humiliates children herself, she also teaches Tikhon this, forcing him to torment his wife. This old woman is all on suspicion. If she had not been so fierce, Katerina would not have thrown herself into the arms of Boris first, and then into the Volga. Dikoy just as a "chain" pounces on everyone. Kudryash, however, is sure that "... we have few guys to stand up for me, otherwise we would have taught him to misbehave." This is perfectly true. Dikoy does not meet proper resistance, and therefore suppresses everyone. For him, capital is the basis of his atrocities, so he keeps himself that way. For the Wild, there is one law - money. By them, he defines the "value" of a person. Swearing is a common state for him. They say about him: “Look for another scolder like ours, Savel Prokofich. No way will he cut off a person. "
Kabanikha and Dikoy are “pillars of society”, spiritual mentors in the city of Kali-nova. They have established an intolerable order, from which one throws herself into the Volga, others run wherever they look, and still others get drunk.
Kabanikha is quite sure that she is right, she alone knows the ultimate truth. That is why he behaves so unceremoniously. She is the enemy of everything new, young, fresh. “This is how old things are displayed. I don’t want to go to another house. And if you go up, you will spit, but get out soon. What will happen, how the old people will die, how the light will stand, I really don't know. Well, at least it's good that I won't see anything. "
Dikiy has a pathological love of money. In them, he sees the basis of his unlimited power over people. Moreover, for him all means are good in making money: he cheats the townspeople, “he will not disappoint a single one,” from him “thousands are made up of unpaid kopecks,” quite calmly appropriates the inheritance of his nephews. Dikoy is not scrupulous in the choice of funds.
Under the yoke of the Wilds and the Boars, not only their households groan, but the whole city as well. "Thick is powerful" opens up before them an unlimited opportunity for arbitrariness and tyranny. "The absence of any law, any logic - this is the law and logic of this life," - writes Dobrolyubov about the life of the city of Kalinov, and, consequently, of any other city of tsarist Russia.
In the play "The Thunderstorm" Ostrovsky gives a true picture of the musty atmosphere of the provincial town. The reader and viewer have a terrifying impression, but why is the drama still relevant 140 years after its creation? Little has changed in human psychology. Whoever is rich in power is, unfortunately, right to this day.

The characterization of Dikiy from the play "The Thunderstorm" by Ostrovsky is important for revealing the ideological meaning of the work. The image of this character must be analyzed to understand what the author wanted to show. Was this person invented or had a prototype? Why did Ostrovsky call him that? What traits did you endow the hero with? All this will be discussed in the essay.

Brief description of Dikiy from the play "The Thunderstorm"

Savel Prokofich Dikoy is a resident of the town of Kalinov, where The Thunderstorm takes place. A merchant with a very large income. Money loves him, and it is extremely difficult for him to part with them. Dikoy is a respected person in his city. He is considered an authority and is feared. The main reason for this is wealth. In Kalinov Dikoy - the richest resident.

Ostrovsky gives a rather meager description of Dikoy. There is practically no description of the appearance of this character. The reader can get an idea of ​​the hero only by "observing" his behavior during the plot.

Features of the image of the Wild

The image of the Wild one can be called integral. He is not characterized by any hesitation, doubt, throwing. He is not busy looking for the meaning of life, does not strive for some heights, does not suffer from remorse. This is a bulldog man. He is confident in himself and in everything he does. He walks through life like a tank, not caring that he may crush someone along the way.

At the same time, Dikoy is completely uneducated and ignorant. Art, science, political and social processes are very far from him and are not interesting. Moreover, Dikoy considers all this empty, ridiculous, unworthy respect, and even harmful. The rich man lives, guided by prejudices or omens.
This is clearly manifested when Kuligin turns to a merchant for help in arranging a lightning conductor. Residents of Kalinov are very afraid of thunderstorms, and therefore such an idea arises. However, Diko makes fun of the idea of ​​Kuligin and himself. He claims that a thunderstorm with thunder and lightning is a sign of God to people. A reminder to live right. And it is foolish to try to fight a higher power with the help of some kind of "poles and rods". The rich man does not recognize any other opinion.

The only thing that matters to the Wild is money. If they got into his pocket, then Savel Prokofich would never part with them. Even the salaries of the workers of the Dikiy have to beg. However, this does not always work out, and if it does, then you will have to listen to a lot of abuse from the rich man.
The main feature of the Wild is rudeness. It can be traced throughout the entire work. From the lips of Savel Prokofich, swear words are constantly pouring in. He is absolutely not shy in expressions, does not restrain himself, without any twinge of conscience humiliates, insults the interlocutor. Calls everyone around "parasites", "asps".

The merchant manifests himself everywhere as a rude and petty tyrant. However, more than others go to his family. Boris Dikoy's nephew was simply hunted down. And all because he depends on him materially. The wife of the fat man, driven to despair, ashamed of her husband's behavior, trembling in front of him, with tears in her eyes, asks all friends and relatives not to anger Savel Prokofich. However, it is difficult to fulfill her request even if desired. The Dykyi's aggressiveness is often not justified. He may not like the appearance of a person, some of his words, look - and the abuse begins.

The value of the image of the merchant in the work

For what purpose did the author introduce this character into his works? To understand the meaning of the image of the Wild in the "Thunderstorm", you need to remember one more trait of this person. The richest and most respected person, Kalinov, is actually an ordinary coward. Dikoy behaves in a boorish way only with those who cannot "fight back", who are weaker morally.

If on the way there is a person who is ready to fight back, the brawler and tyrant "holds his tail". For example, the relationship of the Wild with his clerk Kudryash. He is not at all afraid of the boss and can answer him with rudeness. For this reason, the merchant prefers not to mess with the employee. Respectfully the money-bag treats the domineering and cruel Kabanikha. Next to such people, the merchant's aggressiveness disappears.

In the play "The Thunderstorm" Dikoy is a representative of the "dark kingdom". Moreover, it is a zealous guardian. Wild - the opposite of the "kingdom of light". It wins, if the person does not bow his head, it can fight back.
Such thoughts are prompted by the image of the Wild, to whom the author even gave an eloquent surname. Perhaps the character's flaws are somewhat exaggerated - there is hyperbole here.